This 2015 clip was referenced in our last episode. Skip ahead to the 1:54 mark to hear (that’s Broadway’s former co-host from CT, Jordan) McGraw reveal that he skipped the CMA’s that year…but why? Gotta listen to find out!
The 2017 CMA Awards saw Jason Isbell get nominated over Kip Moore in the Album of the Year category.
I asked Kip if thought that was fair and inadvertently pissed him off. You’ll notice he answers the question just fine, but 24 hours later I got my ass chewed out because he went to his record label who went to my boss who came to me to say, “WTF, bro?”
March 16 – 20, 2018 – Hard Rock Hotel – Riviera Maya, Mexico
Written by Jody Smith (@JoddskiS)
For a third straight year, Zac Brown Band brought its music festival, dubbed Castaway with Southern Ground, to the Hard Rock Hotel in the Riviera Maya, Mexico. One can describe Castaway as 2000+ of your closest friends enjoying nine performances on the main stage plus two sunset shows at an amazing natural lagoon venue. During the day, there was plenty to do for everyone, from foam parties, workouts with members of ZBB, Q&A sessions with the artists, and Chef Rusty Hamlin even put on cooking demo right on the beach. Of course, for the less motivated, you could put your toes in the water and ass in the sand because Castaway truly made life good for the traveling fans.
Everyone came for vacation but the guiding light was the music. Folks from all over the world came together in an amazing location for this reason. The first up was The Record Company (@therecordcomp) in what I feel is was one of the two toughest spots in the lineup, as the leadoff. They delivered and brought some great energy for a non-stop hour & 15 minute set. Next up was Blackberry Smoke, (@blackberrysmoke) who have toured extensively with Zac Brown Band in the past. These guys certainly did not disappoint. If you don’t know their music, just imagine if Chef Rusty took Molly Hatchet, The Allman Brothers & ZBB in his blender, the BBS would pour out. Their 18 song set featured amazing guitar performances which were highlighted by Charlie Starr (not his last performance on the big stage as he showed up with ZBB on Sic ‘em on a Chicken). BBS truly was amazing during their entire set. One of my favorite songs of theirs, One Horse Town, now has a permanent spot on my set lists. The boys finished with a Rolling Stones cover, You Can’t Always Get What You Want, followed by Ain’t Much Left of Me.
Day 2 happened to be St. Patrick’s Day and the color green traveled south of the boarder and from the time the sun came up, there was plenty of energy at Castaway. The resort was covered in green as the day was dubbed Sham Rock n’ Roll. And as 4:30 p.m. arrived, so did the boys from ZBB. Zac came out relaxed in shorts, flip flops, a t-shirt, sunglasses & smile that does not stop for 2 plus hours. Everyone who has been to a Castaway ZBB show, you knew it was going to be different. Zac opened the case very interactive, and laughed while stating, I have been getting pictures sent to me all day with a picture of my face on the asses of a bunch of aussies”. Right in the front suite was five guys from Australia who had specially designed speedos which they wore 24/7 on this trip. This funny moment set the tone for what was about to be a 30 song set list!
The show kicked off with the predictable Castaway, but included many suprises, including Island Song. One of the highlights was My Old Man as Zac was visibly emotional he sang while looking up to the suite. There was a sprinkling of other covers from SOB to 3 Little Birds. But, mostly this set was about ZBB’s own music. There was an amazing version of Who Knows featuring a 14 minute guitar off between Zac & Coy and the finished this amazing set with Jump Right In and Homegrown.
LANCO (@LancoMusic) had the difficult task of following ZBB and I should have had more faith in a group from Nashville. These boys were fun and had great stage presence. They played songs from their first album release, including Greatest Love Story, Hallelujah Nights and Long Live Tonight and mixed in covers like Friends In Low Places and Sweet Caroline. LANCO turned out to be the perfect band for a tough spot in the lineup. Cam (@camcountry) followed LANCO and even though I have not listened to much of her music, hearing her open with her new hit Diane, I could tell you that she has a very powerful, distinct, and soulful voice. Of course, she included her songs Burning House & My Mistake. Cam played to the remaining dedicated St Patrick’s revelers for an hour & a half and no one left was disappointed.
