ZAC BROWN BAND’S CASTAWAY WITH SOUTHERN GROUND
March 16 – 20, 2018 – Hard Rock Hotel – Riviera Maya, Mexico
Written by Jody Smith (@JoddskiS)
For a third straight year, Zac Brown Band brought its music festival, dubbed Castaway with Southern Ground, to the Hard Rock Hotel in the Riviera Maya, Mexico. One can describe Castaway as 2000+ of your closest friends enjoying nine performances on the main stage plus two sunset shows at an amazing natural lagoon venue. During the day, there was plenty to do for everyone, from foam parties, workouts with members of ZBB, Q&A sessions with the artists, and Chef Rusty Hamlin even put on cooking demo right on the beach. Of course, for the less motivated, you could put your toes in the water and ass in the sand because Castaway truly made life good for the traveling fans.
Everyone came for vacation but the guiding light was the music. Folks from all over the world came together in an amazing location for this reason. The first up was The Record Company (@therecordcomp) in what I feel is was one of the two toughest spots in the lineup, as the leadoff. They delivered and brought some great energy for a non-stop hour & 15 minute set. Next up was Blackberry Smoke, (@blackberrysmoke) who have toured extensively with Zac Brown Band in the past. These guys certainly did not disappoint. If you don’t know their music, just imagine if Chef Rusty took Molly Hatchet, The Allman Brothers & ZBB in his blender, the BBS would pour out. Their 18 song set featured amazing guitar performances which were highlighted by Charlie Starr (not his last performance on the big stage as he showed up with ZBB on Sic ‘em on a Chicken). BBS truly was amazing during their entire set. One of my favorite songs of theirs, One Horse Town, now has a permanent spot on my set lists. The boys finished with a Rolling Stones cover, You Can’t Always Get What You Want, followed by Ain’t Much Left of Me.
Day 2 happened to be St. Patrick’s Day and the color green traveled south of the boarder and from the time the sun came up, there was plenty of energy at Castaway. The resort was covered in green as the day was dubbed Sham Rock n’ Roll. And as 4:30 p.m. arrived, so did the boys from ZBB. Zac came out relaxed in shorts, flip flops, a t-shirt, sunglasses & smile that does not stop for 2 plus hours. Everyone who has been to a Castaway ZBB show, you knew it was going to be different. Zac opened the case very interactive, and laughed while stating, I have been getting pictures sent to me all day with a picture of my face on the asses of a bunch of aussies”. Right in the front suite was five guys from Australia who had specially designed speedos which they wore 24/7 on this trip. This funny moment set the tone for what was about to be a 30 song set list!
The show kicked off with the predictable Castaway, but included many suprises, including Island Song. One of the highlights was My Old Man as Zac was visibly emotional he sang while looking up to the suite. There was a sprinkling of other covers from SOB to 3 Little Birds. But, mostly this set was about ZBB’s own music. There was an amazing version of Who Knows featuring a 14 minute guitar off between Zac & Coy and the finished this amazing set with Jump Right In and Homegrown.
LANCO (@LancoMusic) had the difficult task of following ZBB and I should have had more faith in a group from Nashville. These boys were fun and had great stage presence. They played songs from their first album release, including Greatest Love Story, Hallelujah Nights and Long Live Tonight and mixed in covers like Friends In Low Places and Sweet Caroline. LANCO turned out to be the perfect band for a tough spot in the lineup. Cam (@camcountry) followed LANCO and even though I have not listened to much of her music, hearing her open with her new hit Diane, I could tell you that she has a very powerful, distinct, and soulful voice. Of course, she included her songs Burning House & My Mistake. Cam played to the remaining dedicated St Patrick’s revelers for an hour & a half and no one left was disappointed.
On Sunday the main stage did not fire up until 8:00 p.m. with the Original Wailers. Yet, Coy Bowles (@Coybowles) off ZBB played with his band, the Fellowship, at the Hacienda Lagoon. The stage sits high on a natural rock formation with the gulf behind creating a one of a kind atmosphere. The Wailers (@wailers) had everyone ready to sway and sing along with their favorite Bob Marley tunes. What makes this event, so amazing is the presence of the other acts staying on property and hanging out in the crowd watching the other performers. This night it was members of Blackberry Smoke. The 90 minutes were filled with Buffalo Soldier, I Shot the Sheriff, Stir it Up and, of course, Jamming.
There to close out the night was my most anticipated act, Drake White & The Big Fire (@DrakeWhite). Drake and the band have it all: stage presence, vocals, all the strings, & percussion. These guys played for 90 minutes and its a good thing there is no roof because it would have come down. The boys played everything they had to offer including their most popular The Simple Life, Back to Free, Livin’ the dream, Equator and a great cover of The Beatles, With a Little Help from My Friends. They certainly did not disappoint, as always.
All good things must come to an end and the last night was the power combo of Jake Owen and Zac Brown Band. Jake Owen took the stage and gave a shout out to everyone’s host, ZBB and he knew he had to bring it that night. Jake is quite the entertainer, knows what the crowd wants to hear and does it all. He played a new song, Honkey Tonk, which I enjoyed very much along with old hits like 8 Second Ride. The 90 minute set was filled with all his hits along with John Prine cover, Let’s talk Dirty in Hawaiian. He naturally finished with Barefoot Blue Jean and Beachin’ (straying into a rap snippet of the Fresh Price of Bel Air Theme Song).
Zac Brown Band took the stage at 10 pm and played 29 songs until Castaway officially ended, at 12:35 a.m.! ZBB showed it all off that night, including 15 covers, by my count in all. No crowd interaction tonight as this was serious business. Rocking songs like Day For the Dead and Uncaged got the night started along with covers of Led Zeppelin’s Kashmir, Charlie Daniels Band’s Devil Went Down to Georgia and Kings of Leon’s Use Somebody. The band’s range is amazing and they did not disappoint with hits like Beautiful Drug and Chicken Fried. The night and trip ended with a great Guns N Roses cover of Paradise City.
Hard Rock is perfect venue and vibe for Castaway. I hope ZBB does not end these amazing trips. Because of it we have new friends, new music, & memories to last a lifetime.
Thank you Zac Brown for brining 2200 people from all over the globe to forget everything going on in the world for four days of joy & friendship.
Miller Time schools Broadway on how to drink bourbon, Broadway chats with an old friend about mixing brews, Willie is releasing another, Sam Hunt, Broadway’s Lyft driver story, celebrity confusion, & Better Call Miller Time
Proper Glassware, ZBB Bourbon, The Kiss, Montgomery Gentry Interview, Time For 5.
Jason Isbell & The 400 Unit
College Street Music Hall
New Haven, Connecticut
June 26, 2017
The evolution of a true musician during the rise of a career has always been interesting to me. There are highs and lows, risks and experimentations, criticism and awards. In the unique case of Jason Isbell, it seems like he has found his home, his star is on the rise, and he has never been happier. I say this because anyone who compares his older songs to the newest album, The Nashville Sound, can see has his lyrics have changed. His past songs are of pain and struggle, as the once full on rocker for the Drive By Truckers was in full on party mood on stage and off. But as his solo career has progressed, and he has found comfort in family (and sobriety), his music has hit its stride. The attention to lyrics, the dedication to his art, and the richness of the instrumentality (aided by the genius of producer extraordinaire Dave Cobb) have taken Jason Isbell to new and great heights. And this has never been more prevalent on the new album, as he takes on themes such as politics, racism, and mortality.
And last night, he brought his show the College Street Music Hall in New Haven, Connecticut, where he has played (and I have attended) three years in a row. This time, a large emblem of an anchor with a bird, which changed colors throughout the set, was draped in the background. I believe this emblem is also tattooed on the biceps of both Isbell and his wife, Amanda Shires (more about her in a moment). Anxiety was the first song played and the sound of Isbell and his 400 Unit Band has never sounded better. The guitars and bass boomed off of the large speakers and the solo’s soared before and after the powerful lyrics. Just like that, they were off and running, mixing in songs off the new album, as well the past two, Something More Than Free and Southeastern. This set was very different from past sets as songs from his early solo career, mainstays like “Dress Blues” or “Alabama Pines” were omitted, but a few Drive By Truckers songs (“Decoration Day”, “Never Gonna Change”) were still part of the show.
What really stood out to me this time around was the sheer happiness that Jason showcased. He spent time laughing and making jokes (at one point stated “I don’t want to be a country singer, I wanted to sing rock n roll” as he broke into the guitar wailing “Cumberland Gap”). He also discussed being happy about having the #4 album on the charts and joked about being able to beat Nickleback in sales. He also showcased his loving side, as the two most moving portions of the show involved simply he and his wife. During “Cover Me Up”, he, at one point, turned himself almost entirely around to sing the lyrics directly to her and spoke about how much it means to him to be able to sing this song her wrote for her, to her every night (see Video clip). And again, the two of them went acoustic on the moving “If We Were Vampires”, which, in my opinion, should have consideration for the Grammy for Song of the Year.
His wife, Amanda Shires, is as beautiful as she is talented, wielding a classically trained fiddle with a wonderful voice aiding in background vocals. All done while wearing huge black heels and a flashy skirt. If you haven’t checked out her solo album, My Piece of Land, you are missing out. Amanda Shires is not to be ignored as she is a true force of her own and a real part of the Jason Isbell & 400 Unit live show.
I must comment on how upset I was with the College Street Music Hall this time around. Usually I applaud them for having an intimate venue, with great staff and full on comfort. It seems that they completely oversold on tickets, as my wife and I were kicked out of where we were standing an astounding seven times within the first five songs (7 in 5!). The staff was pushy, aggressive and downright rude to us and other concertgoers. Finally, we decided to just walk upstairs and watch from the last row in the venue, which happened to be a relaxing and very different experience as we were able to take in the true richness of the show and sound. But, above all, (and I cannot say it enough) check out Jason Isbell’s show and music as often as you can. The dedication to his art is well conceived and masterfully executed in every aspect, creating as rich of a sound as you will hear in any genre of music today.
- Something More Than Free
- Hope the High Road
- 24 Frames
- Decoration Day
- White Man’s World
- Chaos and Clothes
- Cumberland Gap
- The Life You Chose
- Last of My Kind
- Flying Over Water
- Cover Me Up
- If It Takes a Lifetime
- Children of Children
- Never Gonna Change
- If We Were Vampires
- Super 8
New York City – May 25, 2017
Written by Ryan Miller
Live Photos by Ashley Colona
Every one has said it before: “An actor wants to be a musician now? Oh, give me a break.” I have many times as well. And in most cases, I have been right. However, when I first sat down to listen to Kiefer Sutherland’s “Down A Hole” album, my ears perked up and a grin came over me. This man can sing. And, more impressively, can sing some real authentic country music the way it was intended to be. I am not talking about the watered down, pop mainstream country you hear on the radio, targeted at teenagers looking to party. Kiefer Sutherland writes and sings songs about real life experiences including pain, love, and loss. Once I heard he was playing the Bowery Ballroom, one of my favorite venues, I was intrigued to see how these songs would translate to a live performance.
A few weeks back, I had a chance to interview Kiefer. He spoke about the differences between acting and performing and how scared he was the first time he took the stage. He explained that the first few times he performed his songs live, he felt so vulnerable and had no idea if people would accept him. He also talked about he balanced life as a singer and an actor at the same time. Kiefer is currently filming season 2 of the hit ABC show, Designated Survivor, in Canada. He says he takes his tour bus on site now, instead of the normal actor trailers, so that when he is done shooting during the week, he can head right out to perform concerts on the weekend. He says the schedule has worked out well so that he can split his time equally. Kiefer also confirmed that he working on songs for a second album.
The Bowery Ballroom in New York City is a special venue. It is small and intimate with a sound system and stage setup that puts the fan in touch with a live music experience that always seems to be memorable. And on that windy Thursday night in the City, Kiefer’s fans appeared to be that of all ages. But for everyone, the question was , “do you think he will be good live?” And when Kiefer finally came on stage well past 9 pm, one thing was clear: Kiefer Sutherland can perform. He came out like a bullet out of a gun, with an old West styled hat and a rowdy band (you’ve got love anytime a band has a woman drummer as well). His first song was “Can’t Stay Away”, which included some spirited guitar playing and some yells to the crowd, which immediately showed this was not just a gimmick, Kiefer is taking this music thing seriously.
Kiefer’s first few songs were up tempo and he was energetic and charismatic through-out. But, before singing his first single off his album, “Not Enough Whiskey”, he tossed his hat aside and addressed the crowd. This is when the show really gained its intimacy, as Kiefer began to tell the crowd why he wrote each and every song and really let us into his mind. He was honest and vulnerable, and seemed to have the experience and comfort that usually takes years and years of live performances. And with the stories, the songs gained more meaning, which made me appreciate his songwriting even more.
When I had previously interviewed him, I asked him who some of his musical influences were and the answer was nothing short of diverse. He mentioned names like Tom Petty, Elton John, Bernie Taupin, The Band, Johnny Cash, and Merle Haggard. He said Cash and Haggard wrote such linear songs and that was his initial attraction to country music. And he performed a few cover songs, in his own way, that night in NYC, including the Merle Haggard classic, “The Bottle Let Me Down”. He also closed out his set with Bob Dylan’s “Knockin’ on Heaven’s Door”, but the cover that stood out to me that night was his rendition of Gordon Lightfoot’s “Sundown”.
All in all, Kiefer Sutherland’s live show exceeded my expectations. His genuine persona and true dedication to making music for all the right reasons really became evident hearing him talk and sing. Not to mention that he and his band could jam out as well. The musicianship itself was masterfully executed. I consider 24 to be my favorite television show of all time, and have really enjoyed Kiefer’s acting in all of his many projects. It was really enjoyable to see this actor also become a musician who I can respect now as well. I look forward to hearing more Kiefer Sutherland music and will absolutely see him live again.
- Can’t Stay Away
- I’ll Do Anything
- Truth In Your Eyes
- Not Enough Whiskey
- Going Home
- Shirley Jean
- The Bottle Let Me Down (Merle Haggard Cover)
- Calling Out Your Name
- Ways To Be Wicked
- All She Wrote
- Down In A Hole
- Rebel Wind
- Sundown (Gordon Lightfoot Cover)
- Knockin’ On Heaven’s Door (Bob Dylan Cover)
Zac Brown Band
Bank of NH Pavilion, New Hampshire
Memorial Day Weekend 4 Night take Over
by Jody Smith
Sometimes less is more. Zac Brown Band (ZBB) proved once again they can play to any crowd they want and not just the biggest stadium shows every single show. The capacity at the Bank Pavilion in New Hampshire is only 8,300 and ZBB first played there in 2008 (a year that ZBB only had 41 concert appearances). On those two days (yes I was there) he played with several acts, as at the time, none had enough to fill up a show. It was clear then and still true today that, musically, this group had major range and energy. On this fateful night, one of four in a row, ZBB showcased their range and mastery for a New England crowd who ate it right up.
Yes, I tend to be a creature of habit…. Some might call them issues …. I have seen the Grateful Dead over 100 times, Jimmy Buffett over a 100 times and, yes, have seen ZBB probably more than the average person. This does tend to make you recognize the good shows from the bad. One of the cool things about a ZBB show is the diversity of music and attendees. How often are you going to see a 50+ year old hanging out in the Pit dancing alongside most that are half their age? You will at ZBB. There where kids in the crowd with their grandparents as well as many Military folks in their Dress Blues (and yes of course they were recognized by ZBB, and, some of us in between).
The first night’s show was a tribute to ZBBs’ talented band and music of all genres as everyone in the band’s talents were on display. In cool ZBB fashion, Darrell Scott opened the show and during his final song, the entire ZBB came out to perform with him. Without taking a break they jumped right in to Uncaged and we are off and running. None of the 8,000+ sat for the next 25 songs which included ZBB songs of new and old plus eight covers. The early part of the show left no chance for a breath, as Uncaged, as well as covers of Kashmir and The Devil Went Down to Georgia where all performed without a break. This was truly a tribute to that classic performance style and it was concluded with fiddler, Jimmy De Martini, brining the house down on the Devil!
2 places at 1 time, Keep me in Mind, and Toes followed, in case you were somehow getting tired. Next was another new song, Family Table (which do yourself a favor an listen to, wow underrated song for sure) followed by (love it or hate it) what has become a ZBB staple cover of Bohemian Rhapsody. Without a break, the band jumped into one of their biggest hits to date, Colder Weather. Up next was a true highlight of the show, an amazing cover of the Allman Brothers Band’s Whipping Post, which, to my ear, included a snippet of Midnight Rider. With the death of Gregg Allman that very same weekend, this cover felt all that more meaningful and the band executed it masterfully.
ZBB, as always, recognized our country’s veterans during their rendition of the Jason Isbell penned Dress Blues. This always proves to be a moment that brings tears from the crowd. What followed was a trio of fun Homegrown, Real Thing and Loving You is Easy, followed by their current single, the stripped back, My Old Man. If you were tired it’s too bad as Roots (rumored to be the band’s next single off Welcome Home), followed by an island song medley of Jump Right In /Castaway/Where the Boat Leaves From/Knee Deep. Of course, ZBB had to play their first ever hit, Chicken Fried, as that ended their set before coming out for a two song encore. This included an acoustic performed of John Prine’s All The Best followed up by a bombastic cover of Enter the Sandman.
The crowd shuffled out and, once again, nobody left disappointed. It’s not really a secret that Zac Brown and his band have become one of my favorites, so I am sure some may read this with some bias. It is also not a stretch to say that, although they may not win the Grammy’s or CMA entertainer of the year, ZBB continues to be the most talented collection of musicians and entertainers on tour. The Jekyll and Hyde Tour was not for all, but, do yourself a favor and don’t miss the Welcome Home Tour, because they have gone back to their Roots!
KIP MOORE – ME & MY KIND TOUR (Lowell, MA – October 20, 2016)
Written by Guest Contributor: Lydia Simonetti
Kip Moore is currently out on the road headlining his “Me And My Kind” tour with Jon Pardi, and for select dates, Will Bowen. Last Thursday, the tour stopped in Lowell, Massachusetts (just outside Boston) to play at the Tsongas Center. Kip has an affinity for the city of Boston and with a very strong fan base in the area, consistently sells out his shows there. In fact, at the show I met up with fans from across the country who flew in or drove many hours to attend the show because it was in Boston. I met fans who came in from North Dakota, Colorado, South Carolina, Tennessee, Florida, Pennsylvania, New York and New Hampshire.
The VIP experience is always something special and this was one of the best I’ve experienced. The ticket description says fans will enjoy a 2 song acoustic performance, but Moore always goes way beyond. He takes fan requests and is often stumped by die-hards who throw out titles he admittedly has a hard time remembering the lyrics to, but tries regardless. During this VIP set he played a 9 song set which included a few new tunes and he paused to share some of the stories behind his lyrics. While playing “Guitar Man”, he told the crowd the song will be on the new album due out in 2017 and went on to explain that he remembers “being the faceless, nameless guy on stage…and it can be a lonely, lonely journey”. Closing out the acoustic VIP set with the anthemic, “That Was Us”, as he explained how he had to fight to get the song on his ‘Wild One’s album. Moore said “I refuse to sing songs I’m not passionate about and that’s one of them”. Before leaving the stage he thanked the crowd and said “Boston, you always show me your heart”.
VIP Set List
- “Boys Gotta Do”
- “Too Young To Die”
- “Guitar Man”
- “Hang Awhile”
- “Tougher Than The Rest”
- “Mary Was the Marrying Kind”
- “That Was Us”
Singer/Songwriter Will Bowen took the stage next to warm up the crowd with a short but very impressive acoustic set. Bowen has a gritty sound that exudes emotion. While he may not be a well known name, he’s already found a great amount of success in other genres and even has a Grammy nomination. He’s signed to Little Extra Music and is currently working with many top artists in Nashville. Bowen also showed his love for the city of Boston by showing the crowd his Larry Bird socks.
Next up was Jon Pardi. Pardi has had recent radio success with songs such as “Head Over Boots”, “What I Can’t Put Down”, “Dirt On My Boots” and “Up All Night”. While the majority of the crowd seemed to sing along to most of his set, I was not very familiar with most of the songs.
Kip Moore took the stage around 9:30pm and true to his nature he and his band “The Slow Hearts” came out ready to rock the crowd opening with “Lipstick”. The crowd especially enjoying the line “Way up above Dixie, Boston, Jersey, New York City”. He played a mix of old and new songs even covering the Jimmy Eat World hit “The Middle”. He then transitioned into an more relaxed, acoustic vibe playing tunes such as “Running For You” and “Hearts Desire”. All the while the crowd sang almost every word back to him. Moore then left the stage briefly to return (wearing his beloved Larry Bird jersey) with his full band for a high energy 5 song encore finishing with “Dirt Road”. Throughout the entire show, Moore took many opportunities to thank his fans for all of the support they continue to show him. Explaining that money isn’t what fuels him, it’s the fans that come out show after show and show he and the band how much they relate to his music.
Having attended many, many Kip Moore shows, Boston is always one of my favorite venues to see one of his shows in and this was certainly no exception. It’s clear that he feels something for the city and his fans there. Once again in an effort to show his appreciation for his fans Moore stayed after the show to sign for every single fan at the merchandise booth. I’ve got to tell you, that’s dedication and appreciation! Having just played for almost two hours and leaving everything you have out on stage to then stay until the last fan meets him is something unique. He’s a class act in an industry that currently seems to be overwhelmed with radio sell-outs. Moore is an artist who stands up for and makes the music he believes in.
Bottom line-do whatever it takes to get to a Kip Moore show, you won’t be disappointed!
Kip Moore Set List
- “Wild Ones”
- “What I Do”
- “Beer Money”
- “Up All Night”
- “The Middle”
- “I’m To Blame”
- “Come And Get It”
- “Young Love”
- “Thats Alright With Me”
- “Running For You”
- “Hearts Desire”
- “Crazy One More Time”
- “Hey Pretty Girl”
- “Something Bout’ A Truck”
- “That Was Us”
- “Dirt Road”
Track by Track Discussion: Heart Of A Flatland Boy with Erik Dylan
I had the privilege of sitting down and having a track by track discussion with Erik Dylan, regarding his new, independent album, entitled “Heart of A Flatland Boy”. I hope you all buy or download the album because it really is a breath of fresh air in this day in age of country music. The following are my thoughts after listening to the album followed by where the origins of each song came from by the artist himself …
Heart of a Flatland Boy
MTMS: When I hear this song, I hear a straight up heartland song written for the people who work hard and won’t be knocked down, no matter what. And the way you sing it is raw and unapologetic, sort of the way those its written for live their life.
Erik Dylan: Where I’m from in Kansas, we have a lot to be thankful for. But we also have a lot to be angry about. My people don’t get enough credit for what they do. They are the ones who clock in every day, drive tractors, pour steel, bust their asses and raise their babies. They are also the first to get screwed, laid off, and forgotten. I’m just sick of it. I guess I would consider this song an anthem for the under appreciated shrinking middle class. I feel like in many ways it is my job as a songwriter to write vicariously through them. And I’m damn proud to take that job.
It Aint Broke
MTMS: I love how this song was strategically placed the follow Heart of a Flatland Boy, as its also written about the small town people, but less from the point of view of not being knocked down, but more about how much they love the life they live and appreciate the small time living. The verse about the guy giving up the scholarship for love and a piece of land, but not regretting it really stands out.
Erik Dylan: This song is best described as pure flatland philosophy. If something is working, don’t fix it. There is a beauty in knowing some things will never change. It inspires me. I wrote it about my hometown in Kansas but honestly, this could be anybody’s hometown. It’s beautiful to me. I watch wrecking balls turn history into high rises & parking lots every day on Music Row. It wasn’t broke. It was alive. They broke it. Glad that won’t happen in my town.
MTMS: To say I love this song would be an understatement. From the edgy songwriting to the musical breakdown, this is a hell of a song. Who thought that a song about getting revenge from domestic abuse could also be so catchy. Where did you come from in writing this one?
Erik Dylan: I had that phrase “pushing up pink flamingos” in my head for a few months. When I sat down to write the song with Adam James we came to the conclusion that somebody just had to die in this song. We didn’t want it to go down the typical murder ballad road. I wanted to write it from the perspective of the people who saw what happened and looked the other way. I’m not saying it is right, but I do understand why they pled the fifth. Sometimes bad shit happens to good people. And sometimes small town justice prevails.
Willie Nelson T-Shirt
MTMS: So many emotions run through my mind when hearing this song. It starts with true love, then immediately switches to heartbreak, anger, disgust, and then humor. It’s clever and fun, while still being heartbreaking. How are you able to execute both sides in a single song as a songwriter?
Erik Dylan: I think this is pretty typical of most guys. It is our grieving process after being done wrong. Hurt turns to anger. Anger turns to disgust. And in the end the all you can do is get your favorite Willie Nelson T-shirt back and try to make her jealous as hell on the rebound.
The Good Life
MTMS: Out of all the songs on the album, I could see this being the live show anthem. It’s got such a build and emotional progression. It’s relatable to every listener and brings about a sense of optimism no matter how dark life seems. The line “life ain’t worth living if it ain’t hard” hits you in the heart and gut at the same time.
Erik Dylan: I felt like writing a song that celebrates the struggle of living the so-called “good life”. This song is a tip of the hat to every guy that takes care of their family and hangs in no matter the cost. It’s a song for the ones who get through the rough patches running on faith and love. My dad is one of those guys. I want to be that guy for my family.
Girl That Got Away
MTMS: Your album does not have the prototypical love song, where the writer describes all the great feelings he has when he’s in love. Instead, you bring a heart wrenching approach that brings all the emotions to the surface right after you lose the girl of your dreams and it was all your fault. The slow build and the background sound effects make this a hauntingly beautiful song.
Erik Dylan: I wanted the lyric to stand front and center. I’m incredibly prod of this lyric and wouldn’t change a word. Jake Mitchell & Westin Davis wrote the hell out of this song with me. The music needed to enhance the emotion in my voice. The steel guitar haunts me. Russ Pahl set the mood with steel and created a vehicle for the listener to follow the lyric in. It’s a song about missing a one in a million girl. It had to be dark. I am proud how it turned out.
MTMS: When I first heard this song, I thought what the hell? But, each time I hear it I love it more and find myself singing “Copenhagen habit and a GED”. And it is situated perfectly in the track list as it changes direction from the seriousness for a song and just lets your rock out. Where did the idea of how this song was going to be sung come from?
Your Way Down
MTMS: This seems to have the simple message of a guy who is so in love with a woman that he tells her he will wait for her. But it has a little twist, as he throws a dig in there that he knows she will climb the ladder and fall back down.
Erik Dylan: I have seen this a million times. The girl that thinks there is something better to chase out there in the world. She walks out on the one guy who really loves her and has the strength to do it because she has a parachute. He’s gonna be there when she falls because he truly loves her. There is a lot of anger in this tune but I think it is warranted. However, if you love somebody you have to forgive them eventually if you ever want a shot at that white picket fence & two kids in the yard.
MTMS: I am an emotional train wreck when I hear this song. The songwriting and the story are just perfection. I think the lyrics speak for themselves for all who listen. My question is how in the world do you hold it together enough to sing it live?
Erik Dylan: I don’t. I had tears in my eyes at my last show. I’m never going to hide my emotions on stage. I think I owe my audience that kind of honesty. It’s ok to feel something. That’s why we are here. That song continues to make me feel something every night. It reminds me to call the ones I love and never take them for granted.
Map Dot Town
MTMS: When I hear this song I get such a sense of nostalgia mixed with pride as I think every listener will bring themselves back to a time in their life where the words from this song connect with them. I know I have heard a version backed by a full band, but you chose the acoustic version for the album. I think it’s a poignant conclusion to this heartland adventure, how did you come about that decision?
Erik Dylan: I wanted the listener to hear the song how it was written. One guitar and one voice in a room. It had to be all about the song. I wanted the world to hear it on my back porch at 2am with Jake Mitchell when we wrote it. The only thing this recording is missing is the sound of the crickets in my backyard.
Zac Brown Band – Fenway Park, Boston, MA (August 21, 2016)
Written by Jody Smith
Eric Church – Red Rocks Amphitheatre, Colorado (August 9 & 10, 2016)
Written by Kristin Hamlin
The weather couldn’t have been more perfect for the first of an epic two night special acoustic event by Eric Church at the legendary Red Rocks. Lightning flashes went off everywhere, but never a sound all night, but there was no rain. It was almost as if the Heavens were enjoying this show as well.
Eric Church. Two words, but one big meaning.