On Sunday the main stage did not fire up until 8:00 p.m. with the Original Wailers. Yet, Coy Bowles (@Coybowles) off ZBB played with his band, the Fellowship, at the Hacienda Lagoon. The stage sits high on a natural rock formation with the gulf behind creating a one of a kind atmosphere. The Wailers (@wailers) had everyone ready to sway and sing along with their favorite Bob Marley tunes. What makes this event, so amazing is the presence of the other acts staying on property and hanging out in the crowd watching the other performers. This night it was members of Blackberry Smoke. The 90 minutes were filled with Buffalo Soldier, I Shot the Sheriff, Stir it Up and, of course, Jamming.
There to close out the night was my most anticipated act, Drake White & The Big Fire (@DrakeWhite). Drake and the band have it all: stage presence, vocals, all the strings, & percussion. These guys played for 90 minutes and its a good thing there is no roof because it would have come down. The boys played everything they had to offer including their most popular The Simple Life, Back to Free, Livin’ the dream, Equator and a great cover of The Beatles, With a Little Help from My Friends. They certainly did not disappoint, as always.
All good things must come to an end and the last night was the power combo of Jake Owen and Zac Brown Band. Jake Owen took the stage and gave a shout out to everyone’s host, ZBB and he knew he had to bring it that night. Jake is quite the entertainer, knows what the crowd wants to hear and does it all. He played a new song, Honkey Tonk, which I enjoyed very much along with old hits like 8 Second Ride. The 90 minute set was filled with all his hits along with John Prine cover, Let’s talk Dirty in Hawaiian. He naturally finished with Barefoot Blue Jean and Beachin’ (straying into a rap snippet of the Fresh Price of Bel Air Theme Song).
Zac Brown Band took the stage at 10 pm and played 29 songs until Castaway officially ended, at 12:35 a.m.! ZBB showed it all off that night, including 15 covers, by my count in all. No crowd interaction tonight as this was serious business. Rocking songs like Day For the Dead and Uncaged got the night started along with covers of Led Zeppelin’s Kashmir, Charlie Daniels Band’s Devil Went Down to Georgia and Kings of Leon’s Use Somebody. The band’s range is amazing and they did not disappoint with hits like Beautiful Drug and Chicken Fried. The night and trip ended with a great Guns N Roses cover of Paradise City.
Hard Rock is perfect venue and vibe for Castaway. I hope ZBB does not end these amazing trips. Because of it we have new friends, new music, & memories to last a lifetime.
Thank you Zac Brown for brining 2200 people from all over the globe to forget everything going on in the world for four days of joy & friendship.
Miller Time schools Broadway on how to drink bourbon, Broadway chats with an old friend about mixing brews, Willie is releasing another, Sam Hunt, Broadway’s Lyft driver story, celebrity confusion, & Better Call Miller Time
Miller Time schools Broadway on how to drink bourbon, Broadway chats with an old friend about mixing brews, Willie is releasing another, Sam Hunt, Broadway’s Lyft driver story, celebrity confusion, & Better Call Miller Time
The evolution of a true musician during the rise of a career has always been interesting to me. There are highs and lows, risks and experimentations, criticism and awards. In the unique case of Jason Isbell, it seems like he has found his home, his star is on the rise, and he has never been happier. I say this because anyone who compares his older songs to the newest album, The Nashville Sound, can see has his lyrics have changed. His past songs are of pain and struggle, as the once full on rocker for the Drive By Truckers was in full on party mood on stage and off. But as his solo career has progressed, and he has found comfort in family (and sobriety), his music has hit its stride. The attention to lyrics, the dedication to his art, and the richness of the instrumentality (aided by the genius of producer extraordinaire Dave Cobb) have taken Jason Isbell to new and great heights. And this has never been more prevalent on the new album, as he takes on themes such as politics, racism, and mortality.