I was fortunate to land sixth row, smack dab in the center at Red Rocks for both nights of Eric Church last week. I have been to my share of concerts at this Amphitheatre, but I knew this time would be different. The way the stage was set up was as if you were in Eric’s living room; rugs and candles lit the stage, with just a piano and a microphone.
You could hear a pin drop as the lights went down and Eric was about to come on stage. As soon as those familiar ray bans and side smirk became visible, the crowd erupted into a standing ovation. Eric sat there in awe for a about a minute, taking it all in, and then the familiar chords of ‘Mistress Named Music’ started playing, and everyone began to sing as loud as they could, never missing a beat. What none of us were expecting, was when Eric broke out into covers of other people’s songs in the middle of Mistress. (like a rock, ain’t got money, piano man, troubadours) and then ended it with the last chorus of Mistress. It was incredible.
Without missing a beat, he flowed into ‘Mr. Misunderstood’. The crowd was so loud singing it back to him, he let us sing the chorus to him, and as we did, he just smiled and mouthed ‘thank you for this’ to us. That was definitely one of my favorite parts of the night. He then went on to sing Smoke, Drink in my Hand and Record Year, and then ‘Mixed Drinks About Feelings’. Next was his upcoming single, ‘Kill a Word’, and before singing it, he told the crowd how he didn’t think there was a more appropriate song to sing with all that has been going on in the world. The passion in the way he sang this song was goosebump-worthy, as you could tell this song meant a whole lot to him. Then came ‘Pledge Allegiance to the Hag’, ‘Rock and roll Jesus’, ‘Homeboy’, ‘Creepin’, ‘Dark Side’ ‘Living part of life’, ‘Jack Daniels’, and ‘Wrecking Ball’ – where he even had Peyton Manning jamming right behind him. The crowd didn’t miss a word!
What happened next warmed everyone’s hearts. Eric spoke quietly and said ‘I promised someone I would play this…I hope I can make it through the song’ and turned around to where his son was sitting and blew him a kiss. ‘Three Year Old’ was the song he sang for him and I teared up watching him singing it, because I knew behind those sun glasses, he was doing the same thing. It was absolutely magical. Then came ‘Cold One’ and ‘Chattanooga Lucy’ and the energy was wild!
Next, Eric had said the next song he had never played live before, but he wanted to play it because the first time he came to Red Rocks, this song came on his bus, and it stuck with him so much, and he had told his band just hours before he was going to play it. The second the first verse came from his mouth, the audience didn’t make a sound, and we all watched in awe as Eric played Leonard Cohen’s ‘Hallelujah’ – his voice as strong as I’ve ever heard it. It was probably at that moment, that I realize I was witnessing the best live act I have ever seen in my life. I have never been that impressed and touched with any artist I’ve seen, but this show was much different.
He followed that by singing ‘Knives of New Orleans’, ‘These Boots’, ‘Talladega’ and ‘Holding My Own’ and bowed his head and said thank you again and left the stage. The crowd, who never sat down once, chanted his name, and in seconds, Eric was back out, singing my personal favorite ‘Those I’ve Loved’. This was the best closing song I could think of.
The show the next night was completely different, which made this concert experience unlike any other. He had said he had one song he knew he was going to sing for sure, and the rest he just made up as it went, following the energy of the crowd. As soon as the show ended, the quiet lightning stopped.
Dawes – The Capitol Theatre, Port Chester, NY (July 14, 2016)
The best part of doing this blog is the fact that I am always being introduced to new music and new bands I ordinarily would not hear if I was just a casual radio listener. Last January, I attended country super group, Zac Brown Band’s Mexican Music Festival known as “Castaway With Southern Ground”. On that bill was a number of acts spanning multiple genres of music. One such band was Dawes, a band I had never heard of at the time. I did my due diligence getting to know each of the acts appearing Castaway and was more than pleasantly surprised with what I heard from Dawes. Not only have their four LPs now become some of my most used records, but they have become one of my truly favorite bands in all of music today. When I heard they were coming to my area and playing the Capitol Theater in Port Chester, NY, I did not hesitate in the least.
And not unlike what I witnessed in Mexico back in January, Dawes set off like a bullet out of a gun with the rousing I Can’t Think About It Now and never looked back. It was great to see the entire theater at max capacity, with the crowd singing and even, at times, jumping up and down, to the alternative rock/folk tunes that make Dawes seem so very authentic. I had a friend with me who was relatively new to their music, but came along because of how much I’ve been talking about them. And when Duane Betts ripped into his first of numerous solo’s on his electric guitar on that first song, his eyebrows went up and simply stated, “oh wow”.
And that expression really summed up the entire night as each song seemed to turn into its own rock show as all five members of the band showcased their incredible musicianship with Taylor Goldsmith controlling the forefront with his impeccable vocals, unstoppable energy, as well as impressive bouncing skills while ripping the guitar. Songs such as If I Wanted Someone, Things Happen, Fire Away, and Most People were full on sing-a-longs, while others were complete jam outs admist the original lyrics of the song (Now That It’s Too Late, Maria seemed to turn into a fifteen minute song). The brothers Goldsmith, Griffin and Taylor, took to the forefront for two passionate acoustic songs, highlighted by the beautiful Take Me Out Of The City. And the entire crowd erupted when the anthemic When My Time Comes (which was recently featured for the NBA Draft) was performed with vigor and zeal.
However, the true highlight of the night, was during A Little Bit Of Everything, which was introduced by Taylor exclaiming “…it’s a weird time right now, but it is times like these that remind us that we love each other a lot. We are all on the same team!” The song spoke to the truths of love, heartbreak, and all the feelings you encounter in life. Taylor sang the song almost with a preaching tone that made the message all that more effective. And when the band ended the spectacular set with All Your Favorite Bands, another song with a hopeful message, it was clear this band called Dawes is one of the most authentic and talented today’s music has. They have won me over as a fan and, I am sure, if you were in the building last night, you understood the brilliance that this band has achieved as well.
- I Can’t Think About It Now
- If I Wanted Someone
- Things Happen
- Somewhere Along The Way
- Bear Witness
- My Girl To Me
- Fire Away
- From A Window Seat
- Now That It’s Too Late, Maria
- How Far We’ve Come
- Take Me Out of the City
- From the Right Angle
- A Little Bit of Everything
- When My Time Comes
- Most People
- All Your Favorite Bands
GARTH BROOKS – YANKEE STADIUM, NYC (July 9, 2016)
After years and years of hearing about how amazing Garth Brooks was as a live performer, I made my way into the Bronx on Saturday afternoon bracing myself for a once in a lifetime experience. When all was said and done at 2 a.m., my feelings were certainly mixed, mostly due to the unfortunate and confusing three plus hour rain delay. However, there is simply no way I could overlook the performance and spectacle that Garth put forth late into the night.
I got to my seat at approximately 8:15, just fifteen minutes before he was supposed to get on stage. I had just had an amazing dinner at NYY Steak and was feeling like the evening was set up perfectly to be a memorable experience. With a light drizzle in the air, the last thing I was thinking about was a delay. Even at 9:15, more than forty five minutes after the start time, with the entire Stadium seating filled to capacity, we all thought it was just a matter of time. But, then, the stage crew began to come out with tarps and plastic to fill the giant sized circle stage extension and we all began to fear there was a delay, despite there being no announcement. Finally, after 10 pm, more than one hour and a half from the start time, with still just a drizzle (if that) in the air, the Stadium announced we were in a rain delay. Most were furious, including me, that it took this long to make the announcement, but more so that they could have gotten most of the show in already. What was worse, was they cleared the pit and floor area, and alcohol sales ended. The scene within the Stadium was angry, tired, and anxious.
Finally at about 11 pm, we were allowed back to our seats. It had rained extremely hard during the 10 to 11 pm hour, but that did not make anyone feel better about the situation. At midnight (yes, freaking midnight), Garth finally took to the stage. There was simply no energy from the crowd at that point as people half heartedly clapped when he came out. I was expecting some dramatic entrance, but instead Garth just walked out and apologized for the wait. But then something unexpected happened, song by song he won back the crowd and energized the iconic Stadium deep into the night air.
From Rodeo to Two Pina Coladas to That Summer, it was clear Garth was going to do everything he could to salvage the night. He moved from side to side of the huge stage and even used the slick circle extension a few times. He told the crowd he was not going to be able to do some of the performance runs like he usually did (another bummer due to the rain), but all in all it was clear he was born to perform. And the crowd was in the palm of his energetic hands by the eighth song of the night as the huge screens flashed lighting and rumbled thunder as he put forth an amazing rendition of the epic Thunder Rolls, with the hidden verse included (to the crowd’s delight). From there on, the crowd was up and standing, singing, and dancing in unison.
He claimed that they were “making up the setlist as they went along”, but that was hardly true as it very much mirrored the night before, despite some changes and crowd requests. One such change from the previous night was my favorite Garth song of all time, “Much Too Young (Too Feel This Damn Old)”. The twang of his voice echoed in the Stadium and truly made me appreciate not only the mastery of his performance style, but the perfection of his voice in a Stadium, at that. Halfway through the show, his wife Trisha Yearwood came out to perform a five song set. The crowd went crazy when they shared an embrace at the end of In Another’s Eyes, but her solo performances of How Do I Live and She’s In Love With the Boy got two of the biggest responses from the fans all night. Her mid show set was a great change of pace and I got a new found respect for Trisha as a performer as well.
The true climax of the show occurred with the three songs before the rather forgettable encore, consisting of a bombastic Callin’ Baton Rouge, followed an epic sing-a-long Friends In Low Places and concluding with the heartfelt The Dance. No three songs may say more about Garth Brooks’ career in terms of the depth, reach, diversity, and passion he has for his music. After those three songs it really sunk in to me that I was seeing one of the best performers I’ve ever seen in the 500 or so concerts I have seen.
The encore was a mixed bag for me as I felt his best songs were already performed and it was so late (1:45 in the AM) I was beginning to expire. He ended the night with a Billy Joel cover of Piano Man followed by Standing Outside the Fire which included five minutes worth of fireworks, which seemed unnecessary due to it being 2 am. However, all in all, I am glad I waited out the annoying rain delay because the show itself was indeed a spectacle and Garth is a world class performer. But, I can’t help but feel like I was cheated out of the full Garth Brooks experience, but I guess that just means I will have to see him again in the future.
- 2 Pina Coladas
- That Summer
- You Move Me
- The River
- We Shall Be Free
- Night Moves
- The Thunder Rolls
- Papa Loved Mama
- Unanswered Prayers
- Much Too Young (To Feel This Damn Old)
- In Another’s Eyes (with Trish Yearwood)
- When Will I Be Loved (by Trish Yearwood)
- How I Live (by Trish Yearwood)
- Georgia Rain (by Trish Yearwood)
- She’s In Love With the Boy (by Trish Yearwood)
- Callin’ Baton Rouge
- Friends In Low Places
- The Dance
- She’s Every Woman (Encore)
- It’s Your Song (Encore)
- If Tomorrow Never Comes (Encore)
- Wrapped Up In You (Encore)
- Piano Man (Encore)
- Standing Outside the Fire (Encore)
COUNTRY STAMPEDE – MANHATTAN, KANSAS
JUNE 24, 2016 – Tim McGraw, Chris Janson, Josh Abbott Band, High Valley, and Gunnar & The Grizzly Boys
by Austin Earl
It was a lazy Tuesday afternoon in Manhattan, Kansas. With the temperature being 104°, there was nothing I wanted to do outside, so I played around on Twitter and sent an innocent Tweet to Dierks Bentley and Chris Janson. With their upcoming shows in Manhattan, I wanted to inform them that this future fish biologist could show them some good spots around town to catch white bass and walleye. Janson responded with the most unexpected, best Tweet I have ever received.
The tickets were for Day 2 of Country Stampede. Stampede is the largest music festival in the state of Kansas, and brings out the big names of country. Headliners this year included Sam Hunt, Dierks Bentley, Tim McGraw and Jake Owen. The Day 2 artists were Gunnar & the Grizzly Boys, High Valley, Josh Abbott Band, Janson, and McGraw. Will call was having problems finding our tickets, so we missed most of Gunnar & the Grizzly Boys.
High Valley exceeded my expectations. They had a good bluegrass feel in a lot of their songs and entertained the crowd well. They were very interactive and did not look awkward like a lot of artists that are in a similar career stage. They went full bluegrass while playing I’ll Fly Away and their talent was evident. They also showed some Florida Georgia Line-esque music with their song County Line. If they stick to their bluegrass roots they could be a very entertaining band for crowds in the future.
For me, the day really started when Josh Abbott Band took the stage. JAB has always been one of my favorite acts since I heard the song I’ll Sing About Mine for the first time a couple of years ago. The “Band” portion of the namesake put on a great show. The fiddle player had a crazy amount of talent. Unfortunately, Abbott’s voice just wasn’t there for him. I do not know if he had a cold or what was going on with him, but he could not hit the high notes that makes his range so impressive on the studio albums. In fact, he sang all of the chorus of Amnesia down an octave. As an entertainer, he was very good. He was energetic, brought out a t-shirt cannon, and made fun of the Kansas Jayhawks—always a welcome pander in Manhattan. I would be interested in seeing him again at some point to see him with his full voice.
After JAB finished, it was finally time for Chris Janson. Many people only know Buy Me A Boat, but Janson has a lot of good cuts on his debut record. The hour and a half long set let him showcase those songs as well as play some of his favorite older songs. I had heard rumors about his crazy antics on stage, so I had high expectations for his show. He did not disappoint. Janson was absolutely electric on stage. He said “you’re about to see 135 pounds of skinny white dude play a harmonica like you’ve never seen” and then he did exactly that. His vocal range was as ridiculous as his harmonica playing. He doesn’t sing high all that often on stage, but he covered Merle Haggard and hit every note in the song. He also played an oddly fun punk rock version of Ring of Fire by Johnny Cash. He interacted with pretty much everyone along the stage, signing hats and talking directly with the people. While singing Buy Me A Boat, he brought four little girls up on stage and had them sing with him. He lit up the stage and looked like he had just as much fun as anyone at the festival.
The headliner Tim McGraw finished up the day. I was personally most excited for Janson coming into the day, but it hit me about five minutes before McGraw took the stage that he was someone I’ve listened to since I was two. Words to his songs were some of the first words I knew in any music. He was one of the influential artists that helped foster my love for not just country music, but music in general. When you’re a 49 year-old with 52 number one hits, you can basically send your band out there alone and the crowd will sing all of your songs for you. McGraw didn’t do that, thankfully, but he did let the crowd sing most of his old songs’ choruses. It was kind of chilling to hear how many people McGraw’s music has touched as almost every person—from 16 to 60 year olds—in the crowd knew every word. As someone who would like to get into making music and performing, it was amazing to see how an artist can transcend generations. McGraw had a lot of energy and made the concert fun, but the star of his set was his music rather any antics. At this stage in his career, it would impossible for that not to be the case.
Overall, my girlfriend and I enjoyed a wonderful day of diverse country music in the middle of a field. To me, it just doesn’t get much better than that.
Josh Abbott set list:
1. Road Trippin’
2. Live While You Got It
3. Hangin’ Around
4. All of a Sudden
5. I’ve Been Known
7. She Will Be Free
8. Where’s the Party?
10. She’s Like Texas
11. I Just Wanna Love You
12. Flatland Farmer
13. While We’re Young
14. Callin’ Baton Rogue
15. My Texas
16. Wasn’t That Drunk
17. Oh, Tonight
19. Highway to Hell
Chris Janson set list:
1. Back in My Drinkin’ Days
2. Redneck Revival
3. Eastbound and Down
4. Better I Don’t
5. Save a Little Sugar
6. White Trash
7. Country Boy Can Survive
8. Holdin’ Her
9. Love This Life
10. Dancing in the Dark
13. Yeah It Is
14. Good Hearted Woman
15. Right in the Middle
16. Buy Me a Boat
17. Ring of Fire
Tim McGraw set list:
1. How Bad Do You Want It
2. Green Grass Grows
3. I Like, I Love It
5. Southern Girl
6. Real Good Man
7. Red Rag Top
8. Here Tonight
9. Just to See You Smile
10. One of Those Nights
12. Shotgun Rider
13. How It Will Always Be
14. All I Want is a Life
15. Indian Outlaw
16. Truck Yeah
17. Something Like That
18. Live Like You Are Dyin’
DAVE MATTHEWS BAND – June 11, 2016 – Xfinity Theatre – Hartford, CT
Dave Matthews Band took to the Xfinity Theatre stage in Hartford, Connecticut this past Saturday night to celebrate twenty five years of turning themselves into one of the biggest touring acts on the face of the planet. This night, per usual in New England, the show was sold out. And one of the best things about this DMB crowd was that there were people of all ages, from teenagers to people in their 60s. And that is a testament to who they have become as a touring act as they have not changed their jam band sound along the way, and it appeals to generations abound.
Each and every setlist at a Dave Matthews Band show is different and full of surprises. I have been to approximately seven of their shows dating back to my first in 1999 and I’ve always appreciated the diversity of songs from all eras of their career chosen to be part of their shows. To me, this shows true showmanship and musicianship in a live act. Nothing is worse than the artist who goes out and performs the same practiced setlist night in and night out, with no surprises or nothing to keep their fans guessing. And this night was no different.
Right off the bat, DMB sunk their teeth into Pig and Proudest Monkey, followed by one of their most commercially accepted songs, Crash Into Me, all from their earliest albums. But then the song selections jumped from their newer albums like Seven back to Grey Street, with “commercial” songs sandwiched between, like the nostalgic The Space Between. And as the night went on, the jam outs and guitar solo’s became longer and more intense. I was overjoyed to hear two of my personal favorite songs live in Rapunzel and Why I Am, while some of the die hards seemed to sing louder to If Only and Belly Belly Nice.
Dave Matthews, himself, is an unique lead man. He seems to be a bit reserved with an odd sense of humor. However, he was full of smiles and jokes throughout the night and even traded his acoustic guitar for a piano on two songs. His talented band members seemed to sit back a lot more than in shows past, as they were happy to let their lead man get most of the limelight. Either way, their musicianship surely shined bright during the band’s jam outs. And, at no time did that shine brighter, than during the encore when the band ripped into a cover of Bob Dylan’s legendary All Along The Watchtower. I was surprised that it was only an one song encore, but it was a great show nonetheless. I hear that DMB is taking off next year from touring to create a new album, but I foresee many, many more touring years in this great American band.
- Proudest Monkey
- Crash Into Me
- Seek Up
- The Space Between
- Grey Street
- Out of My Hands
- Samurai Cop
- Pantala Naga Pampa
- If Only
- Why I Am
- Bob Law
- Typical Situation
- Belly Belly Nice
- Digging a Ditch
- You Might Die Trying
- All Along the Watchtower (ENCORE)
With the release of his new CD, Lattin 101, Pat Lattin is ready to break into the newest echelon of singer-songwriters. A native of Bridgeport, Connecticut, Pat has been serious about music since he picked up his first guitar at the age of twelve. He attended Berklee College of Music in Boston where he studied performance and songwriting. He formed his first bands soon thereafter and recorded several demos. After some time, he assembled a group of studio veterans and laid down an EP.
Lattin 101 marks a new direction for Pat. At the helm is fellow Berklee musician, drummer and producer Tyler LeVander. The songs range from ethereal to contemplative to no-holds-barred rock and roll. All have the stamp of something that is not just innovative, but mold-breaking.
Flying in the face of conventional artists, Pat Lattin—and his music—defies description. One may hear familiar melodic structure, but then comes the unexpected: complex, unique chord structures; songs with multiple “movements”; rhythmic adventures with wonderfully jarring changes.
Unlike some other singer-songwriters, Pat Lattin can play. Acoustic, electric, rhythm, lead, you name it. Listeners will hear subtle nuance, supple backing and scorching leads, all combining in a sound that, quite simply, breaks new ground.
“I feel new songs,” says Pat. “Some picking can become a head, a verse or a chorus. I have a simple rule on guidelines: I disregard them. Some songs are culled from others. I just assemble what sounds ‘at home’ to me.” The result: tunes that comfort, provoke, and surprise. Some veer close to a precarious edge but somehow never lose control. They can turn heads and startle, but concurrently seem to bring the listener to a landing—if not a seamless, safe one.
Pat is equally adept at playing solo as he is with his band. At every venue, he manages to invite the audience into his world—a world of wonder, texture and new horizons. Perhaps an early listener described a Pat Lattin performance best, “I don’t know what I just heard … but I need to hear it again. Right now.”
Speaking thematically, Pat Lattin compositions touch on friendly discord (“Thanks for the Advice”); a Poe-like walk through the macabre (“Mad Hatter”); the plaint of a lonely sailor (“Edge of the World”), and possibly the world’s first song about a baggage claim (“Queen of the Carousel”).
Audiences can pick up Lattin 101 on June 20th. The album will be available via all popular digital outlets. Physical copies will also drop on that date.
For more information, contact email@example.com.
BILLY JOEL – MADISON SQUARE GARDEN – NYC – MAY 27, 2016
I had the extreme privilege of seeing yet another musical icon, amidst a recording breaking run of sold out shows at the “World’s Most Famous Arena”, when I saw Billy Joel at Madison Square Garden. I have been to a low of shows in my lifetime, and dozens at Madison Square Garden and can say that this venue always has a unique aura of electricity from the crowd. And this night was no different, as the sold out crowd was loud and proud to be Billy Joel fans all night long. And Billy returned the favor, treating the crowd as if he personally knew them.
Billy was seated at a rotating piano for the entire show sans the encore. During the set, he played mega-hits, such as Movin’ Out, New York State of Mind, and The River of Dreams, and expectedly received beams of applause from the dancing crowd. But, early on, he did something I’ve never seen another live performer do before. Two separate times, he announced two songs and asked the crowd to pick between the two by their applause. The winning songs were Vienna (over The Stranger) and Zanzibar (over Big Man On Mulberry Street). It truly showed how comfortable Billy Joel is as a live entertainer. At no point did anything he or his band did seem staged or practiced. It was just a man and his band going out and playing for a bunch of people who felt like they knew him. And knew his music they did.
Other highlights included Billy bringing out twenty or so members of the Navy during Goodnight Saigon. Not only was it Memorial Day weekend, but also Fleet Week in New York City. Chants of USA thundered down from the entire arena during this moving moment. On the other side of things was when Billy dedicated The Entertainer to Donald Trump. I personally think, based on the lyrics of the song, that it was done as a jab at Trump. But, the Presidential Nominee obviously did not think so since the next day he took to Twitter to thank Billy personally for the dedication. However, there was no louder portion of the show than when he ended his set with two of his most famous songs, Scenes From an Italian Restaurant and Piano Man, the latter of which the crowd did most of the singing with Billy sitting there in awe.
Billy came out to a stirring six song encore chock full of classics. And instead of sitting at his baby grand, he took to the edge of the stage with an electric guitar and jammed out. During the final song, Only The Good Die Young, you could literally feel the arena floor bouncing. All in all, the concert was a great experience and one that everyone should get a ticket to as Billy continues his run as the first ever music franchise.
- Seen The Lights Go Out on Broadway
- Summer, Highland Falls
- Summertime Blues
- Movin’ Out
- The Entertainer
- The Boys of Summer
- New York State of Mind
- My Life
- Goodnight Saigon
- Keeping the Faith
- Sometimes a Fantasy
- She’s Always a Woman
- Don’t Ask Me Why
- The River of Dreams
- Summer in the City
- Scenes From an Italian Restaurant
- Piano Man
- We Didn’t Start the Fire (Encore)
- Uptown Girl (Encore)
- It’s Still Rock and Roll to Me (Encore)
- Big Shot (Encore)
- You May Be Right (Encore)
- Only The Good Die Young (Encore)
ZAC BROWN BAND: BLACK OUT THE SUN TOUR
MAY 19, 2016 – HARTFORD, CT
WITH SPECIAL GUEST, DRAKE WHITE & THE BIG FIRE
Last night, Zac Brown Band kicked off their new Black Out The Sun Tour in Hartford, Connecticut and absolutely captivated a sold out crowd. This show had a little bit of everything for the music fan in everyone, from country to rock, with a little reggae and electronic mixed therein. More than anything, what separates a ZBB live show is the fact that, every night of the tour, you are going to get a completely different setlist, not the same 18 songs in the same order like most of the other acts out there touring. Of course, this was night one of the tour, but you could tell the song choices were strategically chosen and masterfully executed.
For anyone who has been to a ZBB show before, a highlight is always what covers are they going to play. Because, not only are they a band who has pumped out 15 #1 hits and 4 #1 albums, but they are probably the best cover band out there as well. In years past, I’ve seen them cover songs from Metallica, Rage Against the Machine, Bob Marley, Tom Petty, Queen, and so many more. This night did not disappoint in the least, as they performed four amazing and very diverse cover songs: “No Way No” by Magic, “S.O.B.” by Nathaniel Riley, “Wrong Way” by Sublime, and “Teenage Wasteland” by The Who. Yes, you did not read those four titles wrong.
On top of it all were the hits, like “Homegrown”, “Toes” and “Chicken Fried”, as well as a great acoustic portion which featured “Sweet Annie”, “Colder Weather”, and a rare song found on ZBB’s first album which was an independent release, called “On This Train”. Only the diehard ZBB fans know about that album, and many having been dying to hear that song live, which was a special treat. The stage was intense, with multiple levels, a new horn section, and graphics that were very high tech. During the song “Tomorrow Never Comes”, the Black Sun illuminated the entire amphitheater and turned it into an intense rave with trippy colors and the band jumping in unison. Overall, the show is a can’t miss this summer from music’s most talented live band.
And not to be overlooked in the least, was Drake White & The Big Fire, who opened the show to much intrigue and acceptance. Sometimes being a relatively unknown act without an album for fans to get exposed to your music may be held against an artist in a live setting. However, Drake White took to the stage with the performing swagger of a season veteran. He pumped out country anthems such as “Back To Free” and “Living The Dream” as well as feeding to the ZBB crowd with covers such as a Beatles classic. “It Feels Good” had the crowd grooving as Drake used every inch of the stage and showed no signs of being a rookie. I caught up with him after his show and he told me he was excited about his first album and that he is shooting for an August release date. Fans need to get ready, because he is going to be around for a long time.
- Whiskey’s Gone
- Let It Go
- No Way No
- Day That I Die
- Teenage Wasteland
- Sweet Annie
- On This Train
- Colder Weather
- Chicken Fried
- Goodbye In her Eyes
- Tomorrow Never Comes
- Wrong Way
- Knee Deep
- Heavy Is The Head
- Beautiful Drug
Zac Brown Band’s Castaway With Southern Ground
at the Hard Rock Hotel – Riviera Maya, Mexico
with Trombone Shorty, Dawes, Michael Franti, Kacey Musgraves, The Wailers, Brett Dennen & Darrell Scot
This past January, Zac Brown Band embarked on a familiar mission of giving its fans a healthy dose of great music, food, and entertainment, but this time, in a not so familiar setting. I have been a fan of the Zac Brown Band since their beginnings. I have been a member of their fan club, the “Zamily”, since its first few weeks of its existence. So, when I heard that ZBB was putting together an all inclusive concert vacation at the Hard Rock Hotel in Riviera Maya, Mexico, I was all in. While this is not the first time a band or artist has put together a concert vacation experience, and it was not ZBB’s first time (they previously did one a few years ago in Punta Cana), they are usually paired up with similar artists in the same genre. What I love so much about ZBB is that you cannot fit them into any single genre, and this was so evidenced by the acts that Zac hand picked to be a part of the four night extravaganza. Instead of your typical country music festival feel that acts like Luke Bryan or Lady Antebellum have put together in resort settings, Castaway was much more than that. With acts such as Trombone Shorty, Dawes, Michael Franti, Kacey Musgraves, The Wailers, Brett Dennen, and Darrell Scott, the music side of Castaway became a true celebration of all music.
When putting together an event like this, all details must be worked out ahead of time, and ZBB, Could 9, the Zamily, and the Hard Rock Hotel did this and more. Not only was the resort enormous and beautiful, but it was kept clean and had all the options you could think of for a resort vacation. What was very cool was they gave each resort guest a number of resort credits that could be used in a variety of ways. My wife and I used them to upgrade menu choices at some of the restaurants, private cabana’s on the beach, and for entrance to the spa as well as services there. There were various pools located at the resort where the party crowds seemed to gravitate towards, while the guests who wanted to relax and unwind had a plethora of choices along their enormous beach front. And right in the middle of it all, was a huge stage fit for any large music festival, where the musical magic went down at night.