And last night, he brought his show the College Street Music Hall in New Haven, Connecticut, where he has played (and I have attended) three years in a row. This time, a large emblem of an anchor with a bird, which changed colors throughout the set, was draped in the background. I believe this emblem is also tattooed on the biceps of both Isbell and his wife, Amanda Shires (more about her in a moment). Anxiety was the first song played and the sound of Isbell and his 400 Unit Band has never sounded better. The guitars and bass boomed off of the large speakers and the solo’s soared before and after the powerful lyrics. Just like that, they were off and running, mixing in songs off the new album, as well the past two, Something More Than Free and Southeastern. This set was very different from past sets as songs from his early solo career, mainstays like “Dress Blues” or “Alabama Pines” were omitted, but a few Drive By Truckers songs (“Decoration Day”, “Never Gonna Change”) were still part of the show.
What really stood out to me this time around was the sheer happiness that Jason showcased. He spent time laughing and making jokes (at one point stated “I don’t want to be a country singer, I wanted to sing rock n roll” as he broke into the guitar wailing “Cumberland Gap”). He also discussed being happy about having the #4 album on the charts and joked about being able to beat Nickleback in sales. He also showcased his loving side, as the two most moving portions of the show involved simply he and his wife. During “Cover Me Up”, he, at one point, turned himself almost entirely around to sing the lyrics directly to her and spoke about how much it means to him to be able to sing this song her wrote for her, to her every night (see Video clip). And again, the two of them went acoustic on the moving “If We Were Vampires”, which, in my opinion, should have consideration for the Grammy for Song of the Year.
His wife, Amanda Shires, is as beautiful as she is talented, wielding a classically trained fiddle with a wonderful voice aiding in background vocals. All done while wearing huge black heels and a flashy skirt. If you haven’t checked out her solo album, My Piece of Land, you are missing out. Amanda Shires is not to be ignored as she is a true force of her own and a real part of the Jason Isbell & 400 Unit live show.
I must comment on how upset I was with the College Street Music Hall this time around. Usually I applaud them for having an intimate venue, with great staff and full on comfort. It seems that they completely oversold on tickets, as my wife and I were kicked out of where we were standing an astounding seven times within the first five songs (7 in 5!). The staff was pushy, aggressive and downright rude to us and other concertgoers. Finally, we decided to just walk upstairs and watch from the last row in the venue, which happened to be a relaxing and very different experience as we were able to take in the true richness of the show and sound. But, above all, (and I cannot say it enough) check out Jason Isbell’s show and music as often as you can. The dedication to his art is well conceived and masterfully executed in every aspect, creating as rich of a sound as you will hear in any genre of music today.
Every one has said it before: “An actor wants to be a musician now? Oh, give me a break.” I have many times as well. And in most cases, I have been right. However, when I first sat down to listen to Kiefer Sutherland’s “Down A Hole” album, my ears perked up and a grin came over me. This man can sing. And, more impressively, can sing some real authentic country music the way it was intended to be. I am not talking about the watered down, pop mainstream country you hear on the radio, targeted at teenagers looking to party. Kiefer Sutherland writes and sings songs about real life experiences including pain, love, and loss. Once I heard he was playing the Bowery Ballroom, one of my favorite venues, I was intrigued to see how these songs would translate to a live performance.
A few weeks back, I had a chance to interview Kiefer. He spoke about the differences between acting and performing and how scared he was the first time he took the stage. He explained that the first few times he performed his songs live, he felt so vulnerable and had no idea if people would accept him. He also talked about he balanced life as a singer and an actor at the same time. Kiefer is currently filming season 2 of the hit ABC show, Designated Survivor, in Canada. He says he takes his tour bus on site now, instead of the normal actor trailers, so that when he is done shooting during the week, he can head right out to perform concerts on the weekend. He says the schedule has worked out well so that he can split his time equally. Kiefer also confirmed that he working on songs for a second album.
The Bowery Ballroom in New York City is a special venue. It is small and intimate with a sound system and stage setup that puts the fan in touch with a live music experience that always seems to be memorable. And on that windy Thursday night in the City, Kiefer’s fans appeared to be that of all ages. But for everyone, the question was , “do you think he will be good live?” And when Kiefer finally came on stage well past 9 pm, one thing was clear: Kiefer Sutherland can perform. He came out like a bullet out of a gun, with an old West styled hat and a rowdy band (you’ve got love anytime a band has a woman drummer as well). His first song was “Can’t Stay Away”, which included some spirited guitar playing and some yells to the crowd, which immediately showed this was not just a gimmick, Kiefer is taking this music thing seriously.
Kiefer’s first few songs were up tempo and he was energetic and charismatic through-out. But, before singing his first single off his album, “Not Enough Whiskey”, he tossed his hat aside and addressed the crowd. This is when the show really gained its intimacy, as Kiefer began to tell the crowd why he wrote each and every song and really let us into his mind. He was honest and vulnerable, and seemed to have the experience and comfort that usually takes years and years of live performances. And with the stories, the songs gained more meaning, which made me appreciate his songwriting even more.
When I had previously interviewed him, I asked him who some of his musical influences were and the answer was nothing short of diverse. He mentioned names like Tom Petty, Elton John, Bernie Taupin, The Band, Johnny Cash, and Merle Haggard. He said Cash and Haggard wrote such linear songs and that was his initial attraction to country music. And he performed a few cover songs, in his own way, that night in NYC, including the Merle Haggard classic, “The Bottle Let Me Down”. He also closed out his set with Bob Dylan’s “Knockin’ on Heaven’s Door”, but the cover that stood out to me that night was his rendition of Gordon Lightfoot’s “Sundown”.
All in all, Kiefer Sutherland’s live show exceeded my expectations. His genuine persona and true dedication to making music for all the right reasons really became evident hearing him talk and sing. Not to mention that he and his band could jam out as well. The musicianship itself was masterfully executed. I consider 24 to be my favorite television show of all time, and have really enjoyed Kiefer’s acting in all of his many projects. It was really enjoyable to see this actor also become a musician who I can respect now as well. I look forward to hearing more Kiefer Sutherland music and will absolutely see him live again.
Sometimes less is more. Zac Brown Band (ZBB) proved once again they can play to any crowd they want and not just the biggest stadium shows every single show. The capacity at the Bank Pavilion in New Hampshire is only 8,300 and ZBB first played there in 2008 (a year that ZBB only had 41 concert appearances). On those two days (yes I was there) he played with several acts, as at the time, none had enough to fill up a show. It was clear then and still true today that, musically, this group had major range and energy. On this fateful night, one of four in a row, ZBB showcased their range and mastery for a New England crowd who ate it right up.
Yes, I tend to be a creature of habit…. Some might call them issues …. I have seen the Grateful Dead over 100 times, Jimmy Buffett over a 100 times and, yes, have seen ZBB probably more than the average person. This does tend to make you recognize the good shows from the bad. One of the cool things about a ZBB show is the diversity of music and attendees. How often are you going to see a 50+ year old hanging out in the Pit dancing alongside most that are half their age? You will at ZBB. There where kids in the crowd with their grandparents as well as many Military folks in their Dress Blues (and yes of course they were recognized by ZBB, and, some of us in between).
The first night’s show was a tribute to ZBBs’ talented band and music of all genres as everyone in the band’s talents were on display. In cool ZBB fashion, Darrell Scott opened the show and during his final song, the entire ZBB came out to perform with him. Without taking a break they jumped right in to Uncaged and we are off and running. None of the 8,000+ sat for the next 25 songs which included ZBB songs of new and old plus eight covers. The early part of the show left no chance for a breath, as Uncaged, as well as covers of Kashmir and The Devil Went Down to Georgia where all performed without a break. This was truly a tribute to that classic performance style and it was concluded with fiddler, Jimmy De Martini, brining the house down on the Devil!
2 places at 1 time, Keep me in Mind, and Toes followed, in case you were somehow getting tired. Next was another new song, Family Table (which do yourself a favor an listen to, wow underrated song for sure) followed by (love it or hate it) what has become a ZBB staple cover of Bohemian Rhapsody. Without a break, the band jumped into one of their biggest hits to date, Colder Weather. Up next was a true highlight of the show, an amazing cover of the Allman Brothers Band’s Whipping Post, which, to my ear, included a snippet of Midnight Rider. With the death of Gregg Allman that very same weekend, this cover felt all that more meaningful and the band executed it masterfully.