Each night had a different line-up consisting of different artists and different set times. The first night was kicked off by Brett Dennen, an eccentric musician who has a very different delivery, but one who I enjoyed a great deal. He has had some hits that have showed up on different commercials and movies, such as “Comeback Kid” (look it up, I am positive you’ve heard it). When he hit the stage, the Castaway guests were chomping at the bit for some music, so his show was accepted very positively. With the music playing, the cool Mexican breeze blowing and the neon lights flashing in the sky, you knew you the next few nights were going to be something very special. The second act of the night was The Wailers, Bob Marley’s old backing band who has continued to tour after his untimely passing. And for fans of the old Bob Marley & The Wailers Greatest Hits, there show contained every single one of the classics. The lead singer did very well to engage the crowd as the entire concert courtyard turned into a dance party. “One Love”, “Jamming”, “Exodus” and many more were full out sing-a-longs as The Wailers played on to midnight closing out a very fun and diverse first night of music.
However, the second day was the one all the guests were looking forward to the most as Zac Brown Band was set to take the stage right before sundown. I caught up with Clay Cook, multi instrumentalist for ZBB and a solo artists in his own right, and he told me how much he was looking forward to taking the stage because the band hadn’t played together for a few months. He told me he was meeting up with Zac that afternoon to discuss the setlist because “they knew it had to be something different and special”. And different and special it was, as ZBB performed a flawless two hour set full of song from each one of their projects, including songs I had never heard live before despite the fact that I’ve seen them live more than two dozen times.
Naturally, their set began with “Castaway” and was finished off by “Toes”, two of their island themed songs. But it was tracks such as “Day That I Die”, “Cold Hearted” and “Natural Disaster” that made this set so memorable for the die hard Zamily members who paid their way out to Mexico hoping to see their favorite band celebrate their career. Of course, there were the hits such as “Free”, and “Homegrown” thrown in, because, well, ZBB has hits. But it was refreshing to hear all of their catalogue played live. And to make this set even more memorable for me, personally, was the fact that I got to watch the majority of the show from a rooftop suite overlooking the stage with the ocean in the background at sunset, thanks to a few good friends I made while on the vacation. This set, for me, will always be one of my favorite two hours of live music that I’ve ever witnessed.
After ZBB’s set it was announced by T-Bird, the Zamily’s Manager, that Brian Collins was going to be performing at one of the bars on the resort. I had never heard Brian Collins’ music before but my friends urged me to go and see him and I am happy I did. Brian has a true Southern Ground type feel to his music and he performed a stirring acoustic set with his guitar and harmonica, as well as help from ZBB’s Daniel De Los Reyes and John Driscoll Hopkins. The catchy song “Healing Highway” really stood out to me and made me buy his album when I got back home. And I unfortunately did not get to see Michael Franti’s performance that night, but from what I heard, he had some of the best energy of any of the performers and hope to catch him in the future.
The next day we were treated to a songwriting seminar with Coy Bowles of the ZBB and a guacamole cook off with Chef Rusty Hamlin, the band’s touring chef. The seminar with Coy was outstanding as he spoke on how the band comes up with lines in songs and musical breakdowns. For instance he told us that the band goofily created the song “Castaway” based off a dance some older women were doing in the front row of a ZBB show. Or how the intro to “Colder Weather” was just stumbled upon at 5 am by Clay Cook at a piano at Kid Rock’s house, while he was still half asleep. To hear how some of the songs ZBB fans love were created was truly priceless. I even got to meet the lead singer of Dawes, Taylor Goldsmith, at the bar that afternoon. Overall, it was a solid day with lots of fun and personalized options for the fans.
That night we were treated to shows by Dawes and Kacey Musgraves. For me, aside from the ZBB sets, the two hour set by Dawes was the most memorable of the four nights. I had never heard their music before they were announced as a performer at Castaway and I spent the months leading up to the vacation, experiencing their four albums on vinyl. And wow, was I blown away by their live performance. I would describe Dawes as a folk-rock-jam band as they take a folk like approach to their songwriting with a lot of rock rifts, but then jam out for minutes at a time on almost every other song. “My Time Comes”, “Things Happen”, and “All Your Favorite Bands” are probably their most well known songs, but it was other tracks such as “I Can’t Think About It Now” and “Somewhere Along The Way” that were most impressive live because each of the band members absolutely owned their instruments with bombastic jam outs. They completely won me over and I will now see them live every time they are in my area.
Up after Dawes was country sweetheart, Kacey Musgraves. She put forth a low energy, free flowing set that paired very nicely with the breezy Mexican night. Kacey’s first album, “Same Trailer, Different Park” has become one of my favorite albums, although her second album did not really connect with me the same way. Her stage persona has changed a bit as she used to be very earthy, but now dresses in a strange tutu as her bandmates dressed in pink suits. It all comes across as a bit cheesy to me, but her songs, nonetheless, are pure country and of much quality. I watched half the set with the crowd and half the set from my friend’s rooftop with a cigar and some whiskey, which really brought together the relaxing atmosphere that Kacey creates.
The final day of Castaway included tequila tasting seminars, a dance class with Daniel De Los Reyes, and a Tropical Sunset dinner prepared by Chef Rusty with acoustic music from Darrell Scott. The food was amazing as Rusty cooked up suckling pigs and some freshly caught fish along with lots of authentic Mexican food. Darrell Scott performed on a stage that was in the middle of the ocean with help from ZBB band member Matt Mangano. It was a perfect kick off before the final pairing of Trombone Shorty and Zac Brown Band.
Trombone Shorty & Orleans Avenue performed on the main stage first on the final night and they put forth an equally impressive and energetic set. Trombone Shorty himself is a dynamic performer who uses every inch of the stage while he sings, raps, and plays a number of instruments, most notably, the trombone. His band members were extremely skilled as his guitarist ripped filthy solo’s and his horn and sax sections had their time to shine as well. Trombone Shorty had everyone dancing and grooving from start to finish and was much more than just a warm up for the finale of the vacation. I even got to hang with him in the crowd during ZBB’s set and he was incredibly personable.
ZBB performed the finale set of the Castaway experience with another two hour set chock full of hits and rare cuts from all of their albums. Incredibly, they did not repeat a single song from their previous Mexican set two days earlier, which I dare you to find me another act who can do that. “Quiet Your Mind”, “Settle Me Down”, and “Different Kind of Fine” were some of the rarely heard live songs that were performed, along with hits such as “Keep Me In Mind”, “Goodbye in Her Eyes” and “Beautiful Drug”.
A few highlights included Darrell Scott coming out for the song he co-wrote with Zac, “Remedy”, fiddler Jimmy De Martini’s face melting solo on their cover of “Neon”, and the “Broken Arrows” performance that Zac is featured on with the EDM artist, Avicii . Over all, the show was high energy and Zac and the boys were amped up throughout. Fittingly, the four night concert experience was capped with ZBB’s breakout hit, “Chicken Fried”, which made the courtyard feel like a family style sing-a-long. It was a masterfully executed event on all fronts as the music, food, resort, and personal attention were impeccable. Zac told the crowd he wanted to do this again next year right back at the Hard Rock. Mark my words, if they do it again, I will be there. It truly was easy living down in paradise …
Bruce Springsteen & The E Street Band
February 10, 2016
The River Tour
XL Center – Hartford, CT
Thirty Five years ago, Bruce Springsteen released an album which catapulted his career to new heights, that album was The River. Bruce has often stated that The River was the gateway to his future writing. The songs on this project were created during a recession in America, where a lot of people were struggling just to make it by. The twenty songs that make up the album fully showcase why people consider Springsteen a voice of the blue-collar, hard-working people of this country. And last night, at the XL Center in Hartford, Connecticut, Bruce and his E Street Band performed the entire album, in order, to a sold out and boisterous crowd.
I’ve seen Bruce live now almost a dozen times and no show of his is just the “greatest hits” that so many artists go out and perform the same set night after night. It is a three and a half hour celebration of his entire career. So if you come to one of his shows, you need to come prepared with an appreciation for his full catalogue. However, the first two hours last night was a beautiful rendition of the classic The River album which had a mixture of energy, pain, and truth. Whether he was crowd surfing during Hungry Heart or playing a flawless harmonica during The River, or showcasing his band’s many talents in songs such as Sherry Darling or Cadillac Ranch, the full understanding of how each of that project’s songs tied together really brought the performance to a special level. I thought the most moving moment of the night was during Point Blank where most of the stage was dimmed and the dark lyrics really shined through and captivated the entire arena.
And in true, Bruce Springsteen fashion, once the entire The River was performed, he blasted into another twelve songs which had the crowd up, dancing, and jumping around. This double encore of sorts, included hits such as Born To Run, Thunder Road, and Dancing In The Dark. One of the best parts of the evening was seeing the interaction between Bruce and his new saxophonist, who happens to be the late Clarence Clemons’ nephew, Jake Clemons. Jake’s uncle would be very proud of him as he did his best to fill the void that Clarence’s death left on the Band and the music community as a whole. And he was very impressive as he used every bit of the stage and belted out tons of sax solo’s to the crowd’s absolute delight.
All in all, I have yet to attend a Bruce Springsteen show that disappoints and this was no exception. In fact, due to the fact that the entire two track The River was performed in its entirety, made the night even more special. Bruce shows no sign of aging as both his voice and his energy on stage seemingly have not changed in forty years. I hope he and the E Street Band continue to do more tours celebrating their storied past while continuning to give their fans new music during their journey as living legends.
- Meet Me In the City
- The Ties That Bind
- Sherry Darling
- Jackson Cage
- Two Hearts
- Independence Day
- Hungry Heart
- Out in the Street
- Crush on You
- You Can Look
- I Wanna Marry You
- The River
- Point Blank
- Cadillac Ranch
- I’m a Rocker
- Fade Away
- Stolen Car
- The Price You Pay
- Drive All Night
- Wreck on the Highway
- No Surrender
- Cover Me
- She’s the One
- Loose Ends
- Because the Night
- The Rising
- Thunder Road
- Born to Run
- Dancing in the Dark
- Bobby Jean
Erik Dylan – Live at the Wolf Den, Mohegan Sun – November 19, 2015
A multitude of music fans were treated to an impressive ninety minute set this past Thursday night, by one of Nashville’s up and coming singer-songwriters, Erik Dylan. For those of you who say you have not heard his name before, that could be entirely true. However, based on what is on Erik Dylan’s current plate, that is all about to change. Erik took a few days off from his busy schedule on Nashville’s Music Row, where he is busy writing songs under his publishing deal with Cornman Music, as well as putting the finishing touches on an album he hopes to release in the first half of 2016. Backed by a full band at the intimate Wolf Den located in the heart of Mohegan Sun Casino in Uncasville, Connecticut, Erik showcased songs about his Kansas roots, love and relationships, life’s struggles and losses, and a few tunes about having some good old fun.
This was Erik’s second time playing Mohegan Sun, but my first time seeing his live show. I was very familiar with his music from the songs available for download on iTunes and the numerous clips from his die hard fans on YouTube. His set flowed seamlessly starting off with a touch of party mixed in with a couple classic rock covers, including mash-ups with songs from Steve Miller and Tom Petty. And his fans, who filled the Wolf Den to almost capacity, seemed to know each and every word to songs such as “Where The Party At”, “Beer For That”, “Hot Thing” and “Living For A Friday Night”, the latter of which has been getting steady airplay on Country 92.5’s morning show, the Electric Barnyard with Broadway. Erik has a very relaxed stage presence that is both smooth and soulful. The way he annunciates his lyrics is done with genuine confidence that would make you think he has been on the big stage for decades.
The most impressive part of the set, in my opinion, was when Erik and his female guitarist were the sole people on stage for an acoustic set. The songs chosen for this portion were fan requested and it really highlighted who Erik Dylan is as an artist: a masterful songwriter who can paint a picture with lyrics. The songs “Experts On Sin” and “13th Floor” are as good of a song as I have heard all year as they touch on topics most songwriters won’t go near: the self reflective and suppressing feelings. “Fishing Alone” tugs at the heart strings as much as any tune out there, and “That Girl That Got Away” is relatable to virtually everyone. Erik performed a phenomenal cover of Garth Brooks’ classic, “Much Too Young To Feel This Damn Old”, but it was his version of “Comeback Kid” that had the crowd singing the loudest all night. Erik co-wrote the song with Jeff Hyde, Ross Copperman, and Kip Moore and it is featured on Kip’s sophomore album, Wild Ones. Erik explained that each songwriter connects with that song in a different way and that he wrote it with his wife in mind. In fact, the version he played that night featured a different second verse than the one that appears on Wild Ones. The entire acoustic set was masterfully executed and made the fans feel like they could have been sitting at a table at the Bluebird Café in Nashville.
Erik cranked things up for the last portion of his set, which was highlighted by a stirring cover of “Copperhead Road” by one of Erik’s favorite artists, Steve Earle. His band hit on all cylinders complete with soaring guitar rifts backing Erik’s poignant vocals. The final two songs “Your Way Down” and “Hearts on Desire” are on two totally different spectrums both lyrically as well as sonically. But, it speaks to the versatility that Erik Dylan possesses. I caught up with Erik after the show where he shed some light on his upcoming project. He said the party tunes will not be a part of the album and, instead, there will be songs that really reflect who is as a person and where he came from in Kansas. He has been working with some of the best musicians and producers in Nashville and says that it is getting a lot of buzz on Music Row. He hopes to release it in the first half of 2016, but is not sure of the exact date yet. He also said a bunch of Nashville’s current radio mainstays, such as Eric Paslay, Justin Moore, and others he could not yet name, are cutting his songs and will be on their next albums. But, if Erik’s live show indicated anything, it shows that he has the chops to be one of those household names himself.
- Living for Friday Night
- Beer For That
- Hot Thing/The Joker (Steve Miller Band Cover)
- Fall Into My Love
- Small Town Summertime
- Give It Back
- Lot About Drinking Beer
- Where the Party At
- Night Crawlers
- This Town Is You/Free Fallin’ (Tom Petty Cover)
- That Girl That Got Away (Acoustic)
- 13th Floor (Acoustic)
- Much Too Young To Feel This Damn Old (Acoustic) (Garth Brooks Cover)
- Fishing Alone (Acoustic)
- Comeback Kid (Acoustic)
- Funerals & Football Games
- Copperhead Road (Steve Earle Cover)
- Young In America
- Crash The Plains
- Your Way Down
- Hearts on Fire
The 2015 CMA Awards: Who Will Win? Who Should Win?
Two times per year, I sit down at the TV excited to watch a country music awards show only to be usually very disappointed by who ends up winning the awards. The CMA Awards and ACM Awards have become a political ass kissing fest, where the actual artists most deserving of the awards get slighted by the ones who play the games the Music Row wants them to, as well as have the “right” label backing them. That being said, the Awards show are fun because the multitude of performances, including an array of collaborations. The CMA Awards are usually much better than the ACM’s, in my opinion, because Brad Paisley and Carrie Underwood are phenomenal hosts and their opening monologue is usually hysterical. I know a lot of “bloggers” do a similar post like this, so I am not reinventing the wheel here. But, rather than bitterly posting tweets about the award winners on twitter, I thought I would get out my arguments and anticipated frustrations ahead of time, so that I can enjoy a bottle of bourbon and country music on my television in peace tonight. Here it goes, whether you agree or disagree, does not matter in the least to me:
SONG OF THE YEAR
- American Kids – Rodney Clawson, Luke Laird, Shane McAnnaly
- Girl Crush – Liz Rose, Lori McKenna, Hillary Lindsey
- Like a Cowboy – Randy Houser, Brice Long
- Like a Wrecking Ball – Eric Church, Casey Beathard
- Take Your Time – Sam Hunt, Shane McAnally, Josh Osbourne
Will Win: Girl Crush. It was a polarizing and controversial song, for some reason. I guess because people either did not listen to the lyrics or did not understand them. But this song will most likely win this category.
Should Win: Like A Cowboy would get the vote from me. The song paints a great picture when you listen to it and that is what makes the best country songs. Plus, the way it is written allows Randy Houser’s voice to soar on it.
Side Note: How in the world is Take Your Time nominated? It’s not even a song that is sung by Sam Hunt, it is basically spoken word. Awful.
SINGLE OF THE YEAR
- American Kids – Kenny Chesney
- Girl Crush – Little Big Town
- I Don’t Dance – Lee Brice
- Take Your Time – Sam Hunt
- Talladega – Eric Church
Will Win: I Don’t Dance
Should Win: Talladega would get my vote, but would not mind seeing Lee get the award either. Both songs are about nostalgic moments in life and both are meaningful and reflective. Talladega, to me, seemed like a song everyone was talking about all year.
ALBUM OF THE YEAR
- Old Boots, New Dirt – Jason Aldean
- Pageant Material – Kacey Musgraves
- Pain Killer – Little Big Town
- The Big Revival – Kenny Chesney
- Traveller – Chris Stapleton
Will Win: Traveller – Chris Stapleton.
Should Win: Traveller – Chris Stapleton. It is, hands down, the best album from start to finish, of the year. It’s got unbelievable lyrics and soulful vocals on each and every song. As DeeJay Silver told me earlier this year: “if this album was released 20 or 30 years ago, we would still be talking about it today as one of the best of all time.” I think the voters will get this one right, but maybe I am giving them too much credit. But with Chris being nominated for three awards and performing with Justin Timberlake, I think this is the Award he most deserves.
NEW ARTIST OF THE YEAR
- Kelsea Ballerini
- Sam Hunt
- Maddie & Tae
- Thomas Rhett
- Chris Stapleton
Will Win: Sam Hunt. The women love him and do not seem to mind that he is 0% country and wears leggings on stage. But, this is probably one of the most predictable awards of the year.
Should Win: I would like to make an argument for Stapleton but the radio just did not play him and his album sales were not as big as Hunt’s. I would not vote for Hunt and would vote for Stapleton, but I can see why Thomas Rhett deserves some votes as well. He has had numerous hits, been on big tours, and has had an album that sold pretty well.
VOCAL DUO OF THE YEAR
- Brothers Osborne
- Dan + Shay
- Florida Georgia Line
- Maddie & Tae
- Thompson Square
Will Win: Florida Georgia Line. This one is obvious however much I dislike their style of so called music. They would also win the award for Douches Of the Year as well.
Should Win: Maddie & Tae. These two females came blazing on the scene with a song attacking bro-country and I respected them for that. Their follow up songs have not been as popular, but since FGL puts out the same damn song time after time, I think M&T would get my vote her for being unique, at the least.
VOCAL GROUP OF THE YEAR
- Lady Antebellum
- Little Big Town
- Rascal Flatts
- The Band Perry
- Zac Brown Band
Will Win: Little Big Town. Apparently being a perennial opening act, selling a small amount of albums, having one polarizing song, yet having the right label to politic for you, wins you this award. They certainly do not deserve this award from a strictly statistical position. Both ZBB and Lady A have had more success this year than LBT, in sales, hits, and touring combined. They will win this again, but it is an absolute joke.
Should Win: Zac Brown Band. Did any of the other groups sell out 3 dates in Fenway Park, 2 in Citi Field, 2 in Wrigley Park, or Coors Field? Did any of them play live on HBO with Bruce Springsteen and Dave Grohl? Did they have 3 #1 songs, one even on the Rock Charts? Did any of them sell more than 200,000 copies of their album in the first week? No, I did not think so. But Zac and company don’t do ass kissing well, thus won’t win. And that’s what really grinds my gears.
MALE VOCALIST OF THE YEAR
- Dierks Bentley
- Luke Bryan
- Eric Church
- Blake Shelton
- Chris Stapleton
Will Win: Luke Bryan. Big tour, big sales, politically correct. He wins or Blake takes it because Music Row loves him as well.
Should Win: Dierks or Church. I can make arguments for both and absolutely loved “Riser” and “The Outsiders”. They both had big tours and lots of hits. They produce quality and have integrity. Stapleton did not have any of the “stats” the other four had, but I would love to see an upset here. If I was voting, it would be for Dierks or Church, with Eric probably edging him out.
FEMALE VOCALIST OF THE YEAR
- Kelsea Ballerini
- Miranda Lambert
- Kacey Musgraves
- Carrie Underwood
- Lee Ann Womack
Will Win: Miranda Lambert, because she always does.
Should Win: Carrie Underwood. All of recent songs have been big hits and she deserves at least a split of these awards that Miranda seems to somehow get 100% of. I would love to see Kacey win in an upset, but I do not see that happening.
ENTERTAINER OF THE YEAR
- Garth Brooks
- Luke Bryan
- Kenny Chesney
- Eric Church
- Miranda Lambert
Will Win: Luke Bryan. Same reasons as above.
Should Win: Kenny Chesney. To me, Entertainer means live performances and touring. Kenny and Garth had the biggest tours of the year. Kenny sold out stadiums nationwide and had huge names open for him. He won’t win and I could see Garth winning here in an upset. But how Kenny does not win this every year with the Touring numbers he puts together is beyond me.
Thomas Rhett & Brett Eldredge’s Suits & Boots Tour – Terminal 5, NYC – October 29th, 2015
Thomas Rhett and Brett Eldredge brought the opening night of their co-headlining “Suits & Boots” Tour, sponsored by CMT, to New York City’s Terminal 5 this past Thursday and put forth two very different yet rousing sets. Both artists are coming off of new album releases which have both sold very well in the initial weeks. Eldredge released “Illinois” and Rhett followed that a few weeks later with “Tangled Up”. Both albums showcase different shades of today’s country music with Eldredge staying within the borders of today’s version of traditional country music, while Rhett stepped outside the genre and predominately made a pop album with a touch of twang. Their sets followed suit and the crowd responded emphatically all night long.
Thomas Rhett performed before Eldredge, but got a much bigger response from the crowd throughout his set. His setlist was full of hits from his first album as well as multiple cuts from his newest release. That being said, the crowd seemingly knew every word and danced and sang along with the country pop star. He opened with “Anthem” and was dressed with a suit jacket, white t shirt and jeans. He danced around the stage doing his best Bruno Mars/Justin Timberlake impression, but it was not forced or done so in a cheesy way. His country-pop persona comes across very authentic and his set was very professional, with no lulls whatsoever. The lyrics to “It Goes Like This”, “Make Me Wanna” and “Get Me Some of That” were so well known by the crowd that TR didn’t even have to sing at points. And songs such as “Die A Happy Man” and “Playing With Fire”, the latter of which featured tour opener Danielle Bradberry, created a good change of pace from the otherwise non-stop party. But, by the time TR finished his set with “Crash & Burn”, the crowd was fired up and having fun. And in turn, you could tell Rhett was as well. It was a spirited set throughout that was equally impressive and, simply, a lot of fun.
Eldredge came out for the start of his set in a suit and tie, obviously taking the name of the tour quite literally. His set did not garner the same crowd reaction as Thomas Rhett’s did, but I thought his performance was quite steady. The setlist had some ups and downs as it was clear the crowd did not know the newer songs as much, but when he sang his many hits, such as “Beat of the Music”, “Mean To Me”, and “Lose My Mind”, the crowd reverted back to sing-a-long mode. He seemed to really be excited about his new single, “Drunk On Your Love”, stating it was the catchiest song he’s ever written. But, his song “Don’t Ya” had arguably the biggest reaction of any song that night. Brett’s genuine charisma signed bright on that song as the tall and lanky singer stomped and flapped around the stage with a big old smile. His final song choice, “The Shadow”, was rather head scratching as I find it to be one of the worst songs on his new album and did not connect with the crowd whatsoever. I was a bit surprised that he did not sing the title song from “Illinois” nor “One Mississippi” as both ballads are some of his strongest songs to date. That being said, his set was also fun and showcased his likeability perfectly.
For the encore, both Thomas Rhett and Brett Eldredge came back out and sat on stools to do an impromptu acoustic set in which they each choice random songs and sang snippets. I thought this portion of the show really fell flat as it seems very unrehearsed and quite sloppy. They did way more talking than singing which made the whole encore quite choppy. They sang songs such as Kanye West’s “Gold Digger”, Brooks & Dunn’s “Neon Moon”, and Frank Sinatra’s “How You Look Tonight”. However, I hope as the tour progresses, this portion of the show cleans up quite a bit. Otherwise, I really found the two stars’ sets to be enjoyable and well worth the money. On the major down side was the venue itself. The head seemed to be cranked to well over 100 degrees and way more tickets were sold than standing room was available. Everyone was sweating quite profusely and I saw many people walk out saying they just could not see the stage. Terminal 5 really did not deliver on that front.
- South Side
- Make Me Wanna
- Tangled Up
- Uptown Funk
- It Goes Like This
- Die A Happy Man
- Playing with Fire (with Danielle Bradberry)
- Get Me Some of That
- Crash & Burn
- Beat of the Music
- Wasted Time
- Mean To Me
- Tell Me Where to Park
- Drunk On Your Love
- Lose My Mind
- Come back with a Smile
- Wanna Be That Song
- Don’t Ya
- The Shadow
Zac Brown Band – Citi Field, NYC – August 21, 2015
When Zac Brown Band’s Jekyll + Hyde album was released, most of the so called “critics” gave mixed reviews due to the diversity of the genres they attempted to cover. However, if any of those critics were present at New York City’s Citi Field this past weekend, they would have completely understood ZBB’s mindset with that project. I was in the pit for the first night of their two night stand, and witnessed a band truly transform into a Jekyll + Hyde monster. One who could sing country music songs with the best of them, but could also jam out, rock, and get people raving to EDM without missing a beat.
I’ve seen ZBB live numerous times before and have been at every one of their NYC shows, starting with Bowery Ballroom, and working their way up through Terminal 5, opening for Kenny Chesney at MetLife Stadium, opening for Dave Matthews Band at Citi Field, and headlining gigs at Madison Square Garden and Forest Hills Stadium. The best part about seeing this band time and time again, in comparison to most acts, is that every night they put forth a different setlist. Friday night was no different, as they opened with “Sweet Annie”, a song that just sometimes makes their setlists.
What followed was a first half of the show that included hits such as “Toes”, “As She’s Walking Away” and “Knee Deep” as well as covers from Led Zeppelin, Charlie Daniels Band, and Billy Joel, as well as a bunch of the new songs, highlighted by the moving tribute to our military with the Jason Isbell penned “Dress Blues”. During that song, two Marines came out to salute the crowd atop the third level of the ambitious stage ZBB is illuminating stadiums with on this tour. Jimmy De Martini, the band’s amazing fiddler, broke into an emotional rendition of taps mid song, and Coy Bowles had a rockstar moment as he jammed out following the fiddle. Zac Brown, who is far from chatty at his shows, took a few seconds to thank the US military post-song, as the sold out crowd berated the band with chants of” USA”.
After a few t shirts were shot into the crowd by the band members, an acoustic set took place at the front of the catwalk. Billy Joel’s “Piano Man” and the emotional song for all dad’s who have little girls like myself, “I’ll Be Your Man” (backed by a gospel choir) showcased the true musicianship that ZBB possesses. Whether its classic rock, country, or just good old songs that tug at the heartstrings, I dare someone to show me a better live performing act in any genre of music today.
After a ten minute intermission, the band upped the ante and brought some high energy excitement to the Mets Ballpark. Whether it was the EDM inspired “Beautiful Drug”, which happens to be their new single, or the recent chart topper on the rock charts, “Heavy is the Head”, Zac’s face started to change to complete intensity. The gospel choir came back out for a beautiful rendition of “Remedy” and Zac ripped into Jay-Z’s “Empire State of Mind” mid way through the mega hit “Keep Me In Mind”. ZBB kept the crowd guessing with what was coming next and, boy, was it fun.
The last three songs of the set before the encore are a perfect testament to what kind of band ZBB is. For all you critics out there, you need to listen up, this is not a country band. You cannot label them as so. Just sit there and watch them do a 21 minute version of “Who Knows” complete with Clay Cook absolutely shredding a guitar that would make Brad Paisley and Keith Urban jealous. Then watch them pay homage to a band they opened for just five years ago in the same stadium, as they performed “Stay” by the Dave Matthews Band flawlessly. Then watch them get every single person in the entire stadium singing along to “Chicken Fried”. The live performance beast monster that they are touches on every single genre, just as their new album does. It’s meant to create a spectacle live, and they do it better than anyone else.
ZBB’s encore consisted of Zac coming out with his third different hat of the night, this time a throwback Mets hat, as he walked through the entire pit shaking hands and slapping five as he belted out “Colder Weather”. And the band finished up with yet another full on sing-a-long as “Homegrown” was performed to perfection. I heard people walking out stating it was the best show they’ve ever seen and it just made me smile. The people who see ZBB live get it, this is not a country band. It is a unique creature that executes on stage better than anyone else out there today.