ZBB, as always, recognized our country’s veterans during their rendition of the Jason Isbell penned Dress Blues. This always proves to be a moment that brings tears from the crowd. What followed was a trio of fun Homegrown, Real Thing and Loving You is Easy, followed by their current single, the stripped back, My Old Man. If you were tired it’s too bad as Roots (rumored to be the band’s next single off Welcome Home), followed by an island song medley of Jump Right In /Castaway/Where the Boat Leaves From/Knee Deep. Of course, ZBB had to play their first ever hit, Chicken Fried, as that ended their set before coming out for a two song encore. This included an acoustic performed of John Prine’s All The Best followed up by a bombastic cover of Enter the Sandman.
The crowd shuffled out and, once again, nobody left disappointed. It’s not really a secret that Zac Brown and his band have become one of my favorites, so I am sure some may read this with some bias. It is also not a stretch to say that, although they may not win the Grammy’s or CMA entertainer of the year, ZBB continues to be the most talented collection of musicians and entertainers on tour. The Jekyll and Hyde Tour was not for all, but, do yourself a favor and don’t miss the Welcome Home Tour, because they have gone back to their Roots!
KIP MOORE – ME & MY KIND TOUR (Lowell, MA – October 20, 2016)
Written by Guest Contributor: Lydia Simonetti
Kip Moore is currently out on the road headlining his “Me And My Kind” tour with Jon Pardi, and for select dates, Will Bowen. Last Thursday, the tour stopped in Lowell, Massachusetts (just outside Boston) to play at the Tsongas Center. Kip has an affinity for the city of Boston and with a very strong fan base in the area, consistently sells out his shows there. In fact, at the show I met up with fans from across the country who flew in or drove many hours to attend the show because it was in Boston. I met fans who came in from North Dakota, Colorado, South Carolina, Tennessee, Florida, Pennsylvania, New York and New Hampshire.
The VIP experience is always something special and this was one of the best I’ve experienced. The ticket description says fans will enjoy a 2 song acoustic performance, but Moore always goes way beyond. He takes fan requests and is often stumped by die-hards who throw out titles he admittedly has a hard time remembering the lyrics to, but tries regardless. During this VIP set he played a 9 song set which included a few new tunes and he paused to share some of the stories behind his lyrics. While playing “Guitar Man”, he told the crowd the song will be on the new album due out in 2017 and went on to explain that he remembers “being the faceless, nameless guy on stage…and it can be a lonely, lonely journey”. Closing out the acoustic VIP set with the anthemic, “That Was Us”, as he explained how he had to fight to get the song on his ‘Wild One’s album. Moore said “I refuse to sing songs I’m not passionate about and that’s one of them”. Before leaving the stage he thanked the crowd and said “Boston, you always show me your heart”.
VIP Set List
“Boys Gotta Do”
“Too Young To Die”
“Tougher Than The Rest”
“Mary Was the Marrying Kind”
“That Was Us”
Singer/Songwriter Will Bowen took the stage next to warm up the crowd with a short but very impressive acoustic set. Bowen has a gritty sound that exudes emotion. While he may not be a well known name, he’s already found a great amount of success in other genres and even has a Grammy nomination. He’s signed to Little Extra Music and is currently working with many top artists in Nashville. Bowen also showed his love for the city of Boston by showing the crowd his Larry Bird socks.
Next up was Jon Pardi. Pardi has had recent radio success with songs such as “Head Over Boots”, “What I Can’t Put Down”, “Dirt On My Boots” and “Up All Night”. While the majority of the crowd seemed to sing along to most of his set, I was not very familiar with most of the songs.
Kip Moore took the stage around 9:30pm and true to his nature he and his band “The Slow Hearts” came out ready to rock the crowd opening with “Lipstick”. The crowd especially enjoying the line “Way up above Dixie, Boston, Jersey, New York City”. He played a mix of old and new songs even covering the Jimmy Eat World hit “The Middle”. He then transitioned into an more relaxed, acoustic vibe playing tunes such as “Running For You” and “Hearts Desire”. All the while the crowd sang almost every word back to him. Moore then left the stage briefly to return (wearing his beloved Larry Bird jersey) with his full band for a high energy 5 song encore finishing with “Dirt Road”. Throughout the entire show, Moore took many opportunities to thank his fans for all of the support they continue to show him. Explaining that money isn’t what fuels him, it’s the fans that come out show after show and show he and the band how much they relate to his music.
Having attended many, many Kip Moore shows, Boston is always one of my favorite venues to see one of his shows in and this was certainly no exception. It’s clear that he feels something for the city and his fans there. Once again in an effort to show his appreciation for his fans Moore stayed after the show to sign for every single fan at the merchandise booth. I’ve got to tell you, that’s dedication and appreciation! Having just played for almost two hours and leaving everything you have out on stage to then stay until the last fan meets him is something unique. He’s a class act in an industry that currently seems to be overwhelmed with radio sell-outs. Moore is an artist who stands up for and makes the music he believes in.
Bottom line-do whatever it takes to get to a Kip Moore show, you won’t be disappointed!
Track by Track Discussion: Heart Of A Flatland Boy with Erik Dylan
I had the privilege of sitting down and having a track by track discussion with Erik Dylan, regarding his new, independent album, entitled “Heart of A Flatland Boy”. I hope you all buy or download the album because it really is a breath of fresh air in this day in age of country music. The following are my thoughts after listening to the album followed by where the origins of each song came from by the artist himself …
Heart of a Flatland Boy
MTMS: When I hear this song, I hear a straight up heartland song written for the people who work hard and won’t be knocked down, no matter what. And the way you sing it is raw and unapologetic, sort of the way those its written for live their life.
Erik Dylan: Where I’m from in Kansas, we have a lot to be thankful for. But we also have a lot to be angry about. My people don’t get enough credit for what they do. They are the ones who clock in every day, drive tractors, pour steel, bust their asses and raise their babies. They are also the first to get screwed, laid off, and forgotten. I’m just sick of it. I guess I would consider this song an anthem for the under appreciated shrinking middle class. I feel like in many ways it is my job as a songwriter to write vicariously through them. And I’m damn proud to take that job.
It Aint Broke
MTMS: I love how this song was strategically placed the follow Heart of a Flatland Boy, as its also written about the small town people, but less from the point of view of not being knocked down, but more about how much they love the life they live and appreciate the small time living. The verse about the guy giving up the scholarship for love and a piece of land, but not regretting it really stands out.
Erik Dylan: This song is best described as pure flatland philosophy. If something is working, don’t fix it. There is a beauty in knowing some things will never change. It inspires me. I wrote it about my hometown in Kansas but honestly, this could be anybody’s hometown. It’s beautiful to me. I watch wrecking balls turn history into high rises & parking lots every day on Music Row. It wasn’t broke. It was alive. They broke it. Glad that won’t happen in my town.
MTMS: To say I love this song would be an understatement. From the edgy songwriting to the musical breakdown, this is a hell of a song. Who thought that a song about getting revenge from domestic abuse could also be so catchy. Where did you come from in writing this one?
Erik Dylan: I had that phrase “pushing up pink flamingos” in my head for a few months. When I sat down to write the song with Adam James we came to the conclusion that somebody just had to die in this song. We didn’t want it to go down the typical murder ballad road. I wanted to write it from the perspective of the people who saw what happened and looked the other way. I’m not saying it is right, but I do understand why they pled the fifth. Sometimes bad shit happens to good people. And sometimes small town justice prevails.
Willie Nelson T-Shirt
MTMS: So many emotions run through my mind when hearing this song. It starts with true love, then immediately switches to heartbreak, anger, disgust, and then humor. It’s clever and fun, while still being heartbreaking. How are you able to execute both sides in a single song as a songwriter?