- Sweet Annie
- Devil Went Down to Georgia
- Knee Deep
- As She’s Walking Away
- Tomorrow Never Comes
- Dress Blues
- Piano Man
- I’ll be Your Man
- Beautiful Drug
- Day for the Dead
- Keep Me In Mind
- Empire State of Mind
- Heavy is the Head
- Lovin’ You Easy
- Who Knows
- Stay (Wasting Time)
- Chicken Fried
- Colder Weather
Jason Isbell – College Street Music Hall – New Haven, CT – 7/22/15
Last night, I had the pleasure of attending the Jason Isbell concert at the pristine College Street Music Hall in New Haven, Connecticut and ended up witnessing one of the best shows I’ve seen in years. I unfortunately missed the opening act, Blake Mills, but got there a few minutes before Isbell took to the stage. I found my way to the left side of the front pit and settled in for what I expected to a great night of music. However, my expectations were blown out of the water with the live vocal presence of Isbell, as well as the true artistry he and his band, The 400 Unit, displayed throughout the night.
It took him no time to get going into some of my favorite songs from his catalogue. He kicked things off with the funky “Palmetto Rose” and quickly transitioned into the folky “Stockholm” followed by his new single, “24 Frames”. All three opening songs truly displayed the diversity that Jason Isbell has to offer. What I did not expect was the exceptional skill that he possesses with the guitar. He seemingly changed guitars each song with a more impressive one after another. And the guitar riffs, solo’s, and jam outs were plentiful and masterfully executed.
And there was no lull to the show as he kept the crowd guessing what he was going to perform next. Whether it was the accordion backed bluegrassy “Codeine” or the impressive acoustic performance of the award winning “Cover Me Up”, the show was a rollercoaster of emotions, with the real star being the honest lyrics that Isbell creates. It was very clear to me last night that Jason Isbell may, in fact, be the best musical storyteller of this generation. From the sad military ballad, “Dress Blues”, which Zac Brown Band covered on their Jekyll + Hyde album, to the angry “Decoration Day” to the clever and witty “If It Takes a Lifetime”, there was truly no topic that Isbell could not make his lyrics connect with the crowd.
The almost two hour set concluded with one of my least favorite songs, “Super 8”, but that did not bother me at all because the entire night was truly so impressive. The overall setlist included songs spanning his entire career, including several songs from his time singing lead vocals for the Drive-by-Truckers. Most of his new album Something More Than Free was also performed flawlessly and had concert goers flocking to the merch table to get their hands on some autographed copies. All in all, my expectations were surpassed and has made Jason Isbell & The 400 Unit a must see act each and every time they will come back to the Northeast.
- Palmetto Rose
- 24 Frames
- Dress Blues
- Decoration Day
- Different Days
- Traveling Alone
- If It Takes a Lifetime
- The Life You Chose
- How To Forget
- Speed Trap Town
- Cover Me Up
- Children of Children
- Alabama Pines
- Something More Than Free
- Never Gonna Change
- Goddamn Lonely Love (ENCORE)
- Outfit (ENCORE)
- Super 8 (ENCORE)
I caught up with Kip Moore this past Friday before his performance at New York City’s 1st ever Farmborough Festival on Randall’s Island. He sat down with me and spoke about two of the tracks on his upcoming album, Wild Ones, to be released on August 21, 2015. Check out what to expect from the songs “Wild Ones” and “Comeback Kid”.
“I can’t wait for people to hear this. The intro is just super stripped and we geeked and geeked until we found the most killer drum tone for it. When people see what I’ve been up to behind the scenes with this song, people are going to flip. It’s just raw and has emotion behind it. I wrote it for my fans, but people are going to flip when hearing this and the rest of the album.”
Check out the intro and first verse of “Wild Ones” from the Farmborough Festival this past weekend:
“I have always felt like the underdog my entire life. I have always had to scrap and claw for every single inch. I think that has given me a chip on my shoulder for most of my life. When I have seen things handed to others, when I have had to work so hard for it. But for that, I have a different thankfulness than other people do and I have a sense of gratitude. But, I’ve always had a supreme confidence when other people have doubted me. I always think I am going to get where I am going to get. It’s like a thing of destiny, but you are the only one in on that thing so that no ones knows where you are going, but you. I think that song, man, it is just 100% me and its going to resonate with a lot of people not just here in America, but around the world. It’s for all the people who scrap and claw with every inch” – Kip Moore
A few months ago, I sat down with songwriter, Erik Dylan, who also discussed the song (see “Who’s Next: Erik Dylan”: https://millertimemusicspot.com/whos-next-erik-dylan/). He had the following to say about his relationship to “Comeback Kid”:
“I wrote a song called “Comeback Kid”. There are actually four writers that wrote it, Ross Copperman, Jeff Hyde, myself and Kip… It was written for Kip but each of the writers related to the song from a different place with what the song means… My wife worked a day job for seven years and as a songwriter there are times you question whether you are good enough or if it is all worth it. You need that someone there to support you. So the song in my mind was all about my wife because I was the Comeback Kid… Meanwhile, Kip is the Comeback Kid in a different way because he had his share of ups and downs and so many people told him he would not be a country music singer and look at him now.” – Erik Dylan
Who’s Next: Chris Stapleton
For the past year I have been doing a monthly segment which I’ve entitled “Who’s Next”. This month’s post is a bit different because its dedicated to an artist who I feel is going to break out as a solo artist, yet has seen various forms of success over the past decade. He has penned over 150 songs that have ended up on major artists’ albums, such as Tim McGraw, Kenny Chesney, George Strait, Dierks Bentley, Adele, Luke Bryan, Darius Rucker, and Gary Allan. He was the lead singer of the bluegrass band, The Steeldrivers, for a few years, and even founded a rock band called The Jompson Brothers.
However, on May 5, 2015, Stapleton released one of the most refreshing albums I’ve heard in years, entitled “Traveller”. The album has such an organic and traditional sound filled with songs that are edgy, dark, and moving. The present day’s climate of country music makes the genre seem more like pop music with many of the artists making songs that are shallow and meaningless. Yet, with “Traveller”, Stapleton wanted no part of the bro country phase and instead created a masterpiece from start to finish complete with songs with meaning.
I got to sit down with Stapleton for a few minutes while I was on official assignment for countrymusicislove.com before he performed at New York City’s 1st ever Farmborough Festival on Randall’s Island (you can see my recap of the Festival here: http://www.countrymusicislove.com/country-music-news/the-big-apple-goes-country-with-first-ever-farmborough-festival/). Check out my interview below:
MTMS: Do you take a different approach to songwriting when it comes to your solo career as compared to making a song for other artists?
Chris Stapleton: Not really, I just try to write the best song I can each day. That is unless I am writing with another artist specifically for a project. But, I do not sit down with any other intent than to write the best song I can write for that day. Some days you get lucky and make one that someone wants to cut or can be a hit. Other days I just take it as practice at writing a song.
MTMS: When did you start writing songs?
Chris Stapleton: I’ve been writing songs since I was teenager. Professionally, I got my first publishing deal when I was 23 in 2001.
MTMS: Have you recorded any of the first songs you ever wrote?
Chris Stapleton: You know, some of the songs that are fourteen, fifteen years old are on this record. “Fire Away” and “Might As Well Get Stoned” are in that range. I have songs that other people cut that I wrote before I even moved to town. Like “Nobody’s Fool” that Miranda Lambert cut, I wrote that when I was 18. Songs hang around and they will find a way if they can do the job.
MTMS: Did you expect the huge critical response you’ve received from “Traveller”?
Chris Stapleton: I don’t think you can ever expect anything like that. You just have to try to write the best songs you can and sometimes you get lucky. I will say this was a really wonderful and beautiful experience and probably the best one I’ve ever had. It all flowed together organically and if you step back and look at things, it all came together.
MTMS: Do you have a favorite song on the album?
Chris Stapleton: They are all my favorite songs because I don’t look at them as individually songs, I look at them as a body of work. They span such a long range of time so they are pieces of phases until they ended up on the record. I really can’t pick one because I think they flow together. I really like albums as a whole as much as I can appreciate individual songs, so these all tying together meant a lot to me.
Dierks Bentley – Sounds of Summer Tour – June 5, 2015 – Raleigh, NC
Guest Blog by Carrie Srebro (@corbers)
The summer concert season got off to a hot start (literally and figuratively) as Dierks Bentley kicked off his “Sounds of Summer” tour in Raleigh, NC on Friday, June 5, 2015. This is Dierks’ second year headlining the major amphitheaters across North America, and he, as always, gave fans a high energy show that packs a ton of punch!
Canaan Smith kicked the night off promptly at 7 pm with a 5-6 song set which included his current hit single “Love You Like That,” as well as “Two Lane Road” and a cover of Nick Jonas’ “Chains.” Canaan’s music isn’t really my cup of tea, but he put on an enthusiastic and energetic performance to get the night started. I met him before the show out at the box office, and he was very nice!
Maddie & Tae were up next, and delivered an energetic performance. I find these girls to be refreshing – their backing band includes a fiddler!, and they both played instruments including acoustic guitar and dobro through the performance. In fact, the only time they put the instruments down was for a rousing cover of Dolly Parton’s “9-5” which the crowd loved. The girls have tight harmonies and sounded great live, and never stopped smiling through their set. The set included songs that are on their current EP (“Fly,” and fan-favorite “Sierra”) as well as some new music that will be on their upcoming full-length August release. “Shut Up and Fish” is a cheeky song about dating a city boy who won’t – well – shut up and fish, and a lot of fun. And of course the crowd went crazy for the duo’s first #1 hit “Girl in a Country Song.”
Maddie & Tae Setlist:
- Right Here Right
- Now Shut Up and Fish
- Waiting on a Plane
- Girl in a Country Song
Promptly at 8:15, Kip Moore took the stage, opening with the rousing anthemic song “Wild Ones,” the title track off his upcoming album. He then threw it back, so to speak, to his debut album with “Crazy One More Time” and “Reckless” before getting the crowd worked up with his hit single “Beer Money,” followed by an awesome cover of Jimmy Eat World’s “The Middle!” I’ve only seen Kip one other time, at the Grand Ole Opry for a 3-song set, and was really looking forward to this longer set. Kip didn’t disappoint – his gravelly vocals sounded fantastic on “Hey Pretty Girl” which he then blended into “Stand by Me”. New songs included were his current single “I’m to Blame,” (which feels even shorter in a live setting), “Come and Get It,” and “Magic.” The set closed with Kip’s quirky #1 hit “Somethin’ ‘Bout a Truck” (which coincidentally was Dierks’ walkout music for the Locked and Reloaded Tour in 2013!), which the crowd loved!
Kip Moore Setlist:
- Wild Ones
- Crazy One More Time
- Beer Money
- The Middle (Jimmy Eat World cover)
- I’m to Blame
- Come and Get It
- Hey Pretty Girl/Stand by Me
- Somethin’ Bout a Truck
There had been a lot of press leading up to the kickoff of the tour this week, and the word of the week was “pyro” which admittedly had me a little worried. I’ve followed Dierks since his debut, and I’ve seen him over 35 times live, and I’ve just never felt like he ever needed to put on a big production to remain competitive in the live world. But, I guess they felt like it was time to pull out all of the stops this year! Thankfully, I didn’t really think anything was over the top, and even though the production is bigger, it still feels like a Dierks show – which means it’s super high on energy and crowd interaction. His 90-minute set kicked off with “Sideways,” “Am I The Only One,” and “5-1-5-0” and we got our first taste of fireworks at the end of “5-1-5-0” (the only time I felt like it was gratuitous, but I suppose in hindsight it was to close the big opening of the show). During the first three songs, Dierks was all over the stage, on the catwalk, giving high fives and fistbumps constantly, pointing out little white tank tops and pilot hats (obvious nods to his uber-popular “What Was I Thinkin” and “Drunk on a Plane”). He took a break to address the crowd leading into “I Hold On,” expressing his delight in opening the tour in Raleigh, commenting how far he’d come since 2005 when he played the 500-seat Lincoln Theatre, and mentioning his late father and telling the crowd “he’d get a kick out of this, y’all.”
He also made a point of calling out all of the faces he recognized down front, his long-time followers, and exclaimed “We did it!” “I Hold On” turned into a massive singalong, with the crowd positively screaming the song back to Dierks. The tour showcased the live debut of “Sounds of Summer” which included another singalong, with Dierks remarking that was his “favorite sound of summer.” Upcoming single “Riser” was absolutely a highlight of the evening, as Dierks was lifted into the air as part of the stage came up. His performance was strong, stirring, and triumphant.
On last summer’s “Riser” Tour, Dierks utilized a B-stage at the back of the reserved area, close to the lawn seats, and he continued that this year as well. Much to the delight of fans, he walks out to the B-stage taking selfies, giving high fives and hugs while singing the fan-favorite “Come a Little Closer” as he… comes a little closer. He sang the anthemic “Home,” and then the band joined him for a “banjo-fied” cover of Nick Jonas’ “Chains” (which sounds strange, but it works) – and he joked about Canaan singing the song earlier in his set, too – and “Settle For a Slowdown.” They then worked their way back up to the main stage for “Up on the Ridge” where they really turned up the heat – flames shot out of the back of the stage for the latter half of the song, and if you’re down front, be prepared for the warmth! It was a cool effect and I felt like it added to the spooky kind of bonfire-esque feel of the song. His “regular” set ended with his most recent #1 single “Say You Do.”
Of course that meant that he hadn’t done the two biggest songs of his career, and sure enough, a video started to play of he and band members Cassidy and Dan attempting to “hood slide like Bo Duke.” It was pretty hilarious, especially when the General Lee and “Bo Duke” himself showed up. Of course that meant that “What Was I Thinkin” was coming, and the crowd was whipped into a frenzy once again. But nothing could top the response to show closing “Drunk on a Plane.” It was one massive sing along, and ended with more fireworks.
Dierks said he wanted to make sure the “Sounds of Summer” Tour was the best tour of the summer, and I would say he’ll make good on that promise for many fans. He continues to put on a high energy show full of crowd interaction and look like he’s having the time of his life the entire time. He’s also good to his openers, inviting Kip Moore out during “Lot of Leavin’ Left to Do,” and Maddie & Tae and Canaan joined him for “Free & Easy.” All four acts seem to get along really well, and even on night one there was an ease among them. If you have the chance to catch this tour, I highly recommend it!
Dierks Bentley Setlist:
- Am I The Only One
- I Hold On
- Tip it on Back
- Every Mile a Memory
- Feel That Fire
- Sounds of Summer
- Lot of Leaving Left to Do (w/ Kip Moore)
- Come a Little Closer
- Home Chains (Nick Jonas)
- Settle for a Slowdown
- Up on the Ridge
- Free & Easy (w/ Maddie & Tae, Canaan Smith)
- Say You Do
- Encore: What Was I Thinking
- Drunk on a Plane
Zac Brown Band – Jekyll + Hyde Tour – June 6, 2015 – Hartford, CT
Guest Blog by Kellie Lambert (@kellie3lambert)
Throughout my entire life, I have been a rocker chick. My tastes may have drifted in and out of various genres, loving all types of music, by my heart lies in the sweet sounds of classic rock, of guitar-slinging musicians and poetic lyrics that far outweigh what is often offered on modern mainstream radio.
In the past year, I’ve delved much deeper in the county realm, as I discover how rock and roll it can be. And that’s how I discovered Zac Brown Band – a group that is as much rock as country, a musical chameleon that can change and morph into just about any style on stage. I became, shall we say, a little obsessed with how simple, yet how complicated, some of their songs were. Lyrics that seemed to be poignant and positive and accompanying layers of music with hooks that I could not shake from my head.
When the band put Hartford on its list of “Jekyll + Hyde” tour dates this summer, I knew I would beg, borrow or steal to land in that audience on June 6. Luckily, my writing gigs allow me the chance to see concerts – as I often review them – so I was lucky to be at the Xfinity Theatre on Saturday to check out what has become one of my all-time favorite bands.
When Zac and company took the stage and launched into “Homegrown,” off its new album, the audience was clearly ready to join in the musical adventure. The band – which features eight core musicians – was set up on a two-tiered stage set with a walkway jutting into the general admission pit. The percussion and horn section was not hidden in the back, as in a standard concert set-up, but showcased on a higher level to be seen in its full glory. By the impressive structure, and large video screens within it, fans in every corner of the arena could appreciate the visuals.
But beyond the flashy visuals was the completely organic, audio pleasure: Musical surprises tucked into the set list. Led Zeppelin’s “Kashmir” leading into Charlie Daniels Band’s “Devil Went Down to Georgia.” Van Morrison’s “Into the Mystic,” a traditional mash-up with the band’s own “Free.” The Beatles’ “Let it Be,” performed in the vein it was intended. Queen’s “Bohemian Rhapsody,” an impressive undertaking yet the musicians’ paid homage to the classic. And The Red Hot Chili Peppers’ “Under the Bridge,” an alternative throw-back that was unexpected to the audience. Zac Brown Band is, in my opinion, one of the world’s best rock cover bands. Except you still appreciate them for their own twist on each cover.
However, Zac Brown Band is not just about performing other’s classics: The group’s own music is just as notable. The band played a bunch of tracks from “Jekyll + Hyde,” including the breezy “Loving You Easy,” as well as “Bittersweet,” “Castaway” “Tomorrow Never Comes,” and “Dress Blues,” the Jason Isbell song honoring our military, which featured a poignant, patriotic moment where a U.S. Marine came out on stage to salute.
The encores lasted deep into the night, ending two and a half hours of tunes, as the band pulled out many of its greatest hits for a sing-a-long with thousands of fans reaching up onto the dark lawn. “Knee Deep,” with its happy summer lyrics, pleased the Parrottheads, but the band turned the mood on its side with the next track, one appealing to the rock contingent: the heavy-hitting “Heavy Is the Head,” the Chris Cornell duet on “Jekyll + Hyde,” which was a total treat since it had not appeared regularly on this tour’s set lists yet.
Confetti cannons filled the night air with paper snow as the band ended the concert with its classic hit “Chicken Fried,” the perfect finale choice with its simple, homegrown life lessons, quotable lines that remind us to appreciate our blessings – musical and otherwise – on this planet. It is funny how it’s the little things in life that mean the most, like a great concert by a talented band under the stars outside on a Saturday night.
The “Jekyll + Hyde” tour is in full swing this summer, and if you get a chance to grab a ticket, don’t hesitate. It’s worth every penny.
- Devil Went Down to Georgia
- Into the Mystic
- Day For the Dead
- Sweet Annie
- Under the Bridge
- Let It Be
- Colder Weather
- Keep Me In Mind
- Bohemian Rhapsody
- Dress Blues
- Loving You Easy
- Beautiful Drug
- Who Knows
- One Day
- Knee Deep
- Tomorrow Never Comes
- Heavy Is The Head (ENCORE)
- Chicken Fried (ENCORE)
Kellie Lambert is a freelance writer who has been published in numerous publications in print and online. She has been writing about the Connecticut music scene for more than two decades. She has a weekly music column in the Waterbury, Conn. newspaper, The Republican-American, and a weekly entertainment column in the Observer newspapers, in Bristol and Southington, Conn. She blogs about her life at thepeapodblog.wordpress.com, and can be found on Twitter @kellie3lambert.
Bergen Performing Arts Center- Englewood, NJ – June 3, 2015
Last night, Merle Haggard & The Strangers brought their legendary songs to the stage in the hometown I grew up in, Englewood, New Jersey. This show was the night after Merle released a new album with Willie Nelson, entitled “Django and Jimmie” which he later announced as his first #1 album in twenty eight years. His son, Noel, started things off with a short set as he sang some classic style country music that was easy listening without any spark. But, at approximately 8:45, The Hag took to the stage with a black hat, sunglasses, and electric guitar and the match was immediately lit.
Merle kicked things off with “Big City” and followed it up with Johnny Cash’s “Folsom Prison Blues” which had the sold out crowd stomping along right from the start. I had seen Merle live just once prior and he seemed to be much more animated this night, as he ripped into guitar solo’s, made jokes throughout the night (especially about hearing aids and marijuana), and even did some stationary dancing on stage.
I read some reviews of Merle’s recent shows and saw the setlists from those nights. I was expecting an identical setlist, but was very surprised and happy that it was not. He sang some of my personal favorites on this night, such as “The Bottle Let Me Down”, “Silver Wings”, “Think I’ll Just Stay Here and Drink” and the legendary song “Pancho & Lefty”, originally recorded with Willie Nelson on their first duets album. He even sang a song, “Unfair Weather Friend” from the new Willie & Merle album, which he performed seamlessly. It was a dream setlist and Merle’s vocals were spot on all night.
Not to be forgotten was his impressive band, the Strangers, who had multiple chances to show off on their fiddles, steel guitars, saxophones, madolines, drums, bass, acoustic and electric guitars. His son, Ben Haggard, showcased one of the more impressive electric guitars I’ve seen in recent years. But when Merle pulled out a fiddle himself and ripped out a solo, everyone in the crowd got up and gave a standing ovation (see the video below thanks to Country 92.5’s Broadway of the Electric Barnyard, who was also in attendance at the show):
I have had the pleasure of seeing various artists live who have achieved legendary status, such as Bob Dylan, Bruce Springsteen, Willie Nelson, Elton John, Carlos Santana, U2, Roger Waters, Jay-Z, and Paul McCartney. Merle’s performance and vocals stacked up to the best of the icons I have seen live. He finished the night off with the epic songs “Fighting Side of Me”, “Working Man Blues” and “Okie From Muskogee”. Everything Merle did that night was just that, in my eyes, perfection. And sitting in the 8th row in an intimate venue in my hometown, made me appreciate what he has done for music history, that much more.
- Big City
- Folsom Prison Blues
- Silver Wings
- Think I’ll Just Stay Here and Drink
- Fall Apart
- Mama Tried
- If I Could Only Fly
- Motorcycle Cowboy
- Unfair Weather Friend
- The Bottle Let Me Down
- Sing Me Back Home
- Pancho & Lefty
- The Fugitive
- Fighting Side of Me
- Working Man Blues
- Okie from Muskogee
Aaron Watson – Mercury Lounge, New York City – May 13, 2015
Last night, one of Texas’ finest entertainers brought his act to New York City for the very first time. Aaron Watson and his band put forth a spirited and active hour and a half set, full of stories and songs that showcase exactly who he is and where he comes from. As the title of his album, The Underdog, suggests, Aaron certainly has proved all of his naysayers wrong recently, by becoming the first independent artist in Billboard Chart history to have the #1 Country Album and headlining a show in the Big Apple. It was a special night capped by a phenomenal show.
It was my first ever Aaron Watson live concert experience despite listening to his songs for many years. I had the chance to interview Aaron last week (see: https://millertimemusicspot.com/whos-next-aaron-watson/) and he is easily one of the most humble and real artists I’ve ever met. His live show matched his personality as he was full of smiles and energy throughout. He spoke genuinely about the stories behind the songs he has written. Whether it was “That Look” that he wrote for his wife or “July in Cheyenne” after losing his baby daughter, the openness that he has with his fans is truly second to none.
More than anything, Aaron was born to perform. He was a true showman as he worked the stage, backed by his bombastic band highlighted by a very talented fiddler. Aaron posed for pictures, interacted with fans, and even stripped it down for an acoustic set full of deep cuts from his 10 plus years making music. A nice touch was the fact he was wearing a Babe Ruth shirt which kicked off some “let’s go Yankees” chants by the raucous Big Apple crowd.
And the set list jumped around without missing any era of his discography. Whether it was “Freight Train” or “Fencepost” from the new album or “Summertime Girl” or “Real Good Man” from his past, the crowd seemingly knew every word. Women were square dancing in the corner as the men raised their beers and whiskey during the Military Anthem “Raise Your Bottle”. As the night went on and Aaron sang song after song, it was clear that he had the New York City crowd in the palm of his hand.
There is something to be said for an artist who tries his hand at his dream and is told he cannot be something or should give up. That was exactly the case many years ago when Aaron went to Nashville, Tennessee. Lucky for all of us, Aaron bucked the odds and kept working at his craft. On “Fence Post” he described that very story and everyone in the crowded clapped and nodded along in approval. Aaron described that song as his “sticking it to the man” song and it was clear everyone in that building that night could relate to it somehow.
Aaron vowed to return to New York City again as it appeared that his set had to be cut short due to venue time restrictions. After the show he made good on his statement that he would wait out and meet every single fan who attended the show. Not many artists show the graciousness and respect he does to his fans. I hope this is just the beginning of Aaron Watson traveling out to the Northeast as everyone should rush out to see the Honky-Tonk-Kid with the Underdog Success Story.
I’ve been doing this segment I like to call “Who’s Next” for the past year with a plethora of up and coming country artists. I really debated calling this post by the same name because Aaron Watson is already an A-List name in the Texas music scene and already had the #1 album in country music earlier this year. But, after speaking to him, it is apparent that he is set to take over the national grid on a large scale. So, for those outside of Texas that do not know who he is quite yet, meet Aaron Watson and why he is “Who’s Next”:
MillertimeMusicSpot: I hear you started off playing guitar, but were primarily a baseball player. Is that accurate?
Aaron Watson: Yeah, baseball was my first love growing up. It was definitely my boyhood dream just like every American boy. I had some chances and went on to play baseball in college, but my career was cut short by an injury and that’s when I picked the old guitar up. So when one door closed another opened. But, what is cool is I played home run derby just yesterday with my two sons, Jake and Jack. And playing like this with my boys can rival anything those Major Leaguers are experiencing.
MTMS: Being from the tri-state area, where the country fed to us via radio is mainly pop based, I first heard of you when Real Good Time was released. Do you consider that album your national breakthrough moment?
Aaron Watson: I’ve tried real hard not to be concerned with the mainstream country world. I am just lost in my old little world here in Texas. You can literally play 150 shows a year and make a good living never leaving the state. About six years ago we decided to franchise outside of Texas, to the Midwest and West coast into the mountain states. And now we have our sites on heading out East. So, Real Good Time probably got my first national exposure that set the table for the success that The Underdog had.
MTMS: Willie Nelson, Pat Green, Elizabeth Cook, John Anderson, and more were featured on Real Good Time, what made you decide to go away from the collaboration aspect and just go straight solo in The Underdog?
Aaron Watson: I kind of had an idea that this one had something special on it and wanted to make a statement as an artist, songwriter and singer. I did not want people saying of course he did this because he had this guy helping him. I wanted to ride in solo on this one.
MTMS: Well, it certainly worked out for you. It hit #1 on the Billboard Country Charts. How did that news hit you and your family?
Aaron Watson: It was pretty cool. I try to stay even keel about music and try to get excited about family things. But, I had taken my kids to school and came home and got the phone call in the kitchen with my wife. I may have done a couple double back flips and spun her around with a big kiss. I cannot speak for half of the artists, but this is my job and how I take care of my kids. So, it was more special from a Daddy and Husband point of view.
MTMS: The Underdog speaks to me on so many levels from a songwriter and story point of view. I just had my first child this year and the song “The Underdog” has such a positive message to your children. Did you write that yourself?
Aaron Watson: Yes, all of the songs on the album except two were songs I wrote. That song I wrote for Jake and Jack. I have a little girl too and I’m working on her song. The princess gets her own song she won’t have to share. I’m trying to raise the two boys into good Christian men who will raise their families with good examples. I am trying to be the same kind of dad to them my dad was to me. Life is tough and maybe when they go to college and they will put on that song and finally get it or maybe after I’m gone. But, it was a special song.
MTMS: How did you get the idea to take that approach for the song?
Aaron Watson: My middle boy Jack was upset because he was never winning races he had at school. So, after school we would run sprints in the backyard from the porch to the fence. And one day he came home like he won Game 7 of the World Series. And that taught him if he wants something he has to go earn it and that is how my career has been. No one has handed me anything on a silver platter. There’s been more discouragement than anything, but it just fuels my fire.
MTMS: Was the process in making the record different than the others especially with a new producer and from the indie aspect?
Aaron Watson: Originally the first song on the record was going to be “Freight Train” and one day, it hit me that that wasn’t supposed to be the first song. Along the way leading up to this album, we had some interest from some labels, but ultimately I told my wife that we were going to leave this album in God’s hands. I should have put all the Glory in his Hands because this went number one and I think I am the first artist ever to hit number one from an independent stand point.
MTMS: Sonically, the song “The Prayer” is as good as any I’ve heard thus far in 2015. And it is a deep song, what can you tell us about that track?
Aaron Watson: I wanted the first song to sum up what I’m about. And I read this book by Johnny Cash called “The Man In White” and it’s an obscure hard to find book he came out with in the 70’s. He takes Biblical accounts of the Apostle Paul and makes up stories around those. And Johnny Cash one year was having a bad year and went into a cave near his house trying to kill himself. So, I made “The Prayer” as if it was something Johnny would say in the cave from the point of view Johnny was doing in the book.
MTMS: With that being the first song on the album, the last one is “Fence Post”. I was a song that when I heard it, I just smiled and said this guy is enjoying with what he is doing. Is that also from a true story?
Aaron Watson: Totally. It’s about sticking it to the man. I wrote that song while driving to a political gig in Austin. I’m not a political guy, I have my beliefs, but will argue baseball, not politics. And I drove to this gig at night in my Jeep by myself and wrote it then. I finally finished it when I was doing edits for the album with a young engineer at Keith Stegall’s studio at 2 in the morning. I said “hey man, set me up with a microphone”. He did not want to because he said Keith wouldn’t like it. I told him he wouldn’t lose his job and he set up a microphone. I sang it twice that night and sent it to a buddy in East Texas to play a little guitar and fiddle on it to make it sound like we were messing around on the porch. It’s just a fun song and I’ve enjoyed how people relate it whether you are from Texas or not. Everyone has their fence post moment. No one should give up or be discouraged, it really has that Underdog message in it.
MTMS: Despite Nashville not opening its doors to you, I know the Grand Ole Opry did a few weeks ago. How was that experience for you?
Aaron Watson: I am always playing shows and take them day to day. I never try to think about the next one and did not really realize the extent of the opportunity that the Opry was for me. We got out there and I had my wife with me. My parents were celebrating their 40th Anniversary and I could see them. It was a magical night for me and I was very nervous. But, when I got on that stage I just flicked the switch and played ball. What added a few butterflies was seeing Steven Tyler and Charlie Daniels on the side of the stage watching me. It was incredible.
MTMS: How is your relationship with Nashville today?
Aaron Watson: The thing is I have not rejected Nashville, its Nashville that hasn’t accepted us. And I am not mad about it because maybe this is what God has planned for me. Maybe Nashville will come around and I won’t have a problem working with them. I have great friends and allies in Nashville like my booking agency and distribution agency. But, I will never ever ever ever sign a record deal who betrays who I am. Every song and decision I make, I will make sure I stay true to my Faith, Family, and Fans. I may have been born thirty or forty years too late though. If you watched the ACM’s a few weeks ago you did not see many cowboy hats in the crowd. And I think Nashville knows we are a force to be reckoned with. They can’t say I am not a country singer. We had the #1 record in the nation and I had Nashville executives tell me that was impossible.
MTMS: What I love about your music is the attention to songwriting and actual real life moments, not just a party with a truck and beer.
Aaron Watson: Exactly. The song “Bluebonnets” is about how my wife and I lost a little girl. That’s the song I wrote for her after she passed away. People deal with heartaches. I can write about my situation and how I got through it and maybe it will help someone. Music helps me and is therapeutic. And I’m making a new album now and it needs to be different that my past albums. Songs should be little movies, like little short flicks. That is what brought me to music, guys like Guy Clark. And while I write this record, I will not listen to mainstream country radio. I want no influence. I do not care if I get played on the radio and will keep working as hard as I can for my fans.
MTMS: And your fan base is growing bigger and bigger by the minute these days, no?
Aaron Watson: I have the best fans in the world and I try to treat them like a million bucks. After every show I stay to meet every single one of them. And they know when they buy an Aaron Watson album they are buying my little girl a pair of shoes, or a new baseball bat for Jake Watson. Or my wife, who shops online and has a serious spending problem, so they help me pay off her credit cards each month. But, my fans love my wife who is obviously my better half. It’s almost like we have a Mom and Pop Diner and we have fans who are loyal to come support our family business.
MTMS: I’ll be reviewing your show in New York City next Wednesday at the Mercury Lounge. Is this your first New York City gig?
Aaron Watson: You bet it is.
MTMS: What does playing New York City mean to you?
Aaron Watson: Well, I’ve already been informed by my boys that I have to pick up something New York Yankees for them. But, they like the old Yankees not the new Yankees as much. We are talking Mantle, Ruth, Berra, and DiMaggio. And I am just excited for New York overall. I mean, I am from Amarillo, Texas so I am excited. It is an honor.
Dunkin Donuts Music Lounge
April 9, 2015
There are not many things I enjoy more than discovering new musical artists. And nothing tops when the live performance from that artist exceeds my expectations. I feel like that combination is the ultimate satisfaction a true music fan can have. And that is exactly what I got last week when I was treated to an intimate set at Hartford’s Dunkin Donuts Music Lounge by the new duo, Striking Matches.
Striking Matches is made up of Sarah Zimmermann and Justin Davis, two extremely talented and authentic musicians who both have hauntingly beautiful voices that may only be outshined by their instrumental abilities on the guitar. They just released their first album, entitled by “Nothing But the Silence” which was produced by the legendary T-Bone Burnett. Furthermore, fans of ABC’s Nashville would likely recognize a few of their tracks as eight songs they have penned have made appearances on the show.
At the Dunkin Donuts Music Lounge last Thursday, twenty fans had their mouths drop wide open as Sarah and Justin performed an acoustic five song set that included stunning harmonies and even better guitar exchanges. They started their set with the rootsy “Trouble Is As Trouble Does” and traded both vocals and guitar riffs in an action packed song that immediately had me hooked. Between songs they told stories of how they met at orientation at Belmont University, how they landed gigs initially in Nashville, and about their first performances at the Bluebird Café and the Opry. They also performed “When The Right One Comes Along” and “Hanging on a Lie” which were both featured on the ABC drama, but not in the impressive manner that Striking Matches performs it. In fact, Sarah Zimmermann may have been one of the most exciting live guitar players I have ever seen (and I’ve seen over 500 live shows). At one point she began to switch hands, slap her guitar, and use extra accessories to create a bluesy sound on an inspiring solo. The duo also stomp their feet and use a number of unique effects to further amplify their sound.
All in all, Striking Matches has one of the most honest, unexpected, and distinctive new sounds that I have heard in any music genre in a long time. They finished the set with a stunning cover of Elvis Presley’s “Can’t Help Falling In Love” in which they stated they sang in connection to a BBC Special they were part of. I expect this duo to be around for a long time and as the change in country radio solely begins to shift away from trucks and beer, I hope America wakes up and attaches themselves to these truly talented musicians
Photo Credits to Anthony Manciero (WWYZ-FM), Country 92.5 FM, iHeart Radio, MillertimeMusicSpot, and Amy Miller
(Album Review + Interview)
Jarod Foster released a self-entitled album this week that is equally refreshing and entertaining. Foster’s ten song release incorporates every spectrum of the country lifestyle from love to recession to having a good time, but he does so with an originality and twang that is missing from most of the current pop country acts that so dominate country radio. Right off the bat, Foster comes out swinging with “Ray Ray’s”, a song previously recorded by Jamey Johnson and written by Wayd Battle and James Edwards. Foster holds his own on the track as he has a deep and throaty voice with a pronounced bravado when he annunciates that has shades of Jamey Johnson and Hank Jr.. Foster pays tribute to the working class American people on strong songs such as “Burden of a Workin’ Man” and “We Did It”. His voice really shines on a beautiful song called “She’s an Angel” which I could easily see being played on country radio as it has a smooth sound sonically with lyrics that are relatable for anyone who is in love with a woman. After my first listen, the song that really stood out to me was “Rosalita”. As a big Bruce Springsteen fan, I wondered if it was a cover of his classic, but it’s very clear upon the opening chords it is far from that. The song is a fun story song about a stripper from Tihuana and a boozy adventure with her. The song follows a similar recipe that Blake Shelton did with “Playboys of the Southwestern World” or Toby Keith with “Stays in Mexico”, but with Foster’s own edgy twist. All in all, I was very impressed with Foster’s release. His songs are topical without being commercial. And he has an edge and bravado to his presentation that work well with his distinct throaty voice. I was able to speak to him about the album and his road to becoming a Nashville singer-songwriter. Check out our conversation below: MTMS: So, right off the bat on listening to your album I heard “Ray Ray’s” and it brought me back to Jamey Johnson’s version. Are you two friends at all?
Jarod Foster: Yeah, we used to be but have sort of separated over the years. But we had a mutual friend, Wayne Mills, who was murdered in November 2013. Wayne had met Jamey Johnson and they were doing a show in Montgomery when he called me and said wait until I heard this guy. And I went to go listen to him and, man, he just blew me out of the water.
MTMS: So you are originally from Alabama?
Jarod Foster: Yes, Vincent, Alabama. Jamey was one of the guys who convinced me to move to Nashville eleven years ago. He told me that is where I needed to be to get things started. At that time Wayne (Mills) had a lot of things going with the Alabama Line.
MTMS: Since the move what have you been doing music-wise?
Jarod Foster: I’ve played my music and other people’s music since I got here. I’ve opened for great acts like Lee Brice and Randy Houser. And I’ve now recorded five albums, but this is the first I felt was good enough to release.
MTMS: How long have you been writing songs?
Jarod Foster: It’s funny, I’ve been writing songs since I was in the 4th grade. My mom told me you know your songwriting has come a long ways since the 4th grade and I said, “the fourth grade?” She then told me that I had a girl who I was “dating” then come over for Dominos by Candlelight. I recorded a song for her on a handheld tape recorder and she still has it. She said when I get my first CMA award she is going to release it.
MTMS: Besides “Ray Ray’s” did you write the rest of the songs?
Jarod Foster: All except “17” which was written by Cody Canada and recorded by Cross Canadian Ragweed. Cody has helped me a lot introducing me to the road and introducing me to the Randy Rogers Band. I met him when Ragweed was touring with Dierks Bentley in 2003 when they were playing in Jupiter one night and the night before I was opening for Wayne Mills. Cody heard me play guitar and we hung that night so “17” was my tribute to Cross Canadian Ragweed. I co-wrote “Rosalita” with Calvin Webster and my wife helped me write “Moonlight Kiss”. The rest I wrote myself.
MTMS: Was “Rosalita” written from a personal experience?
Jarod Foster: That was Calvin Webster’s personal experience. He was in the Marine’s posted in San Deigo and he and his buddies went down to Tihuana. I guess that is what all Marines do.
MTMS: I like that this album spans the spectrum of country living, any song in particular represent who you want to be personified as?
Jarod Foster: “We Did It” is probably my favorite song on the album although its hard to pick and choose. I grew up in a small town and its a place I always wanted to write a song about and I wrote that song three weeks before our second son was born. I think I wrote it in six or seven minutes. It relates to small town America and the recession people are going through. I released a Youtube video of it and got a lot of feedback from people who related to it.
MTMS: I know you are signed to RP Entertainment Nashville, what can you tell me about that relationship?
Jarod Foster: Heidi reached out to me a few years ago after I did the Wounded Warrior Project. So I met her and stayed in touch with her professionally for a few years until she told me what she was starting. When she asked me if I wanted to be part of it I told her absolutely.
MTMS: For anyone who doesn’t know you and your music yet, what could you tell the fans about your style?
Jarod Foster: Its original and not cookie cutter. It’s based off of real people I’ve met and real experiences. I’ve pretty much written it all myself so its all me. If there is a story chances are I will write a song about it down the road.
Make sure you all check out Jarod Foster’s debut album available at iTunes now: https://itunes.apple.com/album/id975714048
On a cold and blustery night in New York City, an unique group of country music fans packed themselves into the intimate Bowery Ballroom to catch a glimpse of the artist that everyone has been talking about lately, Sturgill Simpson. Earlier that day, it was reported that his Grammy nominated “Metamodern Sounds in Country Music” had sold an outstanding 100,000 copies, despite it being done without him have a label and only costing him $4,000.00 to make. I had read multiple articles by fellow bloggers saying that his live performance was just him and a microphone, with little charisma and no interaction with the crowd. What I witnessed on Wednesday night was quite the opposite.
When Sturgill hit the stage at about 10 pm, he immediately stated into the microphone that he and his band “were sick as shit, but going to give you our best”. And he and his three band mates did not disappoint in the least. Initially he moved quickly from song to song, but eventually settled in and began to not only speak to the crowd between each song, but also was quite the comedian.
He seemed surprised at how attentive the crowd was, which was a predominately 40 and up crowd which is rare this day in age where country music is dominated by pop singers pandering to teenage party seekers. And Sturgill does quite the opposite. Songs such as Long White Line and Voices are written and sung with a combination of struggle and passion that anyone who appreciates true music would appreciate.
He put forth an extensive two hour set list chock full of songs from both of his albums as well as a few covers thrown in. He was visibly sick and even stated at one point he also fainted. Further, he was drinking tea and cough medicine right on stage. But, once his voice hit the microphone and thundered through the speakers, you could not tell that he was sick at all. His unique and throaty voice was as impressive as it is as his studio efforts.
What was most surprising to me was how active and interactive he was on stage. His band mates, consisting of an electric guitarist, drummer, and bass player were extremely skilled and they broke out into a number of jam sessions. And as the night wore on, Sturgill seemed to get looser and looser to the point that he was dancing around on stage with moves at times that were similar to that of Dwight Yoakam or Dave Matthews. In the midst of the awesome song It Ain’t All Flowers, he and the band broke into an all out jam that last approximately ten minutes. You can see Sturgill really getting into it in this clip here:
All in all the performance was extremely impressive and despite it ending after midnight in the middle of the week, no one seemed to care at all. Now that Sturgill Simpson has signed with Atlantic Records, it will be interesting to see where his career will go. But with his true talent and obvious desire to do things his own way and not sell out to the current trend of country radio, I have no doubts this will not be my last glimpse of him playing to a sold out crowd.
Anderson East opened the show with a very impressive acoustic set. He had a very throaty voice that was very similar to Bruce Springsteen. But his approach was a combination of folk, pop and funk. He sang with a ridiculous amount of passion and had the entire Ballroom quiet while we attentively listened to his words. I suggest everyone pick up his EP if you are looking for something very different yet enjoyable.
STURGILL SIMPSON SETLIST:
- Sitting Here Without You
- Water In Hell
- Long White Line
- Time After All
- Medicine Springs (Stanley Brothers cover)
- A Little Light
- Life of Sin
- The Storm
- Sometimes Wine (The Sunday Drivers cover)
- Old King Coal
- Some Days
- It’s Ain’t All Flowers
- Railroad of Sin
- Just Let Go
- Turtles All The Way Down (Encore)
- I’d Have To Be Crazy (Encore)
Last night a large contingent of country music fans eager to see iHeart Radio’s newest “One The Verge Artist” A Thousand Horses braved the weather and congregated at the Cadillac Ranch in Southington, CT. They were treated to a rousing seven song set from a talented and unique group of musicians set to take the country genre by storm.
Led by Michael Hobby on lead vocals, this foursome (along with Zach Brown, Bill Satcher, Graham DeLoach) performed songs that jumped from country to southern rock to straight up rock and roll. The crowd was up and dancing the entire time as Hobby clearly knows how to work a crowd. Songs such as “Drunk Dial” and “Back To Me” have a real potential to make moves on the country charts in the future. “Traveling Man” had the southern rock feel that would make Kid Rock fans proud. But it was their current breakout hit, “Smoke”, that had the biggest reaction of the night.
What really intrigued me about the band was not only how talented each of the musicians in the band were, but also their attention to details. They had a back up fiddler and keyboardist as well as three female back up vocalists. The entire band together made for a spectacular mix of sounds.
I caught up with the band for a few minutes after the show. I asked Michael Hobby how they got their name and he simply stated they were named after the first song they all wrote together in Nashville. Once they got together and wrote a song called “A Thousand Horses” they all “thought the name was pretty cool”. He further told me they had been together since 2010 and would be on tour with Darius Rucker this summer. I joked with Zach Brown about his name and he laughed and said “I’m even from Georgia”. The guys in the group seemed as genuine as they were talented in their performance. I’m expecting this group to make some waves in 2015 and beyond.
- Heaven Is Close
- Drunk Dial
- Back To Me
- Traveling Man
- First Time
What Happened To The Collaborative Album in Country Music?
As one of my Christmas presents this year, I was given a vinyl record player. Since that time, I have been quickly building a pretty extensive collection of vinyl LP’s which consist mainly of classic country albums from “back in the day”. As I have built my collection of these influential records, I started to question something about today’s music industry: what happened to the collaborative album in country music?
I am not talking about the collaborative song, but rather full albums in which the biggest stars in the genre combine to create. Possibly the most famous and my favorite collaboration came from the “Highwaymen” which was a combination of Willie Nelson, Johnny Cash, Waylon Jennings, and Kris Kristofferson. Not only is the title track one of my favorite songs of all time, but the entire album is spectacular. And this super-group did not stop here, they made another full length album together and even went on tour.
And this example is far from the only one. It seems that Willie Nelson was at the center of most of the collaborations as he has made albums with everyone from Merle Haggard, George Jones, Waylon Jennings, Ray Price, Dolly Parton, Brenda Lee, Leon Russell, to even Julio Iglesias and more. He has continued his tradition of collaboration into today’s modern era as he has appeared on singles with Toby Keith, Kenny Chesney, Chris Young, and much more. However, the art of the full length collaboration is virtually non-existent in the current market.
Willie is not the only megastar to collaborate on full albums as there have been combinations of Merle Haggard & George Jones, Johnny Cash & Bob Dylan, Kris Kristofferson & Barbara Streisand; Kenny Rogers & Dolly Parton, among countless more. And a lot of these collaborative albums are some of each of the star artist’s biggest selling and most lucrative projects. Yet, again, these were all from decades ago and the current trend is a single feature here or there.
So why is this idea so avoided among current country music stars? I know most of them are friends and a lot of them write songs together. Why not make a full length album together? For example, Tim McGraw and Faith Hill have been married for a long time and have made songs together which have been smash hits and have garnered multiple prestigious awards. Why would they not release a full length album together? I would think something like that would both sell huge units and also make fans extremely happy. Same goes for Blake Shelton and Miranda Lambert, especially how hot both their careers are right now.
Of course married couples are not the only ones who can collaborate. Jason Aldean and Luke Bryan share close friendships that have been publicized the same that McGraw and Kenny Chesney have. I have heard Lee Brice, Randy Houser, Tyler Farr and Jerrod Niemann lived together and often refer to themselves as the “Redneck Rat Pack”. How awesome would a full album with those four artists collaborating be?
So why do you think this idea has become extinct? I personally think it has to with the power and control that record labels have these days over their artists. The contracts and dollars control so much of the industry that the legal logistics would take most of the fun and creative spirit out of such a project.
Yet I would love to see a combination of younger diverse stars like Kip Moore, Eric Church and Dierks Bentley come together for a project. Or an older guard of artists such as Kenny Chesney, Tim McGraw and Toby Keith or Alan Jackson, Ronny Dunn and George Strait. Or something a little more Americana along the lines of a Sturgill Simpson, Jamey Johnson and Zac Brown. I know these are all pipe dreams, but fun to think up combinations nonetheless. So who would you like to see, in country music’s current major market, collaborate on a full album together?
A Conversation with Erik Dylan at Cornman Music Studios in Nashville, TN
I had the unique opportunity of spending a full afternoon on Music Row with one of Nashville’s up and coming artists, Erik Dylan. Erik has a publishing deal with Cornman Music and has a self entitled EP available on iTunes. We spent the afternoon at both Cornman and Sony Nasvhille, as he gave me an up close and personal view into the daily life of a Nashville singer-songwriter. Make sure you all buy his EP https://itun.es/us/ERdv4 and check him out at www.erikdylan.com . I hope you all enjoy what he has to say as this interview is as real and true as it gets:
MTMS: Tell us about your journey from Kansas to Nashville…
Erik Dylan: I originally left Kansas to attend Middle Tennessee State University to work on a career in audio engineering, but found out I wasn’t really good at audio engineering. So then I decided to live in Nashville and make it my home. I had always written songs so it was just about trying to figure out how to make it in this industry.
MTMS: So it wasn’t that you moved here just to make songs, it started from the audio engineering aspect of things?
Erik Dylan: I had always wanted to make music. I have been writing songs since I was a little kid and played in bands growing up, but I wanted to be part of an industry. Actually, while I was at Middle Tennessee State, I tried getting into the songwriting program there but was denied by a certain professor. He actually told me I was not cut out to be a writer. Because of that I gave it up for a couple years after and it messed up my head until I realized I needed a second opinion.
MTMS: So once you moved to Nashville, what approach did you take?
Erik Dylan: I realized if I wanted to be a songwriter I had to be around other songwriters. So for seven years of trial and error, I learned about the industry and continued to try to be better. And seven years later, I got my first publishing deal.
MTMS: In those seven years, did you have a “big break moment”?
Erik Dylan: I am still looking for that, really. I am making a living off of it now and it is awesome, but we never know if it will always be this way. I worked full time for AT&T and played 200 open mics in 2011 while doing that. And Kip (Moore) saw me at one of those open mics, which is how I got my first meeting at Cornman and that is how I got my first publishing deal.
MTMS: That was my next question, the whole Kip Moore relationship that everyone is buzzing about. Can you talk about that?
Erik Dylan: He heard me at an open mic night from the speakers outside. He did not actually see me, he was walking by outside and heard my voice singing a song called “Marlena” that I wrote. He gave my wife his e-mail and told me to contact him because he had some people he wanted to introduce me to. So that was my break into music row.
MTMS: A lot of rumors have been swirling about Kip Moore’s new album and I know there is a song of yours that he did cut for it. Can you tell us anything about that?
Erik Dylan: I wrote a song called “Comeback Kid”. There are actually four writers that wrote it, Ross Copperman, Jeff Hyde, myself and Kip.
MTMS: The song was created in one day?
Erik Dylan: The bones of it had been there for awhile, but when you write a song you play with themes and titles. It was written for Kip but each of the writers related to the song from a different place with what the song means.
MTMS: What is your relationship to the song?
Erik Dylan: My wife worked a day job for seven years and as a songwriter there are times you question whether you are good enough or if it is all worth it. You need that someone there to support you. So the song in my mind was all about my wife because I was the Comeback Kid. Meanwhile, Kip is the Comeback Kid in a different way because he had his share of ups and downs and so many people told him he would not be a country music singer and look at him now.
MTMS: Besides the Kip cut, are there any other acts in Nashville that we will hear an Erik Dylan co-write on soon?
Erik Dylan: I do not know if they will make it onto albums, but I wrote a really great song with Eric Paslay that we hope will make it. Thompson Square also cut one of mine in November. I wrote Austin Webb’s song “Raise Em Up”. Chad Brownlee had a big hit in Canada with “Where The Party At” which I wrote and I actually released recently it as my first single.
MTMS: I saw the video for that recently, there were few fellow artists in it, no?
Erik Dylan: JT Hodges, Caitlyn Smith, Logan Mize, Jimmy Stanley, and Courtney Cole were all in it.
MTMS: Where was the video shot?
Erik Dylan: Tennessee Brew Works. Amazing beer, I freaking love that place. They donated the space for us and they may have even donated the beer for us that day too. Great guys run that place and I love it there.
MTMS: For those that do not know your music yet, what themes can the listener hear in Erik Dylan music?
Erik Dylan: I try to make it relatable to the listener. If I can get someone to relate the lyrics then I did my job. I think Springsteen did that to New Jersey and to the shore. I do not think I realized how much Springsteen really painted the picture of Jersey until I drove down there and paid the tolls and saw how life is there. I grew up in a farming community in Kansas and you will hear a lot of the blue collar and struggle in my music. Everyone likes to party and songs about girls, but if we just write songs about that we are not doing the Midwest or the US justice. I want people to feel things and that is what I love about “Comeback Kid” because people will relate to it for so many different reasons.
MTMS: One of the songs of yours that sticks out to me is “That Ain’t My Town”. Did you record that with the current state of country radio in mind?
Erik Dylan: I wrote that with Jeff Hyde and we were talking about where country is at right now. I love it where it is at in different ways, but I want more diversity in it. That is what I would want to change. I love party songs and girl songs, but country is so huge that we can have songs that talk about real things too. I wrote a song called “Colorblind” recently that is about real life issues happening around us. We need more songs about real issues.
MTMS: I am someone who cares most about the lyric and you seem to be someone who writes that way.
Erik Dylan: Well thank God for people like you! I do care a lot about that because I grew up listening to Steve Earle, Guy Clarke, Townes Van Zandt. It was all about telling a story in different ways. That is what the true masters do; it is about crafting a song and making art.
MTMS: Does attaining radio play mean a lot to you?
Erik Dylan: I feel blessed right now to be able to come into work and write songs. I want to make music organically and make songs that mean something. If I want to be a husband, a father, be on tour, and write songs all at the same time, the music needs to be about a representation of me and where I came from. If my music turns into radio play, that would be great, but I want people to parallel with my songs and be proud of it.
MTMS: Tell us about your publishing deal?
Erik Dylan: I am with Cornman Music which is owned by Brett James and is a co-venture with Warner-Chappell. They have been great. I came in as a songwriter who was writing more folk style songs and they have molded me into someone who can make modern country songs that can get airplay. The lyric was always there for me, but Brett just shoots straight and has helped me to a point where the lyrics and melodies combine. He has had 25 #1’s so he is an unbelievable mentor and person to be around. And here, as well as all of Nashville for that matter, I have noticed we celebrate each other’s hits and success. We are fans of each other and we take our turns.
MTMS: What does 2015 hold for Erik Dylan?
Erik Dylan: This month I have dedicated myself to writing and get in with all my ideas from the past few months. I will be writing songs with my friends here in Nashville. I am going out on tour with the Josh Abbott Band soon and there will be a lot more touring thereafter. I’m also writing a blue-collar type project called “Flattlands”. It is a record that reflects where I am from and I do not know if it will ever be heard on the radio, but it is not the reason I am writing it. We are getting some radio airplay with my new EP which was released. The coolest thing is my friends on Twitter and Facebook have grown so much. I think I started the year with maybe 100 followers. I have all these people that I recognize when I go to towns. I consider them my friends at this point. That is what is generating the most buzz because they want to hear what I am doing. If I can model my career after someone in current country it would be Eric Church. He started out grass roots and built fans that will follow him until he stops making music. I respect that and want to model my music the same way.
I want to thank Erik for spending some time with me and stay tuned to our site as we plan on keeping everyone up to date with his music and look forward to reviewing an Erik Dylan concert in 2015!
Anyone who really knows me understands that I have love for Toby Keith. If it was not for me hearing his song I Love This Bar in college, I would not have made the full leap to absolutely loving the country music genre. However, as I have listened to everything the genre has to offer and attended hundreds of concerts, it has made me more observant to the little nuances of the actual business behind the music.
That being said, when I heard Toby Keith was releasing a new song, my first thought was “please do not be about drinking, again”. When I saw the title I was immediately disappointed. However, when I heard who the writers were, it gave me a glimmer of hope. Brandy Clark (Mama’s Broken Heart, Better Dig Two), Shane McAnally (Somewhere With You, Merry Go Round, Come Over), and Bob DiPiero (Southern Voice, Gone, Cowboys Like Us) are widely known for their quality songwriting ability. The three writers have co-written countless hits and award winning songs. So, in that, I had a glimmer of hope.
When the song came out on iTunes at midnight on October 14th, I immediately downloaded it and ran into a guest bedroom of my house so I would not wake my wife and baby because I just had to hear the song. After just one verse, all I could do was shake my head. Not because the song was bad, but because I immediately could recognize what somehow the three writers and Toby could not, that one word could have ultimately changed the dynamics of the song.
What does Toby Keith do best? Recently, he may be most known for his drinking tunes, but when he was flying high at the top of the genre, it was his love for America and overall patriotic nature that made fans love him. And this song had that return potential. Drunk Americans is not a drinking song. The one word, DRUNK, misleads and confuses the true nature of what the song is about, what makes a person American.
The lyrics of the song show how people of many races, religions, political associations, and even fashion trends do not really separate each other in any way, because they are still just American. JUST American. We are not American because we are collectively drunk, its everything else mentioned in the song.
If the word DRUNK would have been changed to JUST it could have become another patriotic and uniting song that would have likely returned Toby to the top of the charts. But with the sloppy, confusing, and misleading title, which does not make sense when examined with the rest of the lyrics, it will now be less accepted by country radio and passed over by the majority of fans across America.
This is just my humble opinion, what do you all think? Drunk or Just?
The Outsiders World Tour
w/ Dwight Yoakam and Brandy Clark
October 25, 2014
Mohegan Sun Arena, Connecticut
I have seen Eric Church many times over the years, from small clubs and bars to him being a supporting act for other headliners. Over that course of time I always thought he stole the show, but wondered what it would be like to see him perform at a big time venue with a stage and experience he personally planned out. When The Outsiders World Tour passed through northern Connecticut’s Mohegan Sun Arena, I had my answer. He did not disappoint in the least.
The festivities kicked off that night with a set from singer/song-writer, Brandy Clark. I last saw Brandy in New York City’s intimate venue, The Bowery Ballroom, when she opened for Kacey Musgraves. That night she captivated the smaller crowd with her descriptive lyrics and story telling ability. This night was a bit different as her set did not translate to a larger scaled arena. Most fans did not know who she was and had never heard her songs, other than the covers she selected. Further, her stationary performance style in such a large arena lacked any energy whatsoever. I think Brandy is very talented and hope to see her again in a smaller venue, where she really can shine.
Dwight Yoakam was next on the bill and the lack of energy that Brandy Clark had was completely different from the style he came out with. Despite having an awful sound manager his performance was quite fun. He had some unique dance moves and leg movements during the guitar solo’s in the midst of his hit filled set. Dressed in the Canadian Tuxedo complete with a cowboy hat that would make Clint Eastwood proud, Dwight ran through songs such as Honky Tonk Man, Streets of Bakersfield, and even through a rendition of Johnny Cash’s Ring of Fire. Dwight fought through the faulty microphone malfunctions and really put forth a solid set.
After a slideshow of VIP and press passes from all of the unique venues Eric Church and his band have played through the years, the lights went dim and Eric appeared on stage. Fittingly, he jumped into The Outsiders acoustically until the band joined him after the first verse. What followed was a visually stunning spectacle of lights, smoke, and moving apparatuses on stage. In fact, Eric’s drummer descended from the large screen above the stage, something I have never seen before at a concert.
Eric’s setlists have never been the same in the dozen or so times I have seen him and this night had plenty of surprises as well. Of course, the hits such as Drink In My Hand, Smoke A Little Smoke, Cold One, Homeboy, and Give Me Back My Hometown were part of the list. But the less known album cuts such as The World Needs a Drink (selected by a fan club member), Hungover & Hard Up, Wrecking Ball and Rollercoaster were the songs I was most excited to hear. For some reason, its these lesser played songs that really get the intense and passionate reaction that I love to see from Eric Church.
And that intensity and passion is exactly what has created Eric into the phenomenon he is today. He is absolutely one of the leading front men for live shows as he has such a real and true reaction from the crowd and his own music. His band is not all that impressive, in fact, I kept wondering what a instrumentally technical song like Cold One could sound like live if a skilled band such as Zac Brown Band would put their fingers to it. But its not the band that the fans come to see, its the man with the shades. And halfway through his set, just before Homeboy, he put on his infamous denim trucker hat and the energy in the building noticeably changed and things got a lot more rowdy.
After telling everyone what he would do if anyone messed with his little boy in Dark Side, an enormous devil like creature appeared in the far up of the arena as he fittingly launched into Devil, Devil. If that was not enough, he followed it up with two of his most high octane songs, Country Music Jesus and Smoke a Little Smoke. And while most artists would have probably ended it there, to the crowd’s delight there was still another seven songs left in the set.
A staple of Eric Church concerts today and forever will be highlighted by his career defining hit, Springsteen and his unique ability to work a different Bruce Springsteen song into it each night. I know this tour has feature the classics Thunder Road, Glory Days, Born To Run and Born in the USA. But on this night, it was Dancing In The Dark that got the Eric Church treatment and it launched the crowd into an absolute frenzy. See a video clip here:
Also among the final few songs were two songs which showed a sensitive side that most do not really known Eric has. The first was These Boots which true fans show so much love for as dozens raised their cowboy boots in the air. Eric even signed a few after the song finished. He ended the night with a song he described as “a song we don’t play every night but is fitting for tonight” as he performed a stirring Those I’ve Loved Along the Way which brought goose bumps to anyone who can appreciate quality music as the lyrics are not only poignant, but his vocals were the best they were all night.
All in the all the night was exactly what I had expected: intense, passionate, visually stunning and as energetic as any performer in the music business today. I am happy that Eric Church is finally getting the notoriety that he has deserved for so long and this World Tour should do wonders for him for years to come. In a day of bro country and pop country, if you are not one of Eric Church’s Outsiders, you are doing it wrong.
- The Outsiders
- Guys Like Me
- Hungover & Hard Up
- I’m Getting Stoned
- Pledge Allegiance to the Hag
- Drink A Little Drink
- The World Needs A Drink (Terri Clarke Cover, Eric Church wrote it)
- Sinners Like Me
- Cold One
- That’s Damn Rock and Roll
- Give Me Back My Hometown
- Dark Side
- Devil, Devil
- Country Music Jesus
- Smoke a Little Smoke
- Wrecking Ball
- Rollercoaster Ride
- These Boots
- Lotta Boot Left To Fill
- Dancing in the Dark (Bruce Springsteen Cover)
- Those I’ve Loved Along The Way (ENCORE)
CMT’s Up In Smoke Tour
with Charlie Worsham & Sam Hunt
September 25, 2014
Best Buy Theater, New York City
Kip Moore’s mutual love affair with New York City continued this past Thursday night with a show at the Best Buy Theater in the heart of Times Square. I have been in attendance at the shows he has put on in the Big Apple the past few years, starting with Bowery Ballroom in 2012 and Webster Hall last year. I have seen him perform in other cities and states, but there is something about the City that brings out the best in him, his band, and the crowds. This night was no different.
The night kicked off with a stirring performance from Sam Hunt. He may be an artist with only one radio single so far, but you would not have guessed that from the way the crowd knew basically each of his songs word for word. Hunt performed songs from his mixtape as well as his upcoming album, to be released next month. His six song set, highlighted by “Leave the Night On”, “House Party” and “Ex To See” showcased how dominating a performer he is, despite being so early in his career. His songs are as pop as any artist in the country music genre can be, but also catchy as can be. The crowd responded to his constant movement and dynamic performance. I expect Sam Hunt will be around for a long time.
Charlie Worsham was the second opener and provided a less energetic set. He performed free flowing and technical songs from his album, Rubberband. I am a huge fan of that album and was really looking forward to seeing him live; however, found myself a bit let down. However, his musical chops were undeniable as he changed from acoustic to electric guitars and even a banjo at one point. He seemed to be a bit out of place in the Kip Moore concert crowd as his performance was relaxed and somewhat awkward. I hope to see Charlie in a different venue or circumstance.
When it was time for Kip Moore to take the stage, he came out like a bullet out of a gun. The opening song, “Wild Ones” is what many are expecting to be his next radio single and it is as catchy and bombastic as any song on country radio. The chorus of this song lets loose something fierce and the crowd with amazing energy responded to the party anthem.
What followed was a twenty-one song set that shifted from party to emotional to nostalgic to romantic. The song-writing that Kip and his co-writers possess along with the unique raspy delivery that he executes with really separates him from the rest of the younger generation of rising stars in country music. And Kip performed a bunch of new songs for the hungry crowd as he explained how it has been frustrating for him that a new album has not been released yet.
But if these new songs are any indication, Kip may be on his way to CMA and ACM nominations galore. “Hearts Desire”, “Backseat”, and “Lipstick” are destined to be radio hits as they are songs with detailed attention to the lyrics while delivered with the passion that is missing from so many of today’s artists.
The Best Buy Theater became a word for word sing a long on hits such as “Beer Money”, “Dirt Road” and “Something About a Truck”. However, it was some of his first album’s deeper cuts that were surprisingly the highlights of the night. “Crazy One More Time”, “Fly Again” and “Everything But You” were performances nothing short of brilliance as he changed up the original recordings of the songs and the crowd almost drowned Kip out as the response was deafening.
- Wild Ones
- Crazy One More Time
- Baby Break My Heart
- What I Do
- Drive Me Crazy
- Beer Money
- Up All Night
- Dirt Road
- Hearts Desire
- Everything But You
- Separate Ways
- Fly Again
- Come and Get It
- Young Love
- Hey Pretty Girl
- Somethin’ About A Truck
- Faith When I’m Falling (ENCORE)
- Free Fallin’ (ENCORE – Cover of Tom Petty)
- Could It Be
- Microphone To My Heart
- Young To See
- Love Someone
- Be Alone
- Trouble Is
- Want Me Too
- Raised On It
- Ex To See
- House Party
- Take Your Time
- Leave The Night On
- Break Up In A Small Town
Burn It Down Tour
with Florida Georgia Line & Tyler Farr
August 2, 2014
Jason Aldean brought his loud and rowdy tour to Hartford, Connecticut this past weekend, with a ample help from Florida Georgia Line and Tyler Farr. This was one of the sold out shows at the Xfinity Theater and it was apparent from very early on, as trucks and cars filled the parking lots hours before they usually do for these shows. What followed was an action packed show full of swagger, bravado, and high production.
I caught up with Tyler Farr on his tour bus before the show. He spoke to me about being a Georgia Bulldogs College Football fan, touring with George Jones at 16 years old, his relationship with Willie Robertson of Duck Dynasty, and a new song he is recording with Jason Aldean called “Damn Good Friends”. Check out the full interview here: http://millertimemusicspot.blogspot.com/2014/08/tyler-farr-interview-august-2014.html.
Up next was Florida George Line. Anyone who knows me personally, knows I am not a huge fan of their songs, but I kept an open mind as I watched them perform. Both members of FGL were as active as anyone I have seen live as they used every inch of the stage. They included background visuals as well as a multitude of smoke blasts to enhance the visual performance. I don’t think their band was plugged in as it seemed to be a back track most of the time, but for the majority of the crowd it did not seem to matter. Their setlist included party song after party song and, albeit that I find the songs a bit corny and quite clumsy lyrically, the fans seemed to love them.
Jason Aldean finally hit the stage at around 9 pm and came out with some old hits first. Backed by a plugged in and raucous band, highlighted by the hilarious and talented drummer, Rich Redmond, Aldean’s performance was indeed the best I have ever seen put forth by him in the many times I’ve seen him. “Hicktown”, “Amarillo Sky” and “That’s My Kind of Party” were all performed early in the show, while he concentrated on a lot of the newer material in the second portion of the show.
Aldean has stepped up his live performance game for this tour with stunning visuals, moving screens and lights, tons of pyrotechnics, and constant movement on stage. In fact, he smiled a lot more and genuinely seemed to be enjoying himself on stage. And why not? The crowd’s noise continued to rise as fans exploded into the aisles singing and dancing their hearts away. FGL joined him for “The Only Way I Know” as they attempted to sing Luke Bryan and Eric Church’s verses. Further, he performed his new single, “Burning It Down” (video clip below).
All in all, this was the best Jason Aldean show I have seen yet. All the intricate details were well conceived and Aldean and his crew masterfully executed. “Dirt Road Anthem” was as loud as I think I’ve ever heard a theater and the entire show had a feeling of electric energy. I really would not be surprised if this Tour and his upcoming album earned him a well deserved Entertainer of the Year Award.
- Ain’t Even Drinkin’
- A Guy Walks Into A Bar
- Whiskey In My Water
- Redneck Crazy
Florida Georgia Line
- It’s Just What We Do
- Party People
- Shine On
- Round Here
- This Is How We Roll
- In A Hurry (Alabama Cover)
- That’s My Kinda Party
- Tattoos On This Town
- Amarillo Sky
- Big Green Tractor
- Johnny Cash
- The Truth
- Take A Little Ride
- Fly Over States
- When She Says Baby
- Night Train
- Don’t You Wanna Stay
- Only Way I Know (with Florida Georgia Line)
- Burning It Down
- Dirt Road Anthem
- Crazy Town
- She’s Country (Encore)
I had the pleasure of interviewing Tyler Farr on Satuday, ahead of his show with Jason Aldean at the Xfinity Theater in Hartford, Connecticut. Tyler entertained a number of questions on his tour bus for me and showcased why he is not only one of the most talented artists in the country genre, but easily one of the most humble. I hope you enjoy what he had to tell me:
MTMS: I see you wearing a Georgia hat and there is Georgia stuff all over your bus here. But, didn’t you grow up in Missouri?
Tyler Farr: I did. A lot of people ask me that, actually. You need to thank Rhett Akins, not Thomas Rhett, his father, of the Peach Pickers. They are some of the biggest songwriters in Nashville and happen to all be from Georgia. And they are die hard Bulldogs fans. When I moved to Nashville, Missouri really was not that good, so I did not have a team I rooted for like that. I did not get into college football until I moved to Nashville and walked into a room full of them cheering. I also now root for Missouri since they came to play in the SEC last year. But if Missouri plays Georgia, I just put all my colors away so I don’t get my home state mad.
MTMS: Well, coming from Missouri, was there any particular artist that influenced you?
Tyler Farr: My grandpa, he passed away when I was a Junior in school and he was like a father to me. He gave me my first guitar when I was 13. But I did not start playing until I was 16. He used to sit me on his lap and sing me old Hank Williams songs. My Mom and Dad used to sing a lot. My Dad actually was the last person to make All-State Choir before I did. And then my Step-Dad sang with George Jones. And I actually went on the road with George Jones for a month when I was 16. I rode the bus with the Jones boys and babysat George and Nancy’s grandkids.
MTMS: Did you ever go out or have a drink with George Jones?
Tyler Farr: I did not. This was post-Lexus wreck. So he kind of calmed down. But with some of those stories, I am glad I was not around for the drinking days. I’ve heard a lot of stories from my Step-Dad. But as far as music, he was a big influence.
MTMS: In terms of causing trouble, I heard you are part of the Redneck Rat Pack with Lee Brice, Jerrod Niemann, and Randy Houser. How did that name come about?
Tyler Farr: Yeah. I mean don’t put me down with that list. Nah, I’m joking. They are my buddies. The Rat Pack was not country, they liked their scotch. And me and my boys drink whiskey, and probably too much. I take it as a compliment to be put in with those guys.
MTMS: Any chance you guys will record a song together or even an album like the Highwaymen did?
Tyler Farr: I hope. I would love to sing with Randy Houser except he outsings whoever he sings with. It’s just not fun to play with him at guitar pull, belting out that big voice. How can I follow that? After you sang Anything Goes … thanks Lee, I have to follow More Than A Memory. They are all great talents. I hope there is a tour in the making in the future.
MTMS: Who else have you worked with?
Tyler Farr: A lot of people. Willie Robertson, Colt Ford, Josh Thompson. A lot of these guys have been good to me and I am happy to be put in a category with them. I take it as a compliment.
MTMS: I know you talked to Broadway (of www.country925.com) about hearing Willie Robertson rap on Colt Ford’s album, but did you hear him sing with Luke Bryan on the Christmas album?
Tyler Farr: I missed that one. I have not heard it.
MTMS: It was called Have A Hairy Christmas. Will he be on your next album?
Tyler Farr: No. No. He can stick to the duck calls. I love him. He does a heck of a job as a marketing genius. I have a shower loofah someone gave me for Christmas of his face. I do not use it anywhere. It still has its tag on it. I just can’t get myself to wash down with a Willie Robertson loofah. It may even be made of his beard hair.
MTMS: So he won’t be on the next album, will there be any special features from anyone?
Tyler Farr: Jason Aldean will.
MTMS: Can you tell me the name of the song?
Tyler Farr: Yes, it’s called Damn Good Friends.
MTMS: What is it about?
Tyler Farr: It is one of my favorites on the album. The main gist of the song is that you have a couple hundred buddies, but only a few damn good friends. It talks about breaking down, stuck out and the tow truck is taking too long, so who do you call? It’s an edgier take on You Find Out Who Your Friends Are. So, it talks about going into a bar and kissing on a brunette when an ex shows up and you see its going to be 3 on 1 and you need to call your friend. It also talks about getting married because I’m going through that as Lee just got married. I think he has had a litter of kids. And Jerrod is now engaged, so I felt like singing something like All My Rowdy Friends Have Settled Down.
MTMS: So the next album will have some contemplative type songs?
Tyler Farr: Yeah, with the new single A Guy Walks Into A Bar and the one with Jason, it is going to be a bit deeper.
Shut Up & Hold On Tour
Featuring Colt Ford
July 26, 2014
Toby Keith brought his “Shut Up & Hold On” Tour to the Xfinity Theater in Hartford, Connecticut this past Saturday. Alongside him, he had his Easy Money Band along with opening acts Colt Ford and Krystal Keith, his daughter. As the norm for a Toby Keith concert, there were songs about drinking, being in love, heartbreak, red solo cups, and Patriotism. And that suited the Connecticut crowd just right as a party broke out early in the day and never stopped.
I unfortunately missed Krystal Keith’s set as I was interviewing Colt Ford on his bus (see http://millertimemusicspot.blogspot.com/2014/07/interview-with-colt-ford.html for the entire interview). Colt spoke to me about touring and golfing with Toby, his new video for “Workin’ On” and Marcus Luttrell’s involvement, as well as how he is the best dancer in country music. Colt had an amazing presence in our interview and that carried over into his set on stage.
And anyone who thinks that Colt Ford is not country is sadly mistaken. When he sang songs such as The High Life, Crickets, and Ride Through the Country, its impossible to not understand that themes are as country as it gets. His delivery may be a bit unorthodox, but in a time where music is changing and there is a lot more exploration, Colt Ford has created himself a nice niche that has served as a starting point for a lot of other artists to play off of. In fact, he ended his set with a mash-up of Eminem’s Lose Yourself and Jason Aldean’s Dirt Road Anthem, a song he wrote with Brantley Gilbert. I was thoroughly entertained by Colt’s set and a great majority on the crowd was in the palm of his hand by the time he finished. The combination of dancing, flag waving, and cell phones illuminating the theater showed that Colt Ford has a real place in country music.
As it is customary for any Toby Keith show, the set began with a hilarious video filmed in Las Vegas featuring Toby, Carrot Top and the new line of Ford F Series Trucks, Toby’s sponsor. Once the video ended and the screen dropped, Toby jumped out and jumped right into some high energy songs, Haven’t Had Drink All Day, American Ride, and Made in America. Toby used a lot more of the stage and catwalk than he has in past years, which is always great to see as he has such a dominating stage presence. The crowd sang word for word with the megastar, as Toby pumped out hit after hit.
As a fan of Toby Keith, who has seen him over twenty times live, it was a real surprise to hear some of the older hits that he had not done in a long time. These classics included Country Comes to Town, Who’s That Man, and Dreamwalkin’. He said his band had been working really hard to relearn the older songs and that he wanted to sing them since its been twenty plus years since he started in the business. And the band plus Toby did not skip a beat as the old classics along with the newer hits were all masterfully executed.
Despite the amazing catalogue of hits that Toby has delivered to the masses, year in and year out, a Toby Keith concert experience would not be one without the absolutely stirring encore that he produces each show. He invites any members of the military in the crowd up on stage with him as he performs the chilling “American Soldier” and the patriotic “Courtesy of the Red, White and Blue”. This Saturday night in Connecticut seemed to include branches of every part of our military, as they raised their flags and sang with emotion. Toby’s show is truly indicative of what a long lasting mega star in the music business is capable of and I hope he keeps doing it on this scale for many years to come.
- Answer to No One
- High Life
- Crank It Up
- Workin’ On
- Driving Around Song
- Ride Through The Country
- Washed in the Mud
- Lose Yourself
- Dirt Road Anthem
- Haven’t Had Drink All Day
- American Ride
- Made in America
- Beers Ago
- Wanna Talk About Me
- God Love Her
- Whiskey Girl
- Beer For My Horses
- Who’s That Man
- Country Comes To Town
- Shouldn’t Kiss Me Like This
- Get Outta My Car
- Red Solo Cup
- Who’s Your Daddy
- As Good As I Once Was
- I Love This Bar
- Should’ve Been A Cowboy
- How Do You Like Me Now
- Little Less Talkin’
- American Soldier (ENCORE)
- Courtesy of the Red, White, and Blue (ENCORE)
I had the pleasure of interviewing Average Joes Entertainment recording artist, Colt Ford, ahead of his show with Toby Keith at the Xfinity Theater in Hartford, Connecticut this past Satuday. Colt entertained a number of questions on his tour bus for me and was equally humble and entertaining. I hope you enjoy what he had to tell me:
MTMS: What made you want to change from professional golfer to music?
COLT: I’ve always done both. Music is really my first love though. But I’ve always been pretty good at golf and my Mom always said ‘God does not give you anything he does not intend for you to use’. I happened to be pretty good at it and be able to make a living off of golf for awhile. But, music is where I am supposed to be.
MTMS: Growing up on music, did you listen to rap and country?
COLT: Growing up I listened to Waylon and Willie, all country stuff. Whatever my Dad liked, so that’s what I loved. But then I got into Elvis and Kenny Rogers and then I loved Run DMC. I just like good songs, I do not care where they come from.
MTMS: When did you first try rapping?
COLT: Oh, I made a record when I was 13. It was a rap album, I never really explored the singing part. But I always loved writing and I spent a lot of time in music business trying to be something I wasn’t, trying to chase something that was ‘cool’. When it worked for me was when I was honest with myself and who I was and how I grew up.
MTMS: I know you’ve had a ton of guests on your albums, how do you go about picking or choosing which artist to work with?
COLT: I just let the songs take me. Honestly, I let the songs guide me. I never write a song and say I’m going to write it and this is the one I want to send to Keith Urban. Luckily, everyone has said yes so far.
MTMS: And Keith Urban is on your new album and playing the banjo, how did that come about?
COLT: The first time I played that song for him, halfway through he started singing it. And then when we got done, he said ‘you know a banjo part might be cool in there’ and I said that he could play the spoons if you want.
MTMS: What made you change things up and do the hooks plus verses on some of the songs totally solo this time around?
COLT: I wanted to grow as an artist, but not forget about how you got here. It evolved and those couple of songs I felt like I could do it myself. I wanted to push the vocals and see how it turned out.
MTMS: I love the message in the new single, “Workin’ On”.
COLT: Yeah we are going to be shooting about a six to eight minute short film with that song that will be dealing with PTSD. It is a very serious subject and that song is full of hope and pain. Kind of like The House That Built Me or something like I Drive Your Truck. Those songs are hard to write because they have a lot of pain, but also I lot of hope. That really is how this song goes. And when I figured out how I wanted to go about this, I reached out to a good friend of mine named Marcus Luttrell, who wrote “Lone Survivor”. And he has the Lone Survivor Foundation, so we are going to have a PSA at the end of the video with Marcus and I and proceeds from the song will go to his foundation. Those men and women who come home from fighting for us need us.
MTMS: That is inspiring, the whole song is.
COLT: A good friend in the business heard it and told me it is the new Cowboy In Me, which that blew me away because its one of my favorite all time songs. But it is a song that at the end of the day that anyone can relate to because the person in the mirror is the one person you cannot get away from. You have to deal with that person and every day you are trying to be a little better than the one before. So, everyone can relate to it because you want to get better.
MTMS: What is your handicap in golf?
COLT: I shot a 71 this morning.
MTMS: What about Toby Keith?
COLT: He is pretty good. I think he is about a 12. He can play and he owns a golf course so he plays every day. We have played about 3-4 times so far on this tour. We are having some fun.
MTMS: Who is longer off the tee?
COLT: I am when I do it correctly, but he is a big guy. He is strong and can get it out there for sure. And he is a good guy, seriously. He has been very nice to me and I constantly ask him for advice. He is someone who has worked in the business for 25 years building this amazing career and fan base. I make sure to respect that because a lot of the younger artists seem to think they have know everything. I tell them, you need to spend time around someone like Toby, or Kix Brooks, or Ronnie Dunn. It is a gift to play in front of all these fans and Toby has spent a career dedicated to this and these people. And I think if I do good in a show maybe these fans can become my fans, so that’s how I look at it.
MTMS: What is one things that when fans come to your show that would not expect from a Colt Ford show.
COLT: I don’t think people know how good I can dance. I can outdance all these boys at country music.
MTMS: Even Luke Bryan?
COLT: Oh, Luke cannot dance as good as me. I don’t fall off the stage either, ha ha. I mean, Luke may be in slightly better shape that I am in, but he cannot dance as well as me. I’ve even challenged him to a dance off. I can absolutely out dance him.
Dunkin’ Donuts Music Lounge
Country 92.5, Harford, CT
June 13, 2014
One of country music’s newest hit makers, Kip Moore, stopped by the Dunkin’ Donuts Music Lounge this morning, located at the Country 92.5 Studios in Hartford, Connecticut. He treated a few lucky fans to an acoustic preview of a few of his songs off of his upcoming album as well as songs from his first release, Up All Night. Kip was extremely funny as he interacted and joked with the crowd while giving background to each of the songs he played.
He began with Crazy One More Time from his first album, which he explained was his favorite song he has recorded. He followed it up with his new single Dirt Road, which told everyone was not about an actual road or even beer, but more about a rebellion. He wrote the song with his friend Weston Davis, who was also at the studio with him. He performed a stirring, stripped down version of the thoughtful song which paints a portrait of small town living in the listener’s mind as he sings the lyrics.
He asked the crowd what they wanted to hear next and I shouted “Backseat”. He heard my request and explained that Backseat was an underground song they had been singing and that he had just recorded. He said that they song is “very racey” and lots of people had mixed views on whether it could be played on the radio. Cory Myers from the Electric Barnyard on 92.5 urged Kip to play a snippet of the song and Kip finally agreed. From the short version he performed, I can say it sounds absolutely awesome and I can’t wait to hear the full version and whole story in the song.
Kip also performed two other new songs in full. Lipstick and Just One Beer, both of which cover love song topics, but are from different views. Lipstick is a catchy tune about a man craving to kiss his woman, while Just One Beer is a mid-tempo song about a man hitting on a girl in a seductive way. Both songs sound tremendous and make the wait for his new album that much more difficult. He finished off with a slow, but beautiful rendition of his mega-hit, Hey Pretty Girl. All in all, if you were present in the Dunkin Donuts Music Lounge today and could not recognize just how talented Kip Moore, you need your hearing checked. His voice combined with the attention to his lyrics are what sets him apart. I fully expect him to be one of country music’s mega-stars in the near future.
1. Crazy One More Time
2. Dirt Road
4. Beer Money
6. Just One Beer
7. Hey Pretty Girl
Zac Brown Band
w/ Kacey Musgraves & Keb’ Mo’
West Palm Beach, FL
May 31, 2014
The Zac Brown Band brought their American Road Trip Tour to South Florida this past week as they played to four enormous crowds, two in Tampa and two in West Palm Beach. I was lucky enough to be in the Palm Beach area and caught Saturday’s show at the Cruzan Amphitheater. My wife and I were fortunate to not only run into and speak to Zac at our hotel’s pool earlier that day, but were able to attend the “Eat & Greet” that ZBB and Chef Rusty put on for a handful of fans before each of their shows.
We were served up some amazing pork, beef, coleslaw, corn and more as fans got to interact with all the bandmates. This was my third eat and greet experience and each one has been a bit different, but always overly satisfying. I got to spend some extended time speaking to Chris Fryar, the drummer for ZBB. I have met a lot of people in the music business over the years, but Chris may have been the most down to earth and honest guy I have ever spoken with. He really produced a sense of thankfulness for the fans, what he does for a living and the experiences he has been able to have due to the Band’s success.
After the eat and greet, we arrived in the Pit just in time for Kacey Musgraves to hit the stage. Kacey put forth a relaxed, yet quality set full of songs from her first album that has been critically acclaimed all year. She is one of my favorite female artists and it was great to finally see her in front of a huge crowd (which, by the way, was one of the biggest I’ve ever seen for an Amphitheater setting).
When it came time for the main event, it was apparent that Zac and the boys really changed things up for this tour. Everything from the setlist, the stage, big screens, and special effects were diligently conceived and masterfully executed. And ZBB came flying out of the gate with “Devil Went Down to Georgia” and they never looked back.
Zac, himself, seemed to be a bit different this time around. As always, his vocals and instrumental focus was as good as anyone in the business, but he seemed a lot happier and interacted with the crowd a lot more. He jumped into the crowd during the entire “Keep Me In Mind”, running around slapping everyone five. Further, he was down on his knees thanking the crowd during “Colder Weather”. It was great to see him so happy and interactive.
Zac Brown Band
- Devil Went Down to GA (Charlie Daniels Band Cover)
- Knee Deep
- As She’s Walking Away
- Goodbye In Her Eyes
- Times Like These (Foo Fighters Cover)
- Different Kind of Fine
- Grandma’s Hands with Keb’ Mo’
- Keep Me In Mind
- The Muse
- Chicken Fried
- You Never Even Call Me By My Name (David Allen Coe Cover)
- Am I Wrong with Keb’ Mo’
- Piano Man (Billy Joel Cover)
- Seven Bridges Road (The Eagles Cover)
- Let It Rain
- Highway 20 Ride
- Sic’ Em’ On A Chicken
- Isn’t She Lovely/Neon
- No Hurry
- The Wind
- Colder Weather
- Day For the Dead
- Enter the Sandman (Metallica Cover)
- Running Down a Dream (Tom Petty Cover)
- The Trailer Song
- Blowing Smoke
- Dance With You with Daniel De Los Reyes (George Strait Cover)
- Mama’s Broken Heart
- Keep It To Yourself
- Merry Go Round
- Step Off/3 Little Birds
- Follow Your Arrow
- My House
ABC Nashville- Live in Concert
(Featuring Charles Esten, Clare Bowen, Sam Palladio,
Chris Carmack, Jonathan Jackson, Will Chase, & Chaley Rose)
Best Buy Theater, New York City
May 6, 2014
ABC’s hit television show, Nashville, which has its season 2 finale this Wednesday, brought a talented group of its actors to the Best Buy Theater in the heart of Times Square, New York City this past Tuesday. What followed was a truly unique display of musicianship complete with collaborations, solo’s, songs from the series, as well as some original songs penned by the actors/artists themselves. Any fan of the show “Nashville” who missed out on this Tour really missed out as it was remarkable to see how each and every one of the cast was genuinely talented.
The night kicked off with Chris Carmack, who plays Will Lexington, singing “What If I Was Willing”. Carmack was the first surprise of the night as his live voice was much stronger than I had expected it to. His performances that night included some original material as well as songs that Will had performed on the show. He was equally handy with an acoustic guitar as he was with an electric. His character is one of the most haunted on the show, yet Carmack was all smiles throughout the night as he seemed to enjoy himself most on the live stage.
Palladio also sang a few songs which he personally had written. “Wake Me Up in Nashville” was a true story in which he recounts a story his grandfather had told him. Further, he was asked to come out and sing or play the drums for pretty much each of his other castmates. ZAG (Zooey, Avery & Gunnar on the show) even reunited for a thrilling rendition of “I Ain’t Leaving Without Your Love”. From the music side, Palladio’s brillance shined the brightest and most often on the NYC stage.
Charles Esten, better known as Deacon, seemed to get the biggest response from the crowd as the first time he appeared the applause was defeaning. Esten performed several songs that night, both solo and with his castmates. “This Town” along with Clare Bowen was so dark and stirring that it gave me goosebumps. Further, he added some original material and was part of the rousing threesome with Chris Carmack and Will Chase on “It’s On Tonight”.
Jonathan Jackson, who plays Avery on the TV show, showcased his versatilty as he performed songs both rock and roll as well as country, while playing both the piano and guitar. He was also part of multiple collaborations, but his songs “Morning of the Rain” and “One Night Shining” were his strongest. He was asked by many of his castmates to come out and play guitar behind them as he showcased a strong musical foundation all night long.
Clare Bowen added some female star power to the otherwise male dominated cast that night and with good measure. She was mostly very bubbly and full smiles on stage as she really seemed to enjoy herself. She even shaked her body around in some ways that Scarlett would never on the show, but no one seemed to mind at all. Her rendition of the dark “Black Roses” brought about a standing ovation as he vocals were both passionate and powerful. As stated, her performances with Palladio were hauntingly phenomenal. She stated she is actually writing her own songs for an upcoming album which got a huge applause from the crowd.
It was also a treat to have Chaley Rose show up as she was not listed as one of the cast set to perform that night. She looked absolutely stunning in a white dress and her vocals alongside Palladio, Jackson, and Esten on several songs really added some terrific harmonies. She has been a great addition to the show and was a great surprise for the live concert.
All in all the show was one of a kind. I’ve been to several hundred concerts in my life and this really had a different feel. We got to know the artist behind the actor on a beloved television series and none of them dissapointed. When they all got together on stage for the encore, Esten thanked all the fans and said how much they loved doing the show (and hoped to do more in future seasons). The final song was “A Life That’s Good” which became a beautiful sing-a-long for all the cast as well as the sold out NYC crowd.
- What If I Was Willing – Chris Carmack
- Just Can’t Get It Right – Sam Palladio
- Keep Asking Why – Jonathan Jackson
- Gonna Go Crazy – Clare Bowen
- Just Like New – Charles Esten (with Chaley Rose, Jonathan Jackson & Sam Palladio)
- A Showman’s Life – Chris Carmack
- Holding My Breath For You (Original Song) – Chris Carmack
- Morning of the Rain – Jonathan Jackson
- Don’t You Wanna Be My Girl – Jonathan Jackson & Sam Palladio
- I Ain’t Leavin’ Without Your Love – Chaley Rose, Jonathan Jackson & Sam Palladio
- It’s On Tonight – Will Chase, Charles Esten, & Chris Carmack
- Ball & Chain – Will Chase & Clare Bowen
- Fade Into You – Clare Bowen & Sam Palladio
- This Town – Clare Bowen & Charles Esten
- Climb The Walls (Original Song) – Charles Esten
- Wake Me Up in Nashville (Original Song) – Sam Palladio
- Driftwood (Original Song) – Sam Palladio
- Cheap Red Wine (Original Song) – Clare Bowen (with Jonathan Jackson)
- Black Roses – Clare Bowen
- Put A Hurting On Me – Will Chase & Chris Carmack
- One Night Shining – Jonathan Jackson (with Sam Palladio)
- If I Didn’t Know Better – Clare Bowen & Sam Palladio
- Heart Playing Tricks On My mind – Charles Esten (with Sam Palladio)
- A Life That’s Good (ENCORE) – Full Cast
Clay v. Levi
Clay Cook & Levi Lowrey
Joe’s Pub, New York City
April 7, 2014
The night after music fans had to sit through an ACM Awards show full of hick-hop, auto-tune, lip syncing, and jumbled pop music disguised as country music, I was able to purify my ears by witnessing ninety minutes of brilliant musicianship at Joe’s Pub in New York City. Clay Cook, most known for being a current band member of the Zac Brown Band, and Levi Lowrey, a singer-songwriter who is a BMI Award Winner and CMA Nominee, brought the second round of their Clay v. Levi Tour to the intimate venue nestled in the Bowery District of Manhattan. What followed was an impressive set full of original material as well as cover song selections as the two musicians traded vocals and backed each intrumentally.
The show opened with Clay and Levi playing a round of rock, paper, scissors to see who would sing first with Levi being the winner. If that was not an immediate indication for all in attendance that this show would be very different than all others, you must not get out much. Levi admitted that he had a few friends create his setlist before the show, but Clay simply picked songs off the cuff. Levi kicked things off with Barely Getting By, off his self-entitled album (see my interview with him from March 2014 for more info: http://millertimemusicspot.blogspot.com/2014/03/an-interview-with-levi-lowrey.html) and Clay followed it up with Mountain Time off his album with the same name.
I do not know what was most impressive that night, the extraordinary voices of these two men, the intrumental skills they showcased, or the overall acoustics projected from Joe’s Pub. All in all, sonically, the show was as close to as perfect as far as pure sounding music goes. Clay dominated his craft as he served as the host, told stories, made jokes, sang, and played the steel guitar, mandolin, acoustic guitar and electric guitar. He had a huge reaction as he played his buddy John Mayer’s No Such Thing as well as his own material, such as Restless Man and Lost Generation. Not to be outdone, Levi strummed his acoustic guitar and performed beautifully with a fiddle when backing Clay. Songs such as All-American had the crowd laughing while, alternatively, Trying Not To Die had them intently listening to the deep lyrics. He performed a Johnny Cash song and, to the delight of the crowd, Colder Weather, made famous by the Zac Brown Band, in which Levi helped co-write (see video clip below).
Despite the intense lyrics in their songs and dedication to their instruments, it was great to see them not take themselves too seriously. They traded jokes about how Levi hates a whole train (had to be there to understand that one), jumped into the Muppet song, and Clay even sang a portion of Garth Brooks’ Thunder Rolls in the voice of Randy Newman. Overall, the unpredictable combination of laughs and the flawless sounds from both instruments and vocal chords, made Clay v Levi experience was one of the most enjoyable shows I’ve seen in quite awhile.
VIDEO CLIP of “Colder Weather”:
- Barely Getting By – Levi Lowrey
- Mountain Time – Clay Cook
- Space Between – Levi Lowrey
- Love You Like a Wild Flower – Clay Cook
- December Thirty-One – Levi Lowrey
- Tell Him What You Want (with Amazing Grace snippet) – Clay Cook
- Tying Not To Die – Levi Lowrey
- Lost Generation – Clay Cook
- The Problem with Freedom – Levi Lowrey
- This Kinda War- Clay Cook
- All-American – Levi Lowrey
- Restless Man (with a snippet of the Muppet Show and Thunder Rolls) – Clay Cook
- Yesterday’s Fool – Levi Lowrey
- Luckiest Man (Wood Brothers Cover) – Clay Cook
- I Still Miss Someone (Johnny Cash Cover) – Levi Lowrey
- Terrible Timing – Clay Cook
- Colder Weather (Zac Brown Band Cover) – Levi Lowrey
- No Such Thing (John Mayer Cover) – Clay Cook
Artist: Levi Lowrey
Album: Levi Lowrey
Label: Southern Ground Artists, Inc.
Interview Date: 3/26/14
I got the chance to speak to Levi Lowrey about a number of topics, including his self titled album, Levi Lowrey, which was recently released on Zac Brown’s label, Southern Ground Artists, Inc. Check out the question and answer session with Levi and be sure to pick up his album by clicking here, itun.es/us/ZQGbW
QUESTION (MTMS): Thank you for giving your time to speak to me. I know you just came back from the Dominican Republic (Sun, Sand, & Southern Ground), how was that?
ANSWER (LEVI): Yeah, I got in last night. It was nice, but I am happy to get back to Georgia.
QUESTION (MTMS): I saw a lot of pictures and posts on facebook and twitter regarding your individual performance. It seemed like there was a lot of buzz.
ANSWER (LEVI): The first night was a lot of fun. The hotel forgot to barricade it off so anyone that was at the resort could come out, so it was a lot of fun. It was a huge crowd with a lot of people who didn’t pay for it. So it was awesome.
QUESTION (MTMS): I know that you wrote all the songs except for one on your newest album and pride yourself as a songwriter. How many songs did you write for this particular project?
ANSWER (LEVI): I was writing a lot and think we ended up with about twenty or so that we entertained. All I did between records was write and taking trips between Nashville and Georgia.
QUESTION (MTMS): What is the process is breaking down the songs to select which make it onto the record?
ANSWER (LEVI): Well, I typically take the ones that have no shot on country radio. That’s how I choose my songs on my record. The ones I love. The others I try to sell off to other artists, the catchy stuff.
QUESTION (MTMS): December 31 was a standout track to me, is there any meaning or a story behind that song?
ANSWER (LEVI): It was a song I wrote with Travis Hill. He actually wrote the song “Anything But Mine” by Kenny Chesney which is the only song by Kenny Chesney that I like. We wrote the song about how things can turn around in one second. It is just a strange part of the human psychology how the new year comes along and there is a new second. It came during a time where my wife was diagnosed with Hodgkin’s lymphoma and she was starting to get better and was in remission. So it was how things were changing.
QUESTION (MTMS): I saw the Black Sabbath song, War Pigs, made it onto the record. How did you decide to put it there?
ANSWER (LEVI): Zac (Brown) wanted it there from the get go and I fought him on it as much as I could. He ended up winning out. I think he was right, I will now admit it. I did not think it fit the collection of work that I had recorded and thought that the song Long Way Home was a good stopping point. But after listening to the album straight through when I got a copy, it seemed to me as it was thrown at the end as a we are done thing. And I think it’s now resonating with a lot of people.
QUESTION (MTMS): I noticed the production on this album seems so big and different from your last album. Was that your choice to go in this direction?
ANSWER (LEVI): It’s actually a direction I’ve always gone in with my band and my records myself. My first album with Zac was a departure from me. The bluegrass thing has always been a part of me as I grew up playing fiddle and in Bluegrass bands. I had never made a record like that as I came from a pop punk band. I mean, I played fairs and around Georgia. But when I signed with Zac and recorded this record it was just how that record came out. And I am happy with that first record, but this one is more like what I’ve been doing.
QUESTION (MTMS): I saw a lot of posts by Clay Cook (of the Zac Brown Band and Southern Ground Artists, Inc.) about this album. What role did he play in making this album?
ANSWER (LEVI): He and Matt Mangano were the Producers on this record. So he came in every day and put in fourteen or fifteen hour days as well as playing on most of the songs. I say the album sounds like my band with special guest, Clay Cook. He brought a lot of incredible ideas, so did Matt Mangano. It would not sound as good without those two guys right there.
QUESTION (MTMS): I know you are headed out on the Levi v. Clay Tour 2 soon. I will be at your New York City tour stop at Joe’s Pub. What can we expect from that tour?
ANSWER (LEVI): Oh man, it’s hard to describe. The first tour was so unique. I know everyone gave us a good response the first time and have wanted a second round. It’s two guys, no setlist, multiple instruments. We just sit up there and pretty much give each other shit all night long and play on each other’s songs. You’ll hear songs from this album, songs no one has heard before, and who knows what else. We pull out covers and try to stump each other as much as possible. He may be a little bit better than it than I am because he is more musically versed being a Berkley graduate and all. There will be some curveballs as we try to stump each other. We may even merge some tunes that no one has heard before. Last time we did a complete A minor version of ‘Wherever We Break Down’ that was really dark and strange sounding.
QUESTION (MTMS): I have seen you perform many times opening for the Zac Brown Band, in many places such as Madison Square Garden. Any plans to get back out there with them?
ANSWER (LEVI): Any time I get to play with anyone at Madison Square Garden I will take that opportunity. But right now no other dates yet with them. Hopefully, sometime in the soon.
QUESTION (MTMS): I’ve enjoyed seeing the Southern Ground rise as I saw you back at the Bowery Ballroom in New York City and then just a few years later play the Garden.
ANSWER (LEVI): The Bowery Ballroom, to date, is one of my favorite shows I’ve ever played. I went in not knowing what to expect as it was just me and an acoustic guitar and a packed room. And New York City surprised me so much because it went from a huge raucous crowd to a listening room at a split second. And you guys were so incredible to me. It gave me validation for what I do for a living. It made me feel like I can make it as a songwriter and can make people listen to what I have to say. That show still stands out to me to this day as one of my favorites. I try to have just one of those moments from that night per show. Even if the crowd is against you, if I can get one moment the way that whole show was that night, that makes it all worth it.
QUESTION (MTMS): Do you have a favorite song off the new album?
ANSWER (LEVI): I am very partial to ‘Trying Not To Die’. It is one one of my favorite that I’ve ever written and one that came to me fast. And to have one of my heroes, Mac McAnnally, help me on it and sing background, play piano and guitar on it, just put it over the top for me.
QUESTION (MTMS): I saw in the liner notes, people like Mac, and Wyatt Durrette, Coy Bowles & Clay Cook of ZBB, and even Clare Bowen from ABC’s Nashville, all helped you. How does it feel to work with all these great musicians?
ANSWER (LEVI): It’s awesome and I can say it truthfully that they are all my good friends. I talk to them on a regular basis. I am fortunate. To have Mac MacAnnally to call or text with. Or to be able to sit down with someone so talented like a Clare Bowen. Me and Clay call each other and talk each other through crap all the time. We are really good friends and I wanted them all on the record. Luckily, they all are musical bad-asses.
QUESTION (MTMS): I saw in the liner notes that you thanks Zac Brown for being able to beat him in Madden from time to time. What’s the deal with that?
ANSWER (LEVI): Zac likes to play Madden after every show and he gets on an elliptical. I am not well versed in work out machines but he gets on one of those and plays Madden. He has gotten pretty good. I used to beat him every time but he has been studying. The last time we played, I finally got him online and set up a profile for him so we can play when he’s at home and I’m at home. I beat him 38-10 and he hasn’t asked for another rematch because I think he’s a little afraid. He prefers a run on the elliptical, I prefer a cold beer.
QUESTION (MTMS): I’ve seen your songs on Zac Brown Band records and even Randy Houser’s newest album, do you have any other songs right now that will appear on other artists’ albums?
ANSWER (LEVI): I hope so. There are a lot of good ones out there right now. It depends on these Nashville artists and what road they go and if they are going to record some songs with substance. I think everyone is getting a little tired of it right now and I’m kind of hopeful because this new executive came out not too long ago and made the comment maybe we should start recording better songs and not just stuff about pick-ups and beer. I have hoped things will turn back around. Everything runs in cycles. Even back in the day when Chet Atkins came to town and produced these slick-pop records, that I honestly cannot stand, but that was the trend. But then came Outlaw. So everything moves in trends and cycles and hopefully we are at the end of this “bro” country bullshit.
QUESTION (MTMS): What would you like listeners to take away from your most current record?
ANSWER (LEVI): Its personal, almost like reading my journal. I think the biggest thing for me is December 31 and how everything can turn around in a second. I hope people can find hope in the songs and relate to the songs. If you are going through the same struggle you can come out the other side.
Irving Plaza, New York City
March 8, 2014
w/ Jon Pardi
On Saturday night, Thomas Rhett brought his unique style of country music to the Irving Plaza, tucked in the Union Square District of New York City. What followed was an action packed show full of hits from all genres including country, rock, and hip-hop. Irving Plaza was jam packed like I had never seen it before and I’ve seen such acts such as Toby Keith, Eric Church, and Dierks Bentley there before. It went to show how hot country music is today and the effect that Nash FM has had upon the City.
Before the show, my friends and family had the opportunity to meet Thomas Rhett (TR) and present him with some original artwork created by Bill Angresano. Mr. Angresano is a well known artist who lives in New Jersey. His daughter attended the show with me and we presented TR with an original charcoal portrait.
Mr. Angresano has also created some sketches regarding TR’s song “Beer With Jesus”. Below is one of those amazing sketches:
The opening act for the night was newcomer, Jon Pardi, who just had a long run on the country charts with his infectious song “Up All Night”. Pardi sang a short but entertaining set full of seven songs off of his album, Write You A Song. He has a distinct twang and has a fairly traditional country style. He combined party songs with a few love ballads. I thought “That Man” shined as his best vocal moment while “Up All Night” got the rowdy venue singing along word for word. I look forward to what I expect to be a solid career from Pardi.
When Thomas Rhett hit the stage, it was as if a party bomb was set off. The crowd consisted of fans mainly in the 18-35 year old range and they came ready to party. TR was ready and set to give them what they wanted. He began with “All American Middle Class White Boy” and then jumped onto the front amplifier as rapper J-Kwon’s “Tipsy” pumped from the speakers. It was at that moment that everyone looked around at each other realizing this was not your normal country music show.
TR created arguably the most unique and diverse setlist that I have ever witnessed before. As a fan who appreciates all genres, it really was intriguing as he kept upping the ante with what he performed next. At one point he transitioned from a snippet of Justin Timberlake and Jay Z’s “Suit & Tie” into Garth Brooks’ anthem, “Friends In Low Places”. At another point he performed “Party Lot Party”, a song he wrote and was recorded by Lee Brice. However, in the middle of the song he began singing snippets of everything from Tom Petty to Bubba Sparxx to Weezer (see the complete setlist below). Nothing seemed forced and the combination of all these mash-ups led to constant sing-a-long from the full venue.
Notwithstanding all of the awesome covers, TR’s original material shined just as bright. “Get Me Some of That” and “It Goes Like This” had a deafening response from the crowd, as songs such as “Sorry For Partying” and “Front Porch Junkies” were just as well received. TR seemed so surprised that the crowd responded with such admiration and energy. And his performance fed right off of that energy as he rocked out, sang with swagger, and used every inch of the stage that he could.
Overall, the show was one of the best I have seen in awhile. The plethora of material that Thomas Rhett used from every genre showcased his love for all music and really showcased how the younger generation of country fans fully accepts the genre bending. TR is easily one of country’s new top acts and based on his Big Apple performance, he is truly a star in the making.
- All American Middle Class White Boy
- Tipsy (J-Kwon Cover, Snippet)
- What You Got In That Cup
- Make Me Wanna
- Suit & Tie (Justin Timberlake and Jay-Z Cover, Snippet)
- Friends in Low Places (Garth Brooks Cover)
- Get Me Some of That
- Front Porch Junkies
- Sorry For Partying
- Parking Lot Party (Lee Brice Cover, with snippets:
- Dust On The Bottle (David Lee Murphy Cover)
- The Joker (Steve Miller Band Cover)
- Free Falling (Tom Petty Cover)
- Ms New Booty (Bubba Sparxxx Cover)
- Beverly Hills (Weezer Cover)
- Write You A Song
- Empty Beer Cans
- What I Can’t Put Down
- Trash a Hotel Room
- That Man
- Missing You Crazy
- Up All Night
Country 92.5’s Concert For Kids 2014
Cadillac Ranch Restaurant
Cole Swindell, Thomas Rhett, Kellie Pickler, Scotty McCreery, and the LoCash Cowboys.
February 25, 2014
Each year, Connecticut’s Country Music radio station puts together an acoustic show at the Cadillac Ranch, in Southington, CT. The show is a benefit for St. Jude’s Children Hospital in Memphis, TN, a charity country music singers have always greatly supported. This year’s show included Cole Swindell, Thomas Rhett, Kellie Pickler, Scotty McCreery, and the LoCash Cowboys.
- Love This Life – LoCash Cowboys
- You Make Me Wanna – Thomas Rhett
- Suit & Tie (Cover) – Thomas Rhett
- Best Days of Your Life – Kellie Pickler
- Buzzin’ – Scotty McCreery
- Brought To You By Beer – Cole Swindell
- Hey Hey Hey – LoCash Cowboys
- Pour Some Sugar On Me (Cover) – LoCash Cowboys
- Round Here (Cover) – Thomas Rhett
- Selma Drye – Kellie Pickler
- Water Tower Town – Scotty McCreery
- This Is How We Roll (Cover) – Cole Swindell
- Hope You Get Lonely – Cole Swindell
- Best Seat in the House – LoCash Cowboys
- It Goes Like This – Thomas Rhett
- Closer to Nowhere – Kellie Pickler
- Feelin’ It – Scotty McCreery
- Ain’t Worth The Whiskey – Cole Swindell
- You Gon’ Fly (Cover) – LoCash Cowboys
- Truck Year (Cover) – LoCash Cowboys
- Get Me Some of That – Thomas Rhett with Cole Swindell
- Red High Heels – Kellie Pickler
- See You Tonight – Scotty McCreery
- Chillin’ It – Cole Swindell
- Friends In Low Places – Thomas Rhett, Cole Swindell, Kellie Pickler, Scotty McCreery & LoCash Cowboys
This year’s event seemed to draw an even bigger (and rowdier crowd) than in years past. Broadway and Cory, Country 92.5’s Electric Barnyard morning show introduced the artists and each of them sat on a stool next to each other. The rest of the night followed a guitar pull, in which each artist takes turns down the line playing a song of their choice.
First up was the LoCash Cowboys. They are very entertaining performers who tend to blend genres with a Hick-Hop type of vibe. However, they were most convincing on their emotional song “Best Seat In the House” written for one of the member’s deceased father. Their final pull was a combination of songs they have written for some of country music’s superstars, Keith Urban (You Gon’ Fly) and Tim McGraw (Truck Year). The entire crowd was on their feet singing along word for word.
The second artist was Thomas Rhett, who has quickly risen from a talented Nashville songwriter to a solo artist with star potential. He started with “Make Me Wanna” and threw in a little Justin Timberlake/Jay-Z “Suit & Tie” at the end of it. He, of course, played his #1 hit “It Goes Like This” and sang the #1 song he wrote for Florida Georgia Line, “Round Here”. He even freestyle rapped on one of LoCash Cowboy’s songs. However, what I thought was the highlight of the night, was when he and Cole Swindell collaborated on his new single “Get Me Some Of That”, which happened to be co-written by Cole.
Kellie Pickler was next on the stage and she added some background to each of the songs she sang. “Red High Heels” got the biggest reaction of all of her songs, but the song about her grandmother, “Selma Drye” stood out the most to me. It is a true story about her gradmother who she knows she got “her crazy from”. Kellie was the only woman on stage and more than held her own. Her voice was soulful and she looked as beautiful as ever.
American Idol alum, Scotty McCreery was next and he ran through a mix of his new songs. His deep, resounding voice boomed through the speakers on his four songs. “Water Tower Town” had a huge reaction from the crowd, but it was “See You Tonight” that was arguably the best vocal performance of the night. He explained to the crowd that it was his first single to make the top 10 and it is still climbing. I had never seen Scotty live before and I was very impressed with his vocal performance.
Cole Swindell was last but certainly not least. He was, by far, the most charismatic of the performers and seemed to get the biggest response from the crowd. He was into each of his other artists’ songs encouraging the crowd to clap and was constantly pumping his fist. His songs off his new album such as “Brought To You By Beer”, “Ain’t Worth the Whiskey” and “Hope You Get Lonely” got reactions from the crowd as if they had been released for years, not just one week ago. However, his final song, “Chillin’ It”, which is currently the #1 song in the Nation, got the biggest response. He was extremely humbled and appreciative of the crowd, his fans, and his fellow artists’ support.
The night ended with the entire cast singing Garth Brooks’ “Friends In Low Places” with Scotty McCreery taking the reigns on the final “hidden” verse. After the show ended, the artists sat in line and signed autographs for one hundred fans. All the money was dedicated to St. Jude’s and the night was a complete and utter success, once again. I commend Country 92.5 for putting on this annual event which helps such a worthy cause.
Track by Track Dissection
Dierks Bentley: “Riser”
Released: February 25, 2014
Capitol Records Nashville
Produced by Ross Cooperman
A few times per year, I like to sit down and write down my thoughts of each track on an album that really impresses me. Dierks Bentley has always been synonymous with making quality music, but after hearing Riser, I felt compelled to dive into each song individually. It really is an artistic and diverse creation of music which compounds all of life’s emotions. Dierks includes the happy, sad, dark, fun and complex moments that everyone experiences in life. The result is an album about how life is all about rising above all the hurt and pain to find happiness. You may not agree with my thoughts and I do not write this as a review, but more of what I found in the meaning of such a phenomenal creation of music.
- Bourbon in Kentucky
- Say You Do
- I Hold On
- Pretty Girls
- Here on Earth
- Drunk on a Plane
- Sounds of Summer
- Damn these Dreams
- Back Porch
- Hurt Somebody
1. Bourbon In Kentucky
This song has been out on itunes for some time now and was even released as a single until being mysteriously pulled from radio. That being said, I think it is not only one of the best songs on the album, but one of the best country songs I’ve heard period. Anyone who knows me personally knows that I am a bourbon connoisseur, so that gives an added pleasure to me. However, the song is a dark story about a man who cannot drink enough bourbon to drown the memory of a woman he has recently lost. It is apparent the break-up absolutely devastated his life and the desperation and pain in Dierks’ voice is moving. Grammy Award Winner, Kacey Musgraves, adds her vocals in the background to this phenomenal tune.
2. Say You Do
A man wishing that a woman would love him like she used to. It’s that scary moment where someone realizes they have lost their lover. The story teller will do anything, even allow lies and pain to just have a single moment of the way it used to be.
3. I Hold On
The first official single off of the album, currently sitting in the top 10 on Mediabase is a personal song which Dierks describes meaningful things to him that he holds on to. I think this song works so well because everyone can identify a materialistic thing that they keep because it has emotional value. He sings about how he keeps his truck even though it’s old, not because of the truck itself, but because of the memories he had driving to Nashville with his recently deceased Father. Further, he talks about an old guitar that he has had since the start. He is holding on to these things not for their materialistic value, but for the emotional memories that they stand for. A brilliant and unique idea that only Dierks can pull off. If this does not hit #1, country radio should be ashamed of itself.
4. Pretty Girls
This is a song which Miranda Lambert apparently hounded Dierks to record. It is a song written from the perspective of a guy who goes to a concert with his friends just to watch “pretty girls drinking tall boys”. In the Riser Documentary which aired this past weekend on numerous channels, Dierks said he wrote it on a cocktail napkin at the Bowery Hotel in New York City after a show where he recalled this scene that he sees every night at his shows.
5. Here On Earth
If you have lost someone who has meant something significant to you in life and hear this song without shedding a tear, you may want to check yourself for a pulse. A truly heartbreaking account of someone trying to deal with the death of a loved one. I know when I lost someone way too early that meant so much to me, I went through a time of darkness where I could not understand why it happened. This song speaks to that very moment where there are no answers that can make it better.
6. Drunk On A Plane
When I first saw this title I must admit, I rolled my eyes and expected it to be rather cheesy. On the contrary, Dierks showcases why he is one of the best in the business. He creates a fun party song that is the result of another heartbreaking moment (a break-up before a vacation which was to serve as a honeymoon). The song is catchy as hell and will do exceptional on country radio if released as a single. I dare you to listen to the song and not find yourself singing “buying drinks for everybody” for the rest of the day.
Another heartbreak song where the story teller has lost a woman he loves and would do anything to get her back. He speaks about not her every leaving his mind despite her moving all the way across the country and out of his life. However, a twist comes at the end when the girl calls him up and says the same thing to him that he has been thinking all along. It comes in the middle of the album as the theme of the album begins to “rise” towards a happier, more content feeling.
A true highlight of the album which brings together the meaning of the album as a whole. It’s the moment a man regains his sense of being after getting through hard times. He tells his loved ones they do not have to worry any more because he is strong. Each line and each word in the song is inspiring. It makes the listener want to stay strong for all who depend on them. I really hope this is also released as a single as I feel it is one of Dierks’ best songs of his career.
9. Sounds of Summer
A unique way to approach a topic which has been sung about a million times, summer. Instead of the normal cliches that you usually hear, Dierks approaches it from not the sights, but all the sounds you only hear during the warm months. Sonically, the production shines on the track with drum rolls, screaming guitars, and reverb on his voice at times. I could see this doing very well on radio as well.
10. Damn These Dreams
A beautiful song dedicated to his family and how hard it is to be away from them while he is on the road. It’s an interesting look into the life of a singer who is trying to follow his musical dreams while still balancing family life. You can hear pain in Dierks’ voice, but it’s a different because he knows he can’t leave either of his loves: music and family.
11. Back Porch
Just a fun, good timing summer party song. There is no deep meaning behind this song, but fits in perfectly in the full scheme of what I think Dierks tried to achieve on the album: a full landscape of life. There are certainly fun times amidst any trials and tribulations we may come across. Back Porch is a song you can tap your foot to and let the stress just melt away with some beer on ice.
12. Hurt Somebody
A simple love song about knowing there is a woman who is out of the story teller’s league. He knows the girl is trouble and will eventually hurt somebody, but he cannot help himself from hoping it is him.
CMA Songwriters Series
at Joe’s Pub, New York City
February 12, 2014
On Tuesday and Wednesday night, four award winning country music songwriters took to the Joe’s Pub stage as so many have over the past years. However, this time, it was to celebrate the 10th Anniversary of the CMA Songwriters Series at Joe’s Pub, which is located at 425 Lafayette Street in New York City. I was lucky enough to be invited by the Country Music Association to attend the 7 PM show on Wednesday, February 12th and witness a truly special show.
What followed was a multitude of hits and stories behind the songs. Of course, songs such as “Red Dirt Road” and “Only In America” by Kix Brooks had the crowd smiling and singing the most. But Jon Nite, quietly proved to have a budding future already chock full of #1 songs under his belt. He was the most modest and quiet of the bunch, but when he told his stories and sang his songs, he had the crowd in the palm of his hand. He told a story about the recent #1 hit “We Were Us” which Thomas Rhett turned down because he “hated it”, but Keith Urban recruited Miranda Lambert to sing on it and made it a huge hit. He also spoke about a tough time in his life which led to him to write the Dierks Bentley hit “Tip It On Back” which allowed him to escape from the moment he was in. The CMA Songwriters Series works so well because of the dissection of how the song was made. For a fan of country music like me, who especially the stories they create, it brings even more intrigue by hearing the story behind the story.
Not to be outdone, Tim Nichols added his humor to each of the songs he sang. He even did a little Trace Adkins-like dance to the end of “Ain’t No Thinkin’ Thing”. But his powerful “Live Like You Were Dying” (recorded by Tim McGraw) produced the biggest sing a long of the night as the entire crowd was in unison. That particular song was not really about the story behind the song, but Tim touched on the reactions he got from people after the song was released. The messages in the song are so strong about the real reasons for living that he felt amazed how much he really touched people. That is the beauty of real music.
Kix Brooks, however, stole most of the show as he has always been a performer personified. He told stories about having Jell-O shots with Ronnie Dunn in New Orleans, being on a bus with Merle Haggard, the struggles of being in a duo for twenty years, and even played along with every single songwriter’s song. However, as he introduced “Only In America” (see video clip below), he told a hysterical story about how the song was President Bush’s campaign song which ultimately led to him being invited to the White House for the inauguration. He said he met Muhammad Ali, Colin Powell, and even Ricky Martin. He also said he was a bit surprised when he heard his song eight years later during a Barack Obama campaign (because he had not given him permission to use it) and receiving a text from John Rich as it played saying “not cool, man”. His jokes had people in stitches and his songs were sung with gusto.
The Church on Cumberland Road – Bob DiPiero (recorded by Shenandoah)
Red Dirt Road – Kix Brooks (recorded by Brooks & Dunn)
We Were Us – Jon Nite (recorded by Keith Urban and Miranda Lambert)
Heads Carolina, Tails California – Tim Nichols (recorded by Jo Dee Messina)
American Made – Bob DiPiero (recorded by Oak Ridge Boys)
Can’t Make This Stuff Up – Kix Brooks (recorded by Kix Brooks)
Tip It On Back – Jon Nite (recorded by Dierks Bentley)
Girls Lie Too – Tim Nichols (recorded by Terri Clarke)
Can’t Take the Honky Tonk Outta the Girl – Bob DiPiero (recorded by Brooks & Dunn)
You’re Gunna Miss Me When I’m Gone – Kix Brooks (recorded by Brooks & Dunn)
Beachin’ – Jon Nite (recorded by Jake Owen)
Ain’t No Thinkin’ Thing – Tim Nichols (recorded by Trace Adkins)
Southern Voice – Bob DiPiero (recorded by Tim McGraw)
Only in America – Kix Brooks (recorded by Brooks & Dunn)
- Whatever She’s Got – Jon Nite (recorded by David Nail)
- Live Like You Were Dying – Tim Nichols (recorded by Tim McGraw)
Featuring Lee Brice & Cole Swindell
That’s My Kinda Night Tour
January 23, 2014
Mohegan Sun Arena, Connecticut
It’s been a frigid 2014 thus far in Connecticut and one without a country music concert yet to come to town. Luckily, Luke Bryan brought his That’s My Kinda Night Tour to the Mohegan Sun Arena in Uncasville, Connecticut this past week to help everyone forget about things for a night and just have a good old party. And, along with Lee Brice and newcomer, Cole Swindell, they did exactly what they set out to do.
Up first was Cole Swindell who fans are just getting accustomed to hearing on the radio with his top 5 hit, “Chillin’ It”. I was lucky enough to meet Cole backstage and talk to him for a few minutes. He was extremely humble and when I asked him what he thought about his recent and quick rise to popularity, his response was a simple “it’s been a wild ride”.
I was eager to see Cole’s set and at exactly 7:30 pm, the loud speakers boomed with a hip-hop song and he and his band exploded onto the stage to the song “Hey Y’all”. Throughout the entire set, Cole dominated the stage with the ease and comfort of a seasoned veteran, but with the swagger and energy of some of today’s top acts. I was extremely impressed with how he used the entire stage and catwalk area as no portion of his set was boring whatsoever.
He stuck to songs which brought about a party-like atmosphere, which none of the fans seemed to mind. And although the Arena was only about 1/3 filled at the opening of his set, by the time he hit the halfway point it was almost packed. He announced that “Hope You Get Lonely” would be his next song to hit country radio. I expect it to be another huge hit for him as it is a mid-tempo and catchy song about, well for the lack of a better description: a booty call.
Cole finished things out with his hit song “Chillin’ It” which became an instant sing-a-long for mostly every person in the Arena that night. He thanked the crowd and really seemed humble about everything that is going right for him in his young career. I look forward to watching this talented performer’s star growing in the years to come.
Next up was one of Nashville’s most talented musicians, Lee Brice. I have enjoyed watching Lee’s career from the beginning as lately he has gained some real steam in the popularity category, thanks to his infectious sound and passionate performances. That night was no different as he put forth a riveting set full of #1 hits and soon to be singles off a soon to be released album.
If you have not seen Lee Brice live yet, you are really missing out. He sings his lyrics with real energy, passion, and pride. Moving songs such as the emotional “I Drive Your Truck” or the spiritual “Love Like Crazy” moved some fans standing around me in the pit to tears. It is not often that live music has that result, but Lee has masterfully executed it each time I have seen him. He performed his new single “I Don’t Dance” acoustically, which he stated will be released to country radio on January 28th, 2014 and he had written for his wife before their wedding. I fully expect this deep and thoughtful song to reach the #1 spot as well.
And for all of the deep and touching songs he performed, he balanced in a lot of fun and partying as well. “Parking Lot Party”, “Beer” and “Nights We Won’t Forget” fit perfectly with the theme of his two counterpart artists that night. Yet, his two love songs, “Hard To Love” and “Woman Like You” got the biggest response from the crowd that night. Throughout his entire set, Lee showcased exactly what more artists should be striving to emulate, songs with a diverse set of themes, attentive lyrics, and performed with true emotion and showmanship.
Up next was the reigning ACM Entertainer of the year, Luke Bryan. Luke may be the most sought after artist in the country genre these days and he surely did not disappoint. He transformed the lyrics of his smash hit song, “That’s My Kinda Night” into the opening of his set as he arose from the floor of the front of the catwalk on a big black pick-up truck with a gleaming ring of fire around it as he sang and danced on the bed. The women screamed and the men pumped their fists as Luke sang the hick hop hit. What followed was a set chock full of hit songs with craftily set props all over the stage.
Luke did something that not many headliners take the time to do, he interacted on a personal level with many of the fans. Whether it was taking a young girl on stage for an entire song, or laying down on the stage to take pictures with fans in the pit with their own camera phones, he spent a great deal of time making fans’ dreams come true without missing a single lyric or note. During his spring break songs, a cooler arose onto the stage and he handed out beers to the crowd. A pier even emerged from beneath the stage to go along with the lyrics of “Drink A Beer”. Luke and his crew put real thought into the set and there was never a dull moment as I had to keep my head on a swivel just to see what would pop up or happen next.
Luke never stopped moving either. He used every inch of the stage as he sang, jumped, danced, and purred to the crowd. Obviously playing into the female crowd, he would break down into dances that were very male-stripper-esqe. Thankfully (at least, to me) he kept his clothes on at all times. He did announce to the crowd that “Play It Again” would be his next single, yet when he performed it you would have thought it was already a radio hit as every fan in the crowd sang along. He even performed Macklemore & Ryan Lewis’ hit rap song, “Can’t Hold Us” and really held his own on the rapid fire words throughout the party song.
He closed his set out with “The Only Way I Know” (which I thought for sure he would have brought Cole and Lee on stage with him, but did not) and “Country Girl Shake It For Me”. Both songs got a passionate response from the crowd as they danced, sang, partied, and even twerked along with him. I first saw Luke perform in a Longhorn Steakhouse for free almost seven years ago. It has been amazing to see his star grow from an aspiring songwriter to a performance juggernaut. If you are in the mood for concert with a high octane party-like atmosphere, the That’s My Kinda Night Tour will fulfill all your needs all winter, spring and summer long.
- That’s My Kinda Night
- Rain Is a Good Thing
- Kiss Tomorrow Goodbye
- All My Friends
- Country Main
- Someone Else Calling You Baby
- Chillin It Snippet (Cole Swindell Cover)
- Parking Lot Party Snippet (Lee Brice Cover)
- Do I
- Play It Again
- Muckalee Creek Water
- Drinkin’ Beer and Wasting Bullets
- Suntan City
- Here to Party
- Can’t Hold Us (Mackelmore & Ryan Lewis Cover)
- Crash My Party
- Drink A Beer
- Drunk On You
- I Don’t Want This Night To End
- Dynamite (Taio Cruz Cover)
- The Only Way I Know (Encore)
- Country Girl (Encore)
- That’s When You Know It’s Over
- Nights We Won’t Forget
- Hard To Love
- Woman Like You
- I Don’t Dance
- Looking For a Good Man
- Love Like Crazy
- I Drive Your Truck
- Parking Lot Party
- Drinking Class
- Hey Y’all
- Brought To You By Beer
- Get Up
- Hope You Get Lonely
- Lemme See Ya Girl
- Chillin’ It
Over the course of my life, I have had the opportunity to see a countless number of concerts, especially in the country music genre. So when Keith Urban announced his “Light the Fuse Tour”, I pondered to myself, how in the world have I not seen him live yet? On November 15, 2013, I made sure that changed as I made my way to the Mohegan Sun Arena in Uncasville, Connecticut.
I was able to spend some time backstage with one of the opening acts, Dustin Lynch, as well as Country 92.5’s Broadway, host of the Electric Barnyard. Most fans know Dustin from his enormous debut #1 hit, Cowboys and Angels. I spoke to him about his next album which he told me he was just beginning to record.
Dustin stated he was very excited to finally create new songs because it gets tiring singing the same songs night after night. He further stated he wants to keep his sound the same and stay true to country music. I got to witness Broadway and Dustin perform a “bicep chug”. A form of drinking a can of beer which Dustin has made famous through twitter and other social media networks.
Broadway, who has quickly become a household name in the homes of Connecticut country fans, asked Dustin to attempt to do a different form of his usual beer drinking action and join him in a “frisbee chug”. Dustin did not hesitate and the results were hilarious. You can see the full clip from Broadway’s blog, Behind the Barn, here at http://www.country925.com/media/play/behind-the-barn-dustin-lynch-23994950/ .
I made my way to the Arena and got to my seat just as Keith came out and instantly ripped into Long Hot Summer. What followed was a perfectly executed set that combined hits, covers, new album cuts, surprises, and most of all, some of the best electric guitar skills I have ever witnessed. Keith is backed by four other musicians and had an enormous interactive screen that constantly changed images behind the band.
Keith mostly stuck to his music and did not speak to the crowd as much as I thought he would. However, when he did, he made the most of it. Especially when he randomly picked a girl out of the crowd and brought her on stage. He then had her sit in a couch and asked her to pick from a selection of songs. She picked Only You Can Love Me This Way because it was her wedding song. Keith followed by seductively singing the song to her and changing the lyrics up to fit the moment.
There were some great surprises as well during his two hour set. Keith brought out Little Big Town, another of the opening acts on this tour, for the megahit, You’re Gonna Fly. The four LBT members sandwiched Keith at the front of the stage and he happily let them take over the vocals while his fingers made magic up and down on his guitar. This song was easily one of the crowd’s favorites as the entire Arena was up and rocking.
Keith did not forget about his bicep chugging opening act either, as he brought out Dustin Lynch to take over the vocals on the second and third verses of “Kiss A Girl”. Dustin showed true professionalism as he had the crowd singing along and the girls hearts fluttering.
Dustin and Keith had a real stage presence together as they shared the same microphone and fed off of each other’s energy. I always find it great when the headliner brings out his supporting acts for select songs and wish more stars would do the same. Dustin took advantage of the opportunity to be up on stage with a megastar such as Keith Urban and knocked the song out of the park.
Keith also used a “B Stage” in the back area of the arena in which he used several times for a multitude of songs. He allowed the band members to sing snippets of several cover songs back there and even threw in a verse of Blake Shelton’s hick-hop hit, Boys ‘Round Here, as he made his way from the back stage to the front.
The constant movement from the main stage through the crowd to the back stage made for an exciting experience as I found myself expecting the unexpected. There was absolutely no lull in the performance as it was exhilarating from start to finish. I have seen numerous shows where the artist sticks to his microphone and does not much else. This, I can promise you, is not the Keith Urban way.
In the end, the real star of the show was Keith’s guitarmanship. He performed hit after hit with impressive vocals, but, after virtually every song, he pounced into a guitar solo that was absolutely face melting. He had me shaking my head with utter confusion on how someone can be so skilled at an instrument. The only complaint I can think of with his show was how one of his backup band members seemed to try to hard to be a part of the show. For some reason, he chose to wear a shirt and tie and constantly tried to get the crowd’s attention. His antics seemed to take away from Keith’s brillance at times and almost felt like he was purposefully trying to upstage him.
The true highlight of the show was when Karen Fairchild returned to the stage for the third time that night, to help with Miranda Lambert’s portion of the new smash hit, We Were Us. She sounded brillant in her vocals and made me wonder if she may have been better suited for the actual studio cut. Nonetheless, Karen and Keith performed a perfect rendition of the song and they seemed to have geniune fun singing together.
Before the encore, Keith ended his set with Somebody Like You while an arena full of confetti fell from the rafters. This created an amazing visual with all of the lasers and lights from his production team. His encore was a mixture of love ballads, a song which he performed on the piano, and he finished up with the fun loving hit, You Look Good In My Shirt.
All in all, I left the Mohegan Sun Arena that night kicking myself for waiting so long to see such a musical mastermind live. He combined everything that makes a live show worth a fan’s money: hits, high production, interaction, surprises, and professionalism. If you have the chance to see Keith light the Fuse in your hometown, do not wait any longer, jump on the opportunity.
- Long Hot Summer
- Sweet Thing
- I Told You So
- Stupid Boy
- Only You Can Love Me This Way
- Even the Stars Fall 4 You
- You Gonna Fly (with Little Big Town)
- Cop Car
- Without You
- Good Thing
- Kiss a Girl (with Dustin Lynch)
- Won’t Get Fooled Again (The Who cover)
- Days Go By
- Rumour Has It (Adele cover)
- Once in a Lifetime
- Better Life
- Boys ‘Round Here (Blake Shelton cover)
- Some Nights (Fun. cover)
- Little Bit of Everything
- ‘Til Summer Comes Around
- We Were Us (with Karen Fairchild of Little Big Town)
- Who Wouldn’t Wanna Be Me
- Somebody Like You
- But for the Grace of God (Encore – played on the piano)
- Keep on Loving You (Encore – REO Speedwagon cover)
- Tonight I Wanna Cry (Encore)
- Locked Out of Heaven (Encore – Bruno Mars cover)
- You Look Good in My Shirt (Encore)
Any huge fan of country music megastar Kenny Chesney has undoubtedly heard countless songs depicting his love for the islands. I had the chance to take a trip down to some of his favorite places: St. John’s and St. Croix in the Virgin Islands and Jost Van Dyke in the British Virgin Islands. Not only are each of the islands some of the most beautiful places I’ve ever been to, but so many of the residents there had personal stories about meeting or interacting with Chesney. I bring you a few photos from the islands:
With all my friends down in the islands”
Same Trailer Different Tour
featuring Brandy Clark
Bowery Ballroom, NYC
September 19, 2013
In an era where country radio is dominated by male artists, two of the genre’s very best females took to the Bowery Ballroom stage in Downtown New York City on Thursday night. A sold out crowd shoved their way into the intimate venue to catch a glimpse of the highly nominated sensation that is Kacey Musgraves. She brought along as her opening support, the less well known, Brandy Clark. Both put forth performances that were as impressive as they were refreshing.
Brandy Clark took to the stage at 9:00 p.m., and sang songs that were remarkably authentic. Brandy sang about crazy girls, death, drugs, and broken hearts. She was dressed in all black and backed by only one guitarist, yet her delivery and lyrics painted a picture in the minds of all who were in attendance.
Not many really knew what to expect from the opening act, but by the time she finished she clearly had won over everyone in the building. The song “Broke” has all the potential to be a radio hit and her current single, “Stripes”, has a dark yet humorous approach that plays unusually well together. She also sang The Band Perry’s “Better Dig Two” which she wrote and she stated that Kacey had “sung the shit out of” on the demo. She stated her solo album will be released on October 22nd. I plan on buying it and looking for more from a woman who has a real authenticity and is dripping with talent to become a star.
Speaking of star power, the headliner, Kacey Musgraves, is already on her way to stardom. Her album, Same Trailer Different Park, debuted #1 on the Billboard All Genre charts and she just wrapped up Kenny Chesney’s Stadium Tour where she served as the opening act and a duet partner with Kenny on most nights. Furthermore, she was the most nominated artist for the upcoming CMA Awards and this was the first night of her tour, which happened to be a sell out crowd in New York City. Not so bad for a female playing in what has been dubbed the frat boy party era of country music. And her performance served to be just as impressive as her resume.
Kacey looked absolutely stunning as she took to the stage with her acoustic guitar and hippy looking band behind her. She combined a setlist of songs off of her album, with impressive covers from artists in other genres, as well as new songs and songs she had written for other artists. All of the songs, such as “Blowin’ Smoke”, “Merry Go ‘Round”, “Silver Lining” and the such were sing a longs as the NYC crowd was extremely familiar with her album cuts. “Mama’s Broken Heart”, recorded by Miranda Lambert and written by Kacey, was easily the most explosive song in the set as the energy from what was mostly a mellow crowd seemed to amp up a few notches. The real highlight of her set was the Caribbean styled mash-up of “Step Off” with Bob Marley’s legendary classic “Three Little Birds”. Kacey danced all over the stage and seemed to really be soaking it all in.
Kacey’s encore was truly unique as she sang three songs that were completely different from each other. First, was a new song called “Rainbow” which she performed acoustically without her band. It gave goosebumps to just about everyone as it has #1 written all over it. The lyrics are absolutely stunning and her delivery of the solemn tune was breathtaking. She followed that up with the party pop anthem “Lovefool” by the Cardigans which had everyone dancing along as a bubble machine began to fill the room with bubbles. She finished off her impressive set with “Follow Your Arrow” which she prefaced with the fact that she loves New York City so much because it was so open to all kinds of people. Kacey masterfully executed an impressive set which showcased why she is a true future star, not only in country, but in the overall music world. I look forward to watching this talented woman rise to the top. Because if you can make it in New York City, you can make it anywhere.
- Crazy Women
- Pray to Jesus and Play the Lotto
- Real Good Time to Hold My Hand
- Better Dig Two (The Band Perry Cover)
- Come Over But Can’t Get In (Craig Campbell Cover)
- Only Way to Get By To get High
- Take a Little Pill
- The Trailer Song
- Silver Lining
- Island In The Sun (Weezer Cover)
- I Miss You
- Blowin’ Smoke
- Keep It To Yourself
- I Put A Spell On You (Screamin’ Jay Hawkins Cover)
- Mama’s Broken Heart (Miranda Lambert Cover)
- Hard Time
- Back on the Map
- It Is What It Is
- Step Off
- Three Little Birds (Bob Marley Cover)
- Merry Go ‘Round
- My House
- Rainbow (ENCORE)
- Lovefool (ENCORE) (The Cardigans Cover)
- Follow Your Arrow (ENCORE)
Zac Brown Band
September 1, 2013
Just in case anyone doubted the live prowess of the Zac Brown Band, they surely set the record straight on Labor Day Weekend in Hartford, Connecticut. It was a hot, humid and sticky day in New England, but that did not stop people of all ages to fill the Comcast Theater pit, seats, and lawn to the very last spot. The parking lot was extra rowdy as tailgaters got themselves ready, for what I consider, the best Band in the land.
Zac and his crew of musical geniuses took to the stage at approximately 8:45 and performed one of the most action packed shows I have ever witnessed. The summer anthem “Jump Right In” got everyone dancing and singing off the bat and ZBB never looked back. Armed with a laser light show and stunning visuals on the big screen behind them, every portion of the performance was masterfully executed.
But as much as the visuals were impressive, the real star of the show was music. And for anyone who regrettably has not seen Zac Brown Band live yet, they are not your typical country act. In fact, they are far from it. What other artist or band out there, who churns out #1 after #1 on country radio, can play just some of their “hits” and the fans are left satisfied? What other Band can play Metallica, Nirvana, David Gray, Van Morrison and James Taylor covers with such authenticity? The answer is there is only one.
And as it such with every ZBB show, Zac is the obvious ring-leader, but makes it known that every member of the Band is equally as important. From Clay Cook and Coy Bowles’ rousing electric guitar solo’s on “Who Knows” to Jimmy De Martini’s face melting fiddle solo’s on songs like “The Devil Went Down to Georgia” to John Driskell Hopskins’ surprising rendition of “Enter Sandman” to Chris Fryar and Daniel De Los Reyes perfection on the percussionist instruments, each member shows how truly superior ZBB is from anyone else in the game today.
Of course, no show would be complete without ZBB’s signature song, “Chicken Fried”, which produced an eruption of vocal chords all singing in unison from the stage to the very back of the lawn. Zac was extremely demonstrative with his stern and focused look as he picked and strummed his guitar with intensity.
What really surprised me and much of the crowd was when the band came out for their encore dressed in glow in the dark skeleton outfits that brought an air of mystery and darkness. And the song selections fit right with costume stage as they rocked out to “Uncaged”, Led Zeppelin’s “Kasmir” and a stirring rendition of The Charlie Daniels Band’s “The Devil Went Down To Georgia”. I may get knocked for it, but I think ZBB’s version of the song one ups the original as Jimmy De Martini absolutely destroys any other fiddler I’ve ever seen.
All in all, the Zac Brown Band is the best in the business for my money. The overall excitement and true appreciation for all genres of music makes them truly unique. In an age where music acts play the same songs and same setlist night after night, no Zac Brown Band show is like one before. Simply put, ZBB is the best band in land.
- Jump Right In
- The Wind
- As She’s Walking Away
- Whiskey’s Gone
- Who Knows
- Day For the Dead
- Sweet Annie
- Colder Weather
- Into the Mystic (Van Morrison Cover)
- Seven Bridges Road
- Babylon (David Gray Cover)
- Me & Julio (with Brad Stella)
- Love the One You’re With/Iko Iko (with Brad Stella)
- All Apologies (Nirvana Cover)
- The Frozen Man (James Taylor Cover)
- Percussion Solo’s
- Keep Me In Mind
- Settle Me Down
- Highway 20 Ride
- Knee Deep
- Sic ’em on a Chicken
- Goodbye in Her Eyes
- Enter Sandman (Metallica Cover)
- Chicken Fried
- Kashmir (Led Zeppelin Cover)
- The Devil Went Down to Georgia (The Charlie Daniels Band Cover)
Hammer Down Tour
featuring Kip Moore & Drake White
Comcast Theater, Hartford, Connecticut
Sunday, August 25, 2013
Long standing country veteran Toby Keith brought his Hammer Down Tour to Hartford, Connecticut this past Sunday and absolutely blew the roof off of the Comcast Theater. Joined by country music’s rising star, Kip Moore, and new-comer Drake White, Toby and company put forth one of the most energetic shows I’ve seen this summer.
Crazy One More Time
- What I Do
- I’m Going Back On South
- Beer Money
- Fly Again
- Drinking, Smoking
- Unless Heaven’s Got A Dirt Road
- Hey Pretty Girl
- Something ‘Bout A Truck
- Haven’t Had A Drink All Day
- American Ride
- Made in America
- Beers Ago
- Wanna Talk About Me
- Whiskey Girl
- Ballad of Balad
- Hope on the Rocks
- God Love Her
- Beer for My Horses
- Weed with Willie
- Get out of My Car
- Red Solo Cup
- Who’s Your Daddy
- Ain’t As Good As I Once Was
- I Love This Bar
- How Do You Like Me Now
- A Little Less Talk
- Stranglehold (Ted Nugent Cover)
- American Soldier (ENCORE)
- Courtesy of the Red, White & Blue (ENCORE)
After the show, I was able to catch up with Kip Moore standing outside the entrance. He was gracious enough to allow a short discussion with me about his upcoming album. He stated he is actually hoping to finish up the final cuts for the project this coming Tuesday. He expects the next single to be out this October and hinted that it might be “Unless Heaven’s Got A Dirt Road”. He also guaranteed the new songs he played that night (see the above setlist) would be on the album along with a song called “New York City” which he is very excited about. Furthermore, after some prying he told me he expects the album to be released “on or around January 18th”. He was very humble during our conversation and seemed to be very excited about the new album. I expect a huge future for Kip Moore.
Locked & Reloaded Tour
August 3, 2013
Dierks Bentley may be an “opening act” on the current ‘Locked & Reloaded Tour’, but his performance in Hartford this past Saturday night had all of the makings of a head-liner mainstay. Following sets from Kix Brooks and newcomer Rae-Lynn, the tenacious Dierks took to the stage to an energetic version of “Am I The Only One” and instantly made sure he was not the only one there ready to party.
What followed was a perfectly conceived setlist that contained equal parts lov