Erik Dylan: I think this is pretty typical of most guys. It is our grieving process after being done wrong. Hurt turns to anger. Anger turns to disgust. And in the end the all you can do is get your favorite Willie Nelson T-shirt back and try to make her jealous as hell on the rebound.
The Good Life
MTMS: Out of all the songs on the album, I could see this being the live show anthem. It’s got such a build and emotional progression. It’s relatable to every listener and brings about a sense of optimism no matter how dark life seems. The line “life ain’t worth living if it ain’t hard” hits you in the heart and gut at the same time.
Erik Dylan: I felt like writing a song that celebrates the struggle of living the so-called “good life”. This song is a tip of the hat to every guy that takes care of their family and hangs in no matter the cost. It’s a song for the ones who get through the rough patches running on faith and love. My dad is one of those guys. I want to be that guy for my family.
Girl That Got Away
MTMS: Your album does not have the prototypical love song, where the writer describes all the great feelings he has when he’s in love. Instead, you bring a heart wrenching approach that brings all the emotions to the surface right after you lose the girl of your dreams and it was all your fault. The slow build and the background sound effects make this a hauntingly beautiful song.
Erik Dylan: I wanted the lyric to stand front and center. I’m incredibly prod of this lyric and wouldn’t change a word. Jake Mitchell & Westin Davis wrote the hell out of this song with me. The music needed to enhance the emotion in my voice. The steel guitar haunts me. Russ Pahl set the mood with steel and created a vehicle for the listener to follow the lyric in. It’s a song about missing a one in a million girl. It had to be dark. I am proud how it turned out.
MTMS: When I first heard this song, I thought what the hell? But, each time I hear it I love it more and find myself singing “Copenhagen habit and a GED”. And it is situated perfectly in the track list as it changes direction from the seriousness for a song and just lets your rock out. Where did the idea of how this song was going to be sung come from?
I needed a black sheep for the record and Astronaut was perfect. We sped the song up 6 clicks and went Ramones on it.
The idea came from a construction worker running a jackhammer outside my publishing office. I was writing with Randy Montana & Driver Williams that day. It was loud all day. Another writer from the building dropped in on us bitching and moaning about how loud it was. I turned to him and said “Ok… We write about our feelings all day at our job. That guy runs a jackhammer for 8 hours a day. Shut the F up.” That’s how the idea started.
Your Way Down
MTMS: This seems to have the simple message of a guy who is so in love with a woman that he tells her he will wait for her. But it has a little twist, as he throws a dig in there that he knows she will climb the ladder and fall back down.
Erik Dylan: I have seen this a million times. The girl that thinks there is something better to chase out there in the world. She walks out on the one guy who really loves her and has the strength to do it because she has a parachute. He’s gonna be there when she falls because he truly loves her. There is a lot of anger in this tune but I think it is warranted. However, if you love somebody you have to forgive them eventually if you ever want a shot at that white picket fence & two kids in the yard.
MTMS: I am an emotional train wreck when I hear this song. The songwriting and the story are just perfection. I think the lyrics speak for themselves for all who listen. My question is how in the world do you hold it together enough to sing it live?
Erik Dylan: I don’t. I had tears in my eyes at my last show. I’m never going to hide my emotions on stage. I think I owe my audience that kind of honesty. It’s ok to feel something. That’s why we are here. That song continues to make me feel something every night. It reminds me to call the ones I love and never take them for granted.
Map Dot Town
MTMS: When I hear this song I get such a sense of nostalgia mixed with pride as I think every listener will bring themselves back to a time in their life where the words from this song connect with them. I know I have heard a version backed by a full band, but you chose the acoustic version for the album. I think it’s a poignant conclusion to this heartland adventure, how did you come about that decision?
Erik Dylan: I wanted the listener to hear the song how it was written. One guitar and one voice in a room. It had to be all about the song. I wanted the world to hear it on my back porch at 2am with Jake Mitchell when we wrote it. The only thing this recording is missing is the sound of the crickets in my backyard.
I know where I’m from. It has made me who I am. The heart of this flatland boy will always be in Muscotah, Kansas. I write what I know. And I know where home is